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This book examines Jewish writers and intellectuals in Austria, analyzing filmic and electronic media alongside more traditional publication formats over the last 25 years. Beginning with the Waldheim affair and the rhetorical response by the three most prominent members of the survivor generation (Leon Zelman, Simon Wiesenthal and Bruno Kreisky) author Andrea Reiter sets a complicated standard for ‘who is Jewish’ and what constitutes a ‘Jewish response.’ She reformulates the concepts of religious and secular Jewish cultural expression, cutting across gender and Holocaust studies. The work proceeds to questions of enacting or performing identity, especially Jewish identity in the Austrian setting, looking at how these Jewish writers and filmmakers in Austria ‘perform’ their Jewishness not only in their public appearances and engagements but also in their works. By engaging with novels, poems, and films, this volume challenges the dominant claim that Jewish culture in Central Europe is almost exclusively borne by non-Jews and consumed by non-Jewish audiences, establishing a new counter-discourse against resurging anti-Semitism in the media.
With contributions from a dozen American and European scholars, this volume presents an overview of Jewish writing in post--World War II Europe. Striking a balance between close readings of individual texts and general surveys of larger movements and underlying themes, the essays portray Jewish authors across Europe as writers and intellectuals of multiple affiliations and hybrid identities. Aimed at a general readership and guided by the idea of constructing bridges across national cultures, this book maps for English-speaking readers the productivity and diversity of Jewish writers and writing that has marked a revitalization of Jewish culture in France, Germany, Austria, Italy, Great Britain, the Netherlands, Hungary, Poland, and Russia.
Devoted to collecting the finest Jewish writing from around the world, the Jewish Writing in the Contemporary World series consists of anthologies, by country, that are designed to present to the English-speaking world authors and works deserving international consideration. As a series, the books permit a broad examination of the international crosscurrents in Jewish thought and culture. Contemporary Jewish Writing in Austria presents a gathering of writers from several generations who have published a remarkable range of works in recent decades. The result is a diverse portrait of Jewish experience in Austria since the Second World War. Dagmar C. G. Lorenz has assembled an extraordinary roster of literary talents, ranging from authors born in the early decades of this century to writers born after the Shoah. The volume maps a complex tradition of Jewish discourse marked by a profound awareness of the literary past, by the failure of a long-anticipated Austrian-Jewish symbiosis, and by the unparalleled tragedy of the Shoah. It is a modern tradition that has made an essential contribution to Austria?s literary history while remaining, in Lorenz?s words, ?distinct and unassimilated.?
This book examines Jewish writers and intellectuals in Austria, analyzing filmic and electronic media alongside more traditional publication formats over the last 25 years. Beginning with the Waldheim affair and the rhetorical response by the three most prominent members of the survivor generation (Leon Zelman, Simon Wiesenthal and Bruno Kreisky) author Andrea Reiter sets a complicated standard for ‘who is Jewish’ and what constitutes a ‘Jewish response.’ She reformulates the concepts of religious and secular Jewish cultural expression, cutting across gender and Holocaust studies. The work proceeds to questions of enacting or performing identity, especially Jewish identity in the Austrian setting, looking at how these Jewish writers and filmmakers in Austria ‘perform’ their Jewishness not only in their public appearances and engagements but also in their works. By engaging with novels, poems, and films, this volume challenges the dominant claim that Jewish culture in Central Europe is almost exclusively borne by non-Jews and consumed by non-Jewish audiences, establishing a new counter-discourse against resurging anti-Semitism in the media.
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling "unheimlich heimisch" (eerily at home) in Vienna.
Contemporary Jewish Writing in Hungary features works by twenty-four of Hungary?s best writers who have written about what it means to be Jewish in post-Holocaust Eastern Europe. This volume includes work by Nobel Prize winner Imre Kertäsz and other internationally known writers such as Gy”rgy Konr¾d and Päter N¾das, but most of the authors appear here in English for the first time. This anthology features poetry, long and short stories, and excerpts from memoirs and novels by postwar writers. Some of these authors were well known in Hungary before World War II, some were children or adolescents during the war and began publishing in the 1970s, some were born to survivors in the years immediately following the war and grew up during the decades of Communist rule, while others started publishing chiefly after the fall of Communism in 1989. ø Unique among Eastern European countries, Hungary still has a large and visible Jewish population, many of them writers and intellectuals living in Budapest. This anthology introduces English-speaking readers to outstanding works of literature that show the wide range of responses to Jewish identity in contemporary Hungary. The editors? introduction provides a historical and critical context for these works and discusses the important role of Jews in Hungarian culture from the late nineteenth century to the present.
With the disappearance of the eyewitness generation and the globalization of Holocaust memory, this book interrogates key concepts in Holocaust and trauma studies through an assessment of contemporary German-language Jewish authors.
In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literature several decades after the Holocaust. Making German Jewish Literature Anew offers fresh interpretations of second-generation authors such as Maxim Biller, Doron Rabinovici, and Barbara Honigmann as well as of third-generation authors, many of whom come from Eastern European and/or mixed-religion backgrounds. These more recent writers include Benjamin Stein, Lena Gorelik, and Katja Petrowskaja. Throughout the book, Garloff asks what exactly marks a given text as Jewish—the author's identity, intended audience, thematic concerns, or stylistic choices—and reflects on existing definitions of Jewish literature.
This anthology features a diverse and compelling array of writings from prominent Jewish authors in Germany today. The writers included here-Katja Behrens, MaximøBiller, Esther Dischereit, and Barbara Honigmann-did not experience the Holocaust firsthand, though their works continually explore the meaning of it as it is remembered and forgotten in contemporary Germany. From different perspectives these authors offer incisive reflections on German-Jewish relations today. They wrestle in particular with the strangeness of living in a country where unencumbered relationships between Germans and Jews are rare. Also surfacing in their writings are the many foundations and challenges to modern Jewish identity in Germany, including the vicissitudes of gender roles, and the experience of emigration, intergenerational conflict, and sexuality. Contemporary Jewish Writing in Germany not only features a set of engaging stories but also encourages a deeper understanding of the experiences of Jews in Germany today.
With the release of Nelson Mandela, the advent of nonracial democracy, and the Truth and Reconciliation Commission, South Africans have found themselves grappling with the legacy of apartheid's racial and cultural divisions. Together with Claudia Bathsheba Braude's path-breaking introduction, the stories collected in this anthology tap silences that were central to apartheid rule and that have particular resonances for South African Jewish history and memory. ø Bringing together the best and most noteworthy of a wide range of contemporary writers who represent the historical specificities and contradictions of South African Jewish life under apartheid, Contemporary Jewish Writing in South Africa makes compellingly clear the depths and complexities of a society in which racial identities, including Jewish whiteness, were deliberately constructed. The contributors include Nobel Prize?winning novelist Nadine Gordimer; well-known writers such as Rose Zwi and Dan Jacobson; exiled ANC activist and constitutional court judge Albie Sachs; satirist Pieter-Dirk Uys, a penetrating critic of apartheid; and actor and writer Matthew Krouse, whose fiction offers a provocative blending of gay and Jewish identities in the postapartheid era. ø The volume traces the construction of memory and racial identity in South African Jewish literary and cultural history. Among the recurring themes in these stories are the selective presentation of certain aspects of Jewish life under apartheid, a reevaluation of identity after its fall, and the conflicting shadow of the Holocaust in a white supremacist society. Giving nuanced voice to questions about history, race, and ethnicity in postapartheid South Africa, these stories will be of broad interest.