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In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel
In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel
Many of us feel a pressing desire to be different—to be other than who we are. Self-conscious, we anxiously perceive our shortcomings or insufficiencies, wondering why we are how we are and whether we might be different. Often, we wish to alter ourselves, to change our relationships, and to transform the person we are in those relationships. Not only a philosophical question about how other people change, self-alteration is also a practical care—can I change, and how? Self-Alteration: How People Change Themselves across Cultures explores and analyzes these apparently universal hopes and their related existential dilemmas. The essays here come at the subject of the self and its becoming through case studies of modes of transformation of the self. They do this with social processes and projects that reveal how the self acquires a non-trivial new meaning in and through its very process of alteration. By focusing on ways we are allowed to change ourselves, including through religious and spiritual traditions and innovations, embodied participation in therapeutic programs like psychoanalysis and gendered care services, and political activism or relationships with animals, the authors in this volume create a model for cross-cultural or global analysis of social-self change that leads to fresh ways of addressing the 'self' itself.
This ethnography follows Bhutanese refugees who fled Bhutan, resided in camps in Nepal, and finally settled in the vastly different culture of Australia. Along the way, they learn the ways that humanitarian compassion is used to oppress, contain, and erode human rights. They also learn, however, that this charitable framework has small cracks that allow for action. The Bhutanese find ways to move between the contradictory expectations of refugee-ness as they strive to become citizens. Their experiences illustrate the complex strands of power that intertwine to limit the scope of people who "deserve compassion." Neikirk also describes how responses to refugee crises have shifted from facilitating the movement of people to enforcing their containment. Readers in refugee studies, anthropology, and development studies will be interested in this rich transnational study.
Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations. While musical and cultural change is normal, threats to attrition driven by large-scale external forces including sedentarisation and modernisation put strain on the systems of social relationships that have sustained Warlpiri cultures for millennia. Despite these concerns, songs remain key to Warlpiri identity and cultural heritage. Vitality and Change in Warlpiri Songs draws together insights from senior Warlpiri singers and custodians of these song traditions, profiling a number of senior singers and their views of the changes that they have witnessed over their lifetimes. The chapters in this book are written by Warlpiri custodians in collaboration with researchers who have worked in Warlpiri communities over the last five decades. Spanning interdisciplinary perspectives including musicology, linguistics, anthropology, cultural studies, dance ethnography and gender studies, chapters range from documentation of well-known and large-scale Warlpiri ceremonies, to detailed analysis of smaller-scale public rituals and the motivations behind newer innovative forms of ceremonial expression. Vitality and Change in Warlpiri Songs ultimately uncovers the complexity entailed in maintaining the vital components of classical Warlpiri singing practices and the deep desires that Warlpiri people have to maintain this important element of their cultural identity into the future.
Heritage Statecraft and Corporate Power examines the politicization of heritage and heritage conflicts in Siberia. In so doing, it challenges the idea that heritage is created by the state and instead argues that heritage creates the state. Building upon extensive ethnographic fieldwork undertaken in south-central Eurasia, this book provides an analysis of the sociopolitical enmeshment of archaeology and heritage in Russia’s resource colony: Siberia. Although many examples from across Siberia are discussed, the core study region for the book is the Altai Republic, which is located where Russia, Mongolia, Kazakhstan, and China intersect. Taking a “heritage statecraft” approach, Plets argues that heritage is a particularly important political instrument in this region. The book considers how different social “groups”—including indigenous communities, Russian settlers, displaced groups, national and international archaeologists, political parties, and energy companies—translate archaeological data into culturally distinct heritages. Plets encourages scrutiny of the different players that mobilize heritage to instill norms and ideas and the ways in which new regulations or institutions are ultimately implemented. Heritage Statecraft and Corporate Power contributes to key debates around the politics of archaeology, resource development, and cultural heritage. It will be essential reading for academics and students engaged in the study of heritage, archaeology, and memory.
The authors, a diverse group of indigenous and non-native scholars and environmental activists, address urgent questions facing indigenous communities as they struggle with threats to their own sovereignty, increased market and media globalization, and the conservation of endangered bioregions.
Ruins and remnants of the past are endowed with life, rather than mere relics handed down from previous generations. Living Ruins explores some of the ways Indigenous people relate to the material remains of human activity and provides an informed and critical stance that nuances and contests institutionalized patrimonialization discourse on vestiges of the past in present landscapes. Ten case studies from the Maya region, Amazonia, and the Andes detail and contextualize narratives, rituals, and a range of practices and attitudes toward different kinds of vestiges. The chapters engage with recently debated issues such as regimes of historicity and knowledge, cultural landscapes, conceptions of personhood and ancestrality, artifacts, and materiality. They focus on Indigenous perspectives rather than mainstream narratives such as those mediated by UNESCO, Hollywood, travel agents, and sometimes even academics. The contributions provide critical analyses alongside a multifaceted account of how people relate to the place/time nexus, expanding our understanding of different ontological conceptualizations of the past and their significance in the present. Living Ruins adds to the lively body of work on the invention of tradition, Indigenous claims on their lands and history, “retrospective ethnogenesis,” and neo-Indianism in a world where tourism, NGOs, and Western essentialism are changing Indigenous attitudes and representations. This book is significant to anyone interested in cultural heritage studies, Amerindian spirituality, and Indigenous engagement with archaeological sites in Latin America. Contributors: Cedric Becquey, Laurence Charlier Zeineddine, Marie Chosson, Pablo Cruz, Philippe Erikson, Antoinette Molinié, Fernando Santos-Granero, Emilie Stoll, Valentina Vapnarsky, Pirjo Kristiina Virtanen
This edited volume constructs a ‘cosmopolitics’ of climate change, consulting small-scale sustainable communities on whether the world is ending and why, and how we can take action to prevent it. By comparing scientific and indigenous accounts of the same phenomenon, contributors seek to broaden Western understandings of what climate change constitutes. In this context, existing cosmologies are challenged, opening spaces for hegemonic narratives to enter into conversation with the non-modern and construct ‘worlds otherwise’—situations of world change and renewal through climate change. Bold brings together perspectives from Central America, Mexico, the Amazon, and the Andes to converse with scientific narratives of climate change and create cracks that bring new worlds into being for readers.
My dissertation considers how poetry by Indigenous writers across Pacific Oceania can sketch relations between human and nonhuman matter, land and ocean, time and space, and planet and cosmos that are attentive to dynamic material configurations, processes of change and emergence, and diverse communal entanglements. The dissertation prioritizes in its analyses work by self-identified Indigenous artists of Pacific Oceania, including Keri Hulme, Kathy Jetn̄il-Kijiner, Phil Kawana, Selina Tusitala Marsh, Jamaica Heolimeleikalani Osorio, and Craig Santos Perez, whose poetic forms run the gamut from anthologized collections to performance art to virtual reality media projects. In reference to Pacific Oceania, a term understood as referring to the geographical regions of Melanesia, Micronesia, and Polynesia, much has been written on the ways poetic forms contend with concepts which include: Indigenous identity and diaspora; the effects of colonialism; the large and diverse array of positions regarding the integrity and vitality of nonhuman nature; and the impact of climate change on Pacific ecologies. I argue that the multitudinous perceptions, relations, and subjectivities within and across these concepts can be better understood by reading these poems in reference to cosmology. The term accounts for branches of the astrophysical sciences as well as for the world systems circumscribed by the cosmologies of individual Indigenous communities across the Pacific. More, by cosmology, I refer to plural articulations of experience and sensation that encompass both worlds of the very large and the very small, within which the human has come to be situated not as isolated from, but as an integral part of the environment. To this end, this dissertation contributes to the interdisciplinary field of the environmental humanities by focusing on poetry and poetic forms responsive to cosmological mediations, reading from them modes of active engagement with and immersion in the connections that exist between and across human and nonhuman persons and environments, the knowledge embedded in each of these connections, and how this knowledge is valued. In effect, this dissertation adds a cosmological extension to environmental humanities scholarship, as well as to the fields of Indigenous studies, archipelagic studies, and spacetime studies. I draw on cosmology as an animating concept, a thematic throughline, and an illustrative tool. This dissertation becomes a cosmological object even as it studies cosmological poems: using analyses mediated by descriptive practice and astrophotographic interludes, the dissertation sanctions an understanding of multiple cosmological world systems whose frameworks both within themselves and in relation to each other are informed by hybridity. Using experiments in illustration and visualization to produce a research project contoured by art and creative description, this hybrid dissertation will consider how cosmology's plural articulations, as well as their representations in poetic practices and forms, invest agencies, both human and nonhuman, with ways to disclose their sense of place in the universe.