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An expanded and revised edition of the first social work text to focus specifically on the theoretical and clinical issues associated with trauma, this comprehensive anthology incorporates the latest research in trauma theory and clinical applications. It presents key developments in the conceptualization of trauma and covers a wide range of clinical treatments. Trauma features coverage of emerging therapeutic modalities and clinical themes, focusing on the experiences of historically disenfranchised, marginalized, oppressed, and vulnerable groups. Clinical chapters discuss populations and themes including cultural and historical trauma among Native Americans, the impact of bullying on children and adolescents, the use of art therapy with traumatically bereaved children, historical and present-day trauma experiences of incarcerated African American women, and the effects of trauma treatment on the therapist. Other chapters examine trauma-related interventions derived from diverse theoretical frameworks, such as cognitive-behavioral theory, attachment theory, mindfulness theory, and psychoanalytic theory.
This forward-thinking volume grapples with critical questions surrounding the mechanisms underlying mental disorders and the systems used for classifying them. Edited and written by leading international authorities, many of whom are actively involved with the development of DSM-V and ICD-11, the book integrates biological and psychosocial perspectives. It provides balanced analyses of such issues as the role of social context and culture in psychopathology and the pros and cons of categorical versus dimensional approaches to diagnosis. Cutting-edge diagnostic instruments and research methods are reviewed. Throughout, contributors highlight the implications of current theoretical and empirical advances for understanding real-world clinical problems and developing more effective treatments.
Poring through the beautiful images in this exquisite gallery of earrings is like stepping inside a jewelry store filled with remarkable pieces from the finest contemporary jewelers. The earrings range from the classic to the avant-garde and come from an international array of artists.
Original essays and interviews by artists and scholars who are making, defining, questioning, and theorizing Asian American dance in all its variety.
This publication brings together works by over eighty contemporary women artists from over fifty countries, among them Catherine Opie, Miwa Yanagi, Pilar Albarracín, Shahzia Sikander and Yin Xiuzhen. Contributions by a multinational team of authors focus particular attention on socio-cultural, racial and gender identities. Includes essays by Maura Reilly, Linda Nochlin, N'gone Fall, Geeta Kapur, Michiko Kasahara, Joan Kee, Virginia Pérez-Ratton, Elisabeth Lebovici, Charlotta Kotík. Published on occasion of the exhibition 'Global Feminisms', organized by the Brooklyn Museum, March 23-July 1, 2007.
Rem Koolhaas has defined architecture as a chaotic adventure. Nothing could be more true than that of the last two decades. Never has architecture been so unbridled and so extraordinary: the architectural cast has never been so wide and their works so diverse. What though if you are new to the subject? How is it possible to make sense of this seemingly unruly architectural landscape? There are so many different types of architecture, so many designers with such varying and even contradictory approaches. This book is a much needed navigation guide for anyone interested in modern architecture. Organised chronologically, it enables you to find your way through one of the most prolific periods of building design. It looks at buildings in often contrasting styles that have been built almost simultaneously across the world with their roots in very different tendencies and schools of thought. A loose but effective framework is provided, which pulls all these multiple threads together, while key buildings are described individually with a unique clarity and precision. Aaron Betsky, Director of Cincinnati Art Museum: 'Comprehensive, coherent and cogent, Puglisi's book sorts out the messy history of the last quarter century of the world's best architecture.' Professor Iain Borden, Head, Bartlett School of Architecture, UCL: 'Illuminating and insightful - a must-have read for students.' Hans Ibelings, Editor of A10 new European architecture: 'Lucid and concise'. Charles Jencks, Architecture Critic and Author: 'A compelling, comprehensive overview of the avant-garde since 1988 as it oscillates in and out of the global star system.' Bill Menking, Editor of The Architect's Newspaper: 'This is the first clear and systematic study of the culture of architecture from the "reds" of deconstruction to the sustainable "greens".'
Are the humanities still relevant in the twenty-first century? In the context of pervasive economic liberalism and shrinking budgets due to a deep and prolonged recession, the exigency of humanities research for society is increasingly put into question. This volume claims that the humanities do indeed matter by offering empirically-grounded critical reflections on contemporary cultural practices, thereby opening up new ways of understanding social life and new directions in humanities scholarship.
In this compact volume two of anthropology’s most influential theorists, Paul Rabinow and George E. Marcus, engage in a series of conversations about the past, present, and future of anthropological knowledge, pedagogy, and practice. James D. Faubion joins in several exchanges to facilitate and elaborate the dialogue, and Tobias Rees moderates the discussions and contributes an introduction and an afterword to the volume. Most of the conversations are focused on contemporary challenges to how anthropology understands its subject and how ethnographic research projects are designed and carried out. Rabinow and Marcus reflect on what remains distinctly anthropological about the study of contemporary events and processes, and they contemplate productive new directions for the field. The two converge in Marcus’s emphasis on the need to redesign pedagogical practices for training anthropological researchers and in Rabinow’s proposal of collaborative initiatives in which ethnographic research designs could be analyzed, experimented with, and transformed. Both Rabinow and Marcus participated in the milestone collection Writing Culture: The Poetics and Politics of Ethnography. Published in 1986, Writing Culture catalyzed a reassessment of how ethnographers encountered, studied, and wrote about their subjects. In the opening conversations of Designs for an Anthropology of the Contemporary, Rabinow and Marcus take stock of anthropology’s recent past by discussing the intellectual scene in which Writing Culture intervened, the book’s contributions, and its conceptual limitations. Considering how the field has developed since the publication of that volume, they address topics including ethnography’s self-reflexive turn, scholars’ increased focus on questions of identity, the Public Culture project, science and technology studies, and the changing interests and goals of students. Designs for an Anthropology of the Contemporary allows readers to eavesdrop on lively conversations between anthropologists who have helped to shape their field’s recent past and are deeply invested in its future.
This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.
This heavily illustrated volume showcases some of the most extraordinary examples of American houses completed within the last ten years, examining in particular the meanings of the abstract forms prevalent in architecture today. Extended captions and an introduction to each house accompany spectacular drawings, photos, and floor plans. 200 color illustrations.