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Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.
From the great Croatian writer: a masterly work of literature—hilarious, unforgiving, and utterly reasonable Until the age of fifty-two, the protagonist of On the Edge of Reason suffered a monotonous existence as a highly respected lawyer. He owned a carriage and wore a top hat. He lived the life of “an orderly good-for-nothing among a whole crowd of neat, gray good-for-nothings.” But, one evening, surrounded by ladies and gentlemen at a party, he hears the Director-General tell a lively anecdote of how he shot four men like dogs for trespassing on his property. In response, our hero blurts out an honest thought. From this moment, all hell breaks loose. Written in 1938, On the Edge of Reason reveals the fundamental chasm between conformity and individuality. As folly piles upon folly, hypocrisy upon hypocrisy, reason itself begins to give way, and the edge between reality and unreality disappears.
A thriller of the ex-Yugoslavia Wars. "Bodrozic, mediated by Ellen Elias-Bursac’s assured translation, chronicles what a country chooses to remember, and what it consciously forgets, with confidence and grace." —Sarah Weinman, New York Times Book Review The city of Vukovar, situated on Croatia's easternmost periphery, across the Danube River from Serbia, was the site of some of the worst violence in the wars that rocked ex-Yugoslavia in the early '90s. It is referred to only as "the city" throughout this taut political thriller from one of Europe's most celebrated young writers. In this city without a name, fences in schoolyards separate the children of Serbs from those of Croats, and city leaders still fight to free themselves from violent crimes they committed--or permitted--during the war a generation ago. Now, it is left to a new generation--the children, now grown up, to extricate themselves from this tragic place, innocents who are nonetheless connected in different ways to the crimes of the past. Nora is a journalist assigned to do a puff piece on the perpetrator of a crime of passion--a Croatian high school teacher who fell in love with one of her students, a Serb, and is now in prison for having murdered her husband. But Nora herself is the daughter of a man who was murdered years earlier under mysterious circumstances. And she wants, if not to avenge her father, at least to bring to justice whoever committed the crime. There's a hothouse intensity to this extraordinary noir page-turner because of how closely the author sets the novel within the historical record. This city is unnamed, the story is fictional, so it can show us what actually happened there.
In this “exquisitely crafted” novel, a Croatian woman goes to New York to search for her missing sister—and confronts her family’s dark history (Booklist). Magdalena does not panic when she learns that her younger sister has disappeared. A free spirit, Jadranka has always been prone to mysterious absences. But when weeks pass with no word, Magdalena leaves the isolated Croatian island where their family has always lived and sets off to New York to find her sister. Her search begins to unspool the history of their family, reaching back three generations to a country torn by war. A haunting and sure-footed debut by an award-winning writer, The First Rule of Swimming explores the legacy of betrayal and loss in a place where beauty is fused inextricably with hardship, and where individuals are forced to make wrenching choices as they are swept up in the tides of history. “Suspenseful . . . well-paced.” —The New Yorker “Gracefully interweave[s] three generations of family stories and lies.” —O, The Oprah Magazine “Examines lives bruised and twisted by history, like weather-beaten trees that nevertheless manage to produce the sweetest fruit.” —The New York Times Book Review
Colloquial Croatian provides a step-by-step course in Croatian as it is written and spoken today. Combining a user-friendly approach with a thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Croatian in a broad range of situations. No prior knowledge of the language is required. Key features include: • progressive coverage of speaking, listening, reading and writing skills • structured, jargon-free explanations of grammar • an extensive range of focused and stimulating exercises • realistic and entertaining dialogues covering a broad variety of scenarios • useful vocabulary lists throughout the text • additional resources available at the back of the book, including a full answer key, a grammar summary and bilingual glossaries Balanced, comprehensive and rewarding, Colloquial Croatian will be an indispensable resource both for independent learners and students taking courses in Croatian. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills.
"According to Ricoeur, the most primal and spontaneous symbols of evil are defilement, sin and guilt ... Ricoeur moves from the elementary symbols of evil into the rich world of myths ... and he ends by suggesting that the clue to the relation between philosophy to mythology is to be found in the aphorism 'The symbol gives rise to the thought' ... Ricoeur's method and argument are too intricate and rich to assess in so short a review. Suffice it to say that this is the most massive accomplisment of any philosopher within the ambience of Christian faith since the appearance of Gabriel Marcel" - Sam Keen, The Christian Century
Financial Times Book of the Year An urgent new novel about death, war, and memory from the highly acclaimed Croatian writer In this breathtaking final work, Daša Drndic reaches new heights. Andreas Ban’s suicide attempt has failed. Though very ill, he still finds the will to tap on the glass of history to summon those imprisoned within. Mercilessly, he dissects society and his environment, shunning all favors as he goes after the evils and hidden secrets of our times. History remembers the names of the perpetrators, not the victims—Ban remembers and honors the lost. He travels from Rijeka to Zagreb, from Belgrade to Tirana, from Parisian avenues to Italian castles. Ghosts follow him wherever he goes: chess grandmasters who disappeared during WWII; the lost inhabitants of Latvia; war criminals who found work in the CIA and died peacefully in their beds. Ban’s family is with him too, those already dead and those with one foot in the grave. As if left with only a few pieces in a chess game, Andreas Ban—and Daša Drndic—play a stunning last match against Death.