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The most comprehensive, impactful collection of photography in China to date, Contemporary Chinese Photographic Arts is a vibrantly printed, oversized coffee table book featuring fifty of the most renowned Chinese photographers currently working in a variety of genres. From documentary photography to conceptual tableaus, from medium format portraits to digitally manipulated dream scenes, from black and white to enhanced color, the works in this volume are designed to provoke and impress. An introductory segment analyzes political, economic, historic, and artistic influences in China, which segues into intensely creative work organized by theme: Urbanization and Globalization, Power, Space and Memory, Gender, Body, and Identity, Dialogues with Tradition, Borderlands and the Marginal, and Practices of Looking. The third section of the book summarizes key happenings in the development of Chinese photography, including influential exhibitions, auctions, and events. The pieces presented are unified by the masterful technique of the photographers and, collected together, serve as a multifaceted view into the culture, identity, ideas, and spatial and political concepts of one of the worlds most influential nations.
An affecting collection of contemporary Chinese photography responding to the monumental encroachment of urban development across the country This timely book documents the phenomenon of rapid and transformative urbanization in China through the work of thirty-one of the country’s most talented art photographers. Capturing both the remnants of widespread demolition and constant, massive new development, these insiders have captured the new Chinese reality—an “era without memories”—brought on by the expansive urban transformation. In four thematic chapters, An Era Without Memories offers a varied and thought-provoking kaleidoscope of imagery depicting every aspect of urban living, from juxtapositions of old and new to still-life pockets of roadside greenery to digital renderings of closely packed high-rises. These include Miao Xiaochun’s photograph of a vast glass building rising ominously from behind a traditional neighborhood; Wang Jinsong’s collages of the Chinese character used to mark condemned buildings; Zhang Peili’s shots of pastiche Western architecture; Xu Zhengqin’s billboards showing dream residential and commercial developments; and Wang Chuan’s poetic images of abandoned, half-finished, modern buildings. Complete with an introduction by Stephan Feuchtwang, an expert on China and Professor of Anthropology at the London School of Economics, and a personal afterword by author Jiang Jiehong, this remarkable book offers a moving portrait of the dramatically changing Chinese landscape.
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Song Chao was nineteen when he arrived at the coal mine. Three years later he discovered photography. After a year of study, he completed his very first deeply moving series. Internationally acclaimed, Song Chao's portraits transcend the codes of social photography to open up the infinite theatre of human emotions.
Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.
In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and "The Chinese Photobook" will reveal for the first time the richness and diversity of this heritage. This volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr's interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers. Each featured photobook offers a new perspective on the complicated history of China from the twentieth century onward. "The Chinese Photobook" embodies an unprecedented amount of research and scholarship in this area, and includes accompanying texts and individual title descriptions by Gu Zheng, Raymond Lum, Ruben Lundgren, Stephanie H. Tung and Gerry Badger.
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts. At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
Grappling with sweeping social changes during the past thirty years of China's global rise, young artists have explored and crafted new identities through photography. While their works range across subjects--capturing bustling cityscapes and quiet landscapes, framing exuberant hopefulness and melancholic doubt--their experimentation speaks to a generational need for new aesthetic tools in an uncertain world. Featuring 150 photographs from the collections of Alexander Tutsek-Siftung, About Us offers a vibrant and in-depth survey of contemporary Chinese photography.
A redefinition of contemporary Chinese art from the last forty years in the context of unprecedented cultural, political, and urban transformation, written by an authority on the subject. Contemporary Chinese art is a subject of sustained and growing significance in present-day culture across the globe. This new volume in the World of Art series reframes Chinese art since the end of China’s Cultural Revolution more than four decades ago, placing it in the context of the nation’s unprecedented cultural, political, and urban transformation. Based on original research by writer, curator, and leading scholar in the field of contemporary Chinese art, Jiang Jiehong, this volume explores the area through firsthand materials and in-depth interviews with more than thirty artists. Providing the most up-to-date understanding of contemporary Chinese art, Jiang includes a variety of media, ranging from painting, printmaking, sculpture, and photography to installation, video, performance, and participatory art. Featuring over 150 color images of artworks by more than fifty internationally renowned Chinese artists, including Ai Weiwei and Zhang Peili, as well as emerging artists, such as Zhao Zhao, The Art of Contemporary China presents a wide variety of practices through curatorial discussions and images of original installation views and historical art events. What emerges are revelations on art, and new insights into contemporary China. Fulfilling a need for an accessible, affordable introduction to contemporary Chinese art, this volume offers a concise but far-reaching survey of the movement.
"The Chinese Photobook : From the 1900s to the Present offers an introduction to the richness and diversity of photobooks published about China, including key titles by established and emerging contemporary Chinese photographers published in recent years; books created by early colonial powers in China, including France, Germany, and Japan during the Second Sino-Japanese War; and a selection of books produced during the first years of New China and the Cultural Revolution, among many others. Over the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. These revisionist histories have added enormously to our reading and understanding of the culture of photography, particularly in places that are often marginalized, such as Latin America and South Africa. However, until now, only a few Chinese photobooks have made it onto historians' short lists. Yet China has a fascinating history of publishing photography--including publications produced by the Chinese state as well as those that offer an external perspective, by some of the world's greatest photographers. Here, over 250 volumes, drawn primarily from Martin Parr's peer-less collection of photobooks, are contextualized by and international team of scholars and historians: Gu Zheng, Raymond Lum, Ruben Lundgren, Stephanie H. Tung, and Gerry Badger. Their painstaking research into each of the featured books unveils a complex, multifaceted perspective of China, revealing much about the country and the dramatic twists and turns of its history over the last century." -- Book jacket.