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The literary culture of the Spanish-speaking Southwest has its origins in a harsh frontier environment marked by episodes of intense cultural conflict, and much of the literature seeks to capture the epic experiences of conquest and settlement. The Chicano literary canon has evolved rapidly over four centuries to become one of the most dynamic, growing, and vital parts of what we know as contemporary U.S. literature. In this comprehensive examination of Chicano and Chicana literature, Charles M. Tatum brings a new and refreshing perspective to the ethnic identity of Mexican Americans. From the earliest sixteenth-century chronicles of the Spanish Period, to the poetry and narrative fiction of the second half of the nineteenth century and the first half of the twentieth century, and then to the flowering of all literary genres in the post–Chicano Movement years, Chicano/a literature amply reflects the hopes and aspirations as well as the frustrations and disillusionments of an often marginalized population. Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, memoir, fiction, and poetry. The most complete and up-to-date introduction to Chicana/o literature available, this book will be an ideal reference for scholars of Hispanic and American literature. Discussion questions and suggested reading included at the end of each chapter are especially suited for classroom use.
As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.
Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity.
"Offers an array of disciplinary views on how theories of globalization and an emerging postnational critical imagination have impacted traditional ways of thinking about literature."--Samuel Amago, author of Spanish Cinema in the Global Context: Film on Film Moving beyond the traditional study of Hispanic literature on a nation-by-nation basis, this volume explores how globalization is currently affecting Spanish and Latin American fiction, poetry, and literary theory. Taking a postnational approach, contributors examine works by José Martí, Carlos Ruiz Zafón, Junot Díaz, Mario Vargas Llosa, Cecilia Vicuña, Jorge Luis Borges, and other writers. They discuss how expanding worldviews have impacted the way these authors write and how they are read today. Whether analyzing the increasingly popular character of the voluntary exile, the theme of masculinity in This Is How You Lose Her, or the multilingual nature of the Spanish language itself, they show how contemporary Hispanic writers and critics are engaging in cross-cultural literary conversations. Drawing from a range of fields including postcolonial, Latino, gender, exile, and transatlantic studies, these essays help characterize a new "world" literature that reflects changing understandings of memory, belonging, and identity.
Contemporary Mexican-American women novelists - some of whom are moving toward a Chicana feminist construct - have produced very exciting work. Using the works of both Gloria Anzaldúa and Elaine Showalter as theoretical frameworks, this study argues for a specific Chicana feminism whose roots are both in and outside the Mexican-American culture. The authors included in Contemporary Mexican-American Women Novelists are Ana Castillo, Denise Chávez, Sandra Cisneros, Lucha Corpi, Margarita Cota-Cádenas, Roberta Fernández, Laura del Fuego, Irene Beltrán Hernández, Mary Helen Ponce, and Estela Portillo Trambley.
This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution.
Seminar paper from the year 1998 in the subject American Studies - Literature, grade: 2 (B), University of Aberdeen (English Department), course: Chicano Fiction, 9 entries in the bibliography, language: English, abstract: In this essay, I will address the question of Chicano identity by investigating two very different texts, that both deal with a quest for identity in a Mexican-American context: Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory: The Education of Richard Rodriguez. I will first discuss the contextual differences between the two works. Then I will consider the definitions of identity upon which the texts are based. Going deeper into the works themselves, I will finally discuss along which lines the two quests for identity develop. In conclusion, I will connect my investigations to the question of whether Chicano identity is unified or fragmented. Both Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory are about an individual searching for his identity. In both works, the protagonist is a Mexican-American or 'Chicano'. However, the differences between the two books are huge. The generic difference is most obvious: Rivera's work is a fictional narrative, which Héctor Calderón termed 'novel-as-tales'.1 Rodriguez, referring to his book, speaks of '[e]ssays impersonating an autobiography' (p. 7). This entails that the subject searching for identity is, in Rodriguez' case, the author himself, or rather his literary image. In Rivera's case, the subject is purely fictional, although some critics have identified this literary subject with the author.