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A colorful collection of short stories written by contemporary authors from Brazil
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.
The 18 stories, by some of Brazil's best known authors, all have urban themes. They grapple with modern conflicts in the city such as the lack of communication among neighbors, the vicarious lives many lead, violence, political repression, isolation, and loneliness. Ferreira- Pinto noticed the need for such an anthology while teaching 20th- century Brazilian literature in a US university. He includes a bibliography of fiction, critical works, and English translations and biographical sketches of the authors. Annotation copyrighted by Book News, Inc., Portland, OR
Brazil has famously been called a country of contradictions. It is a place where narratives of "racial democracy" exist in the face of stark inequalities, and where the natural environment is celebrated as a point of national pride, but at the same time is exploited at alarming rates. To people on the outside looking in, these contradictions seem hard to explain. Understanding Contemporary Brazil tackles these problems head-on, providing the perfect critical introduction to Brazil's ongoing social, political, economic, and cultural complexities. Key topics include: • National identity and political structure. • Economic development, environmental contexts, and social policy. • Urban issues and public security. • Debates over culture, race, gender, and spirituality. • Social inequality, protest, and social movements. • Foreign diplomacy and international engagement. By considering more broadly the historical, political economic, and socio-cultural roots of Brazil’s internal dynamics, this interdisciplinary book equips readers with the contextual understanding and critical insight necessary to explore this fascinating country. Written by renowned authors at one of the world's most important centers for the study of Brazil, Understanding Contemporary Brazil is ideal for university students and researchers, yet also accessible to any reader looking to learn more about one of the world's largest and most significant countries.
Over time, Brazil has evolved into a well-defined nation with a strong sense of identity. From the natural beauty of the Amazon River to the exciting resort city of Rio de Janeiro, from soccer champion Pele to classical musician Villa Lobos, Brazil is known as a distinctive, diverse country. It is recognized worldwide for its World Cup soccer team, samba music, dancing, and celebrations of Carnival. This book provides a well-rounded, brief history of Brazil that uniquely focuses on both the politics and culture of the republic. Colin MacLachlan uses a political narrative to frame the evolution of national culture and the formation of national identity. He evaluates Brazilian myths, stereotypes, and icons such as soccer and dancing as part of the historical analysis. Brazil's history is presented from its colonial roots to the present, showing how the country developed its economic and social base, then struggled to modernize and secure a respected world role. Key issues are examined: immigration, slavery and race, territorial expansion, the military, and technology and industrialization. The integration of cultural material enriches the text. It provides handy points for classroom discussion and will help students remember particular aspects Brazil's history. The book includes fascinating side-bars on various aspects of Brazilian culture, including Copacabana Beach and the rain forests. A History of Modern Brazil will inform and entertain students in courses on Brazil and modern Latin America.
The Human Tradition in Modern Brazil makes the last two centuries of Brazilian history come alive through the stories of mostly non-elite individuals. The pieces in this lively collection address how people experienced historical continuities and changes by exploring how they related to the rise of Brazilian national identity and the emergence of a national state. By including a broad array of historical actors from different regions, ethnicities, occupations, races, genders, and eras, The Human Tradition in Modern Brazil brings a human dimension to major economic, political, cultural, and social transitions. Because these perspectives do not always fit with the generalizations made about the predominant attitudes, values, and beliefs of different groups, they bring a welcome complexity to the understanding of Brazilian society and history.
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.