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Published in conjunction with an exhibition of the same name organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, and scheduled to appear as well in museums in Bonn, Rotterdam, and New York during 1996 and 1997. Until now, the 1980s paintings have been seen only in a handful of gallery exhibitions or in the context of large museum surveys; this presentation allows study of the distinguishing qualities of these late paintings, and the thoroughly researched essays explore the complex issues surrounding de Kooning's affliction with Alzheimer's disease. Annotation copyright by Book News, Inc., Portland, OR
Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.
Traces the career of abstract expressionist Willem De Kooning, discussing his personal life with wife Elaine Fried, and his battle with alcoholism and Alzheimer's disease.
Traces the career of abstract expressionist Willem De Kooning, discussing his personal life with wife Elaine Fried, and his battle with alcoholism and Alzheimer's disease.
A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist’s sketchbooks, and photographs of Mitchell’s life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell’s admirers and those just discovering her work.
Four volumes cover the history of sculpture from earliest times to the 20th century.