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This volume explores the transformations that shape the physical environment in South Asia. The nature of architecture and city form is established as an expression of cultural paradigms which reflect the heterogeneity of regional identities.
The essential walking companion to more than two hundred cutting-edge buildings constructed since the new millennium. The first decade of the 21st century has been a time of lively architectural production in New York City. A veritable building boom gripped the city, giving rise to a host of new—and architecturally cutting-edge—residential, corporate, institutional, academic, and commercial structures. With the boom now waning, this guidebook is perfectly timed to take stock of the city’s new skyline and map them all out, literally. This essential walking companion and guide features 200 of the most notable buildings and spaces constructed in New York’s five boroughs since the new millennium—The High Line, by James Corner Field Operations/Diller Scofidio + Renfro; 100 Eleventh Avenue, by Ateliers Jean Nouvel; Brooklyn Children’s Museum, by Rafael Vinoly Architects; 41 Cooper Square, by Morphosis; Poe Park Visitors Center, by Toshiko Mori Architect; and One Bryant Park, by Cook + Fox, to name just a few. Projects are grouped by neighborhood, allowing for easy, self-guided tours, with photos, maps, directions, and descriptions that highlight the most important aspects of each entry.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century
Realization of Forms in Contemporary Architecture takes a captivating journey through the minds of visionary architects who push boundaries and redefine what’s possible. From the philosophies and methodologies driving these architectural masterminds to cutting-edge trends in the field, this book unravels the secrets behind these awe-inspiring structures. The book uncovers how digital technology is revolutionizing this process, opening doors to unimaginable possibilities, and explores material-based forms that challenge traditional norms, as well as the hurdles faced in conceptualization, construction, and societal acceptance. It also provides thought-provoking insights into where contemporary architecture is headed. Whether you’re an architecture student, enthusiast, or simply curious about ground-breaking design, this book will leave you inspired and eager to push the boundaries of what is possible in the world of architecture.
Considers how film and related visual media offer insights into the city, looking at the built environment as well as a lived social experience. It brings together an international group of filmmakers, architects, digital artists, designers and media journalists who critically read, reinterpret and create narratives of the city. 80 b/w illus.
This book explores how Malaysia, as a multicultural modern nation, has approached issues of nationalism and regionalism in terms of physical expression of the built environment. Ever since the nation’s post-Colonial era, architects and policy makers have grappled with the theoretical and practical outcomes of creating public architecture that effectively responds to traditions, nationhood and modernity. The authors compile and analyse prevailing ideas and strategies, present case studies in architectural language and form, and introduce the reader to tensions arising between a nationalist agenda and local ‘regionalist’ architectural language. These dichotomies represent the very nature of multicultural societies and issues with identity; a challenge that various nations across the globe face in a changing environment. This topical and pertinent volume will appeal to students and scholars of urban planning, architecture and the modern city.
The Heart of the City concept, which was introduced at CIAM 8 in 1951, has played an important role in architectural and urban debates. The Heart became the most important of the organic references used in the 1950s for defining a theory of urban form. This book focuses on both the historical and theoretical reinterpretation of this seminal concept. Divided into two main sections, both looking at differing ways in which the Heart has influenced more recent urban thinking, it illustrates the continuity and the complexities of the Heart of the City. In doing so, this book offers a new perspective on the significance of public space and shows how The Heart of the City still resonates closely with contemporary debates about centrality, identity and the design of public space. It would be of interest to architects, academics and students of urban design and planning.
"Washington, D.C. lives in our minds as museums and monuments, capitals and columns, but beyond the timeless monuments of white stone history thrives a city that has moved into the modern and postmodern age. In text and photos, this guide goes beyond the grand avenues to explore remarkable works of contemporary architecture that reinterpret historical styles and reconcile with Washington’s monumental plan. Contemporary Architecture in Washington, D.C. features more than 20 detailed maps and includes photographs of almost 300 buildings, from the waterfront in Georgetown to the town houses of Capitol Hill, from the luxurious residences of Bethesda to the towering office buildings of Crystal City. As a national capital, Washington is a showplace for the best and the latest works by internationally recognized modern masters and talented local firms as well. Beyond buildings, Contemporary Architecture in Washington, D.C. explores new communities and developments in the Washington suburbs and in essays examines the particular forces of style, politics, economics, and history that have come together to form the American capital. Washington is a city of metaphor. From its very streets, the city speaks of democracy and nationhood. The impact of these metaphors comes from a repeated architectural language that is constantly being rewritten to reflect history and our interpretation of it."--back cover
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
The Urban Fact examines Aldo Rossis formulation of a theory of the city, developed over the period of roughly ten years, from Architecture of the City published in 1966, to Analogous City exhibited in 1976. Rossis theory is not taken as an abstract argument, but is seen through his work from that period. A careful selection of twenty-three projects is presented here at face value. These projects, bound by the reality of their setting, but also charged with cultural and civic ambition, illustrate the intricacy of an architectural project as a complex 'whole'. They also demonstrate how architecture could contribute to the changing urban context of the field, hinting at an oeuvre painfully aware of its limitations and stubborn in its intentions.