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This book presents a collection of contemporary, tonal classical guitar works from Ireland's most prolific guitar composer; Dave Flynn has melded Celtic, minimalist and neo-baroque influences in this ground-breaking addition to the modern concert repertoire. Fans of the minimalism of Steve Reich, John Adams and Philip Glass will enjoy “Three Minimalist Pieces” and the “Six Etudes for Five Fingers”. The influence of Flynn's native Ireland can be heard in some of these etudes, as well as in the Satie-esque “Three Gymn O'Paddies” and “The Mahatma of the Glen” which utilizes an alternate tuning with roots in Celtic fiddling. The imposing “Passacaglia” is a challenging concert work suitable for competitions and recitals, while the “Homage Sonatina” pays tribute to three iconic guitarists: Heitor Villa-Lobos, Andy Summers and Leo Brouwer. With an insightful foreword from the late Charles Postlewate, Flynn's illuminating practice tips and program notes guide the reader through these atmospheric, accessible works. Flynn's own interpretations can be found on his albums 5to9 - Music for Solo Guitar (2020) and Contemporary Traditional Irish Guitar (2009), available online to stream or download. Recommended for intermediate to advanced classical guitarists, these pieces are written in standard notation only.
This is the first compilation of guitar music specifically composed for right-hand technique that includes the little finger. the 57 compositions include original pieces in the Easy-Intermediate to Intermediate -Advanced levels by renowned guitarist/composers from Europe, North America, South America and the Caribbean. Music by Ernesto Cordero, Carlos Dorado, Jim Ferguson, David Flynn, Gerald Garcia, John Hall, Ricardo Iznaola, James Lentini, John Oliver, Charles Postlewate, Mirko Schrader, Burkhard "Buck" Wolters and Luis Zea show the advantages of a five-finger technique in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantages of using the little finger for speed, accuracy, strength and balance. All of these compositions are edited and fingered by Postlewate, pioneer in the use of a five-finger technique. This book is a companion to Anthology of Nineteenth Century Guitar Studies for Five Fingers of the Right Hand (MB21153), compiled and fingered by Leonhard Beck and edited by Charles Postlewate. Standard notation only. In English and Spanish.Bonus Material:Hear David Flynn performing his Four Etudes.Etude 1.mp3 Etude 2.mp3 Etude 3.mp3 Etude 4.mp3Hear John Hall performing his Four Etudes. (ordered 2,1,3 and 4 on mp3)Etudes 2134.mp3Hear Dr. James P. Lentini performing his Four Etudes.A Song for Spring.mp3 Summer Groove.mp3 Fall Reflections.mp3 A Winter Afternoon.mp3Hear Scott Sanchez performing:Jugglin' Five the Clown SingsHear Lawrence del Casale performing:Estudio Boricua #1 Meditacion
This collection of new music, written by composers who are or who have been performing guitarists themselves, presents intermediate to advanced concert works that explore the musical and technical diversity of the contemporary guitar. Each composer offers a unique musical and technical perspective of what the contemporary guitar is. The harmonic language ranges from jazz to atonality, the styles vary from blues to minimalism, and the cultural influences span from Eastern European to Celtic. The composers include Delpriora, Gilardino, Hudson, Johanson, Kenyon, Marron, Mearns, Ourkouzounov, Piorkowsky, and Van der Veen. The music is standard notation only.
Contemporary Guitar Composers of the Americas is a unique collection of 51 solo works representing 17 composers from the American continents. This anthology addresses continental guitar music; music from North, Central and South America. It features many composers who have helped to enrich its repertoire, giving rise to a diverse palette of styles, textures, rhythms, moods and melodies. A worthwhile addition to the library of any classical guitarist.
Born in 1956 in Moscow, guitarist Nikita Koshkin is one of Russia's leading composers, teachers and concert artists. This collection includes works from throughout his 30-year career as a composer including his three-movement Hispanic Suite, one of his earliest compositions. the other compositions included in this volume are: Pan, Tristan Playing the Lute, Romance, and a five-movement suite called the Ballads: Suite for Solo Guitar. Koshkin uses dropped-D tuning in several of these pieces and favors rhythmic variety and stylistic diversity. These intermediate to advanced compositions appear in standard notation only with suggested left-hand fingering and generous performance notes.
(Amadeus). This heartbreaking tale uncovers a mystery in the life of one of the most important personalities of the twentieth century, guitarist Andres Segovia (1893-1987). He married the widowed Paquita Madriguera (1900-1965), famous child prodigy pianist and prized student of Enrique Granados, in 1935 as his international career was blossoming. They fled their native Spain under death threats when the Spanish Civil War erupted in 1936 and began an odyssey that landed them in the Uruguayan capital. Segovia's support for the fascist Franco resulted in his banishment from the lucrative American concert scene, while the travel dangers of World War II further isolated him from the rest of the world. During this time, Segovia greatly enriched the guitar repertoire through numerous arrangements and collaborations with major composers via correspondence. It was also an era of happy family life with Paquita. The couple collaborated on two of the most important contemporary guitar concertos and traveled throughout Latin America to perform. Then tragedy struck as the guitarist became entangled with a beautiful Brazilian singer in an affair that ruined his marriage and brought tragic consequences to his family life. In writing his autobiography, Segovia could never face this period. With the help of tenacious research and Paquita's two surviving daughters, Alfredo Escande diligently lifts the veil of secrecy and reveals a magical age of music history framed around the couple's decade together.
This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer's output and also to the composers' age: three of the six are early works (Farrell, Bromhead and Fennessy) while the remaining three were produced during the composers' more mature years (O'Leary, Sweeney and Bodley); also, three generations of living composers are represented. the six works chosen vary widely in compositional style, approach to writing for the guitar, and technical requirements, thus presenting a generally good overview of contemporary Irish guitar music. This collection spans the period from 1970 to 2006 and includes "Gemini" by Jerome de Bromhead, the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
This collection presents original works by 21 modern-day composer/guitarists, including both well-known artists and gifted upstarts. Recommended for the intermediate to advanced player, with the exception of a few pieces in alternate tunings, the selections are written in standard notation only. Bio sketches, photos, performance notes and a CD recorded for the most part by the composers themselves complete this musical portrait of the classic guitar in the 21st century.
This collection of 47 favorite guitar picking tunes includes reels, jigs, waltzes, fiddle tunes and more, each arranged for classical guitar in standard notation. As these melodies lend themselves well to jamming, this collection is sure to bring any guitarist many hours of picking pleasure. Includes access to an online audio recording of the arranger performing each piece on classical guitar.