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The first book to show how Disraeli fashioned his personality during his formative years.
Benjamin Disraeli (1804-81) was one of the most important political figures in 19th century Britain. However, before rising to political prominence he had established himself as a major literary figure. This set takes a critical look at Disraeli's early work.
First published in 1981, this book attempts to approach a better understanding of Disraeli the man through his life as a novelist. It is not a series of literary criticisms, rather an attempt to see how ‘fiction’ and the act of ‘fictionalising’ played an important part in Disraeli’s life. The author discusses how Disraeli’s novels in terms of how they reflected various stages of his life and development while assuming no knowledge of the, now mostly out-of-print, books on the part of the reader. This book fills the gap between the standard and comprehensive political biographies and the few literary analyses that appeared the twenty years prior to its publication.
Inspired by Hannah Arendt's discussion of the Victorian Tory politician and novelist Benjamin Disraeli as a Jew who fought back, this book explores the complex ways in which mid-Victorian discourses of identity and belonging were interwoven with discourses of race. The book looks at Disraeli's response to the antisemitism of the period, leading him to become convinced that race was the key to understand how society works. It traces Disraeli's use of the category of race as a pivotal idea of social difference and looks at how race intersected his thinking with class, culture, gender, nation, and empire. It also shows how Disraeli's "one-nation-politics" was dependent on the idea of empire and how his representations of both nation and empire became based on race. (Series: Racism Analysis - Series A: Studies - Vol. 2)
This book tells the story of an early nineteenth-century London newspaper, the Representative, more important for the people who took part in its inception than for its journalistic merits. The gallery of characters who appear in the narrative includes prominent figures of the age, literary as well as political, such as Sir Walter Scott and his son-in-law, John Gibson Lockhart; Foreign Secretary George Canning; and certainly publisher John Murray II. The pivotal figure is, however, a very young Benjamin Disraeli, whose brilliant mind already displayed great powers of observation, verbal expression and manipulation of his elders and betters. Written in a fluent style, and drawing upon previously untapped original sources at The Bodleian Library and The John Murray Archive at The National Library of Scotland, the book presents documented proof that the events narrated are quite different from what has traditionally been accepted as truth, at the same time it unveils hitherto unknown facets of well-known figures of the age.