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This book explores ways we make contact with the depths in ourselves and each other. We are deeply moved by contact we make with life, yet also puzzled by a need to break or lose contact, and often suffer wounds by failure of contact to be born. Our sense of contact is tenacious and fragile, subject to deformations, plagued with a sense of jeopardy. Chapters focus on ways we make-and-break contact in the wounded aloneness of addiction, the wounded beauty of psychosis, the importance of not knowing and wordlessness, ways we transmit emotions, the need to start over, and harm we cause by trying to get rid of and misuse tendencies that are part of our makeup. Our contact with life, ourselves, each other is challenged. And through it all, we have need for deep contact, contact with the depths, fulfilling and suspenseful. Contact we never stop growing into, part of the mystery, care and love of everyday life.
Sometimes life’s most precious treasure lies at Dangerous Depths. Leia ditched a promising medical career to settle on a secluded island of Hawaii. She ditched Bane, too, and he’s come to the island to find out why. He’s also in search of a fortune rumored to lie offshore. But an act of sabotage that pushes Bane closer to Leia plunges them both into a tangle of emotion—just as a series of threatening events grip the island. Theft, a friend’s death, a bizarre intruder, hints of a second treasure . . . and even murder—how can they sort it all out when everyone on the island has something to hide?
A tropical island full of secrets. Two Victorian ghosts, trapped for eternity. And a seventeen-year-old girl determined not to be next. Eulalie Island should be a paradise, but to Addie Spencer, it’s more like a prison. Forced to tag along to the remote island on her mother’s honeymoon, Addie isn’t thrilled about being trapped there for two weeks. The island is stunning, with its secluded beaches and forests full of white flowers. But there's something eerie and unsettling about the place. After Addie meets an enigmatic boy on the beach, all the flowers start turning pink. The island loves you, he tells her. But she can’t stop sleepwalking at night, the birds keep calling her name, and there’s a strange little girl in the woods who wants to play hide-and-seek. When Addie learns about two sisters who died on the island centuries ago, she wonders if there’s more to this place, things only she can see. Beneath its gorgeous surface, Eulalie Island is hiding dark, tangled secrets. And if Addie doesn't unravel them soon, the island might never let her go.
The mind as it is manifested in philosophy and art, in the moral life and psychoanalysis, has always been at the core of Richard Wollheim’s celebrated work. This book brings together Wollheim’s broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression. Interweaving philosophy, psychoanalysis, and aesthetics, these essays reveal the critical connections between ideas and disciplines too often regarded as separate and distinct.
'I saw my teacher in the queue in the supermarket last Christmas. Miss Baxter. I was surprised to see her. She'd been dead six months.' In Out of the Depths, Cathy MacPhail introduces her latest character, Tyler Lawless, who has an unusual and sometimes scary gift. She is able to see dead people. And sometimes they speak to her, asking for her help. When Tyler moves to a new school she is hoping to make a fresh start. But it is very difficult to make a fresh start when a boy who is supposed to be dead appears in your classroom, and statues in the school seem to come alive and point towards the place where the dead boy, Ben Kincaid, was murdered. Will Tyler be able to assist Ben with his pleas for help, or will she be dismissed as an attention-seeking teller of tall tales? A thrilling and spooky tale from the acclaimed Cathy MacPhail.
If a people Have no poets And no poetry of their own For a National Anthology Then treachery and barking Will do the trick With these words, a challenge is laid down in this new volume of Albanian poetry. Albania, however, has a dynamic tradition of literature. Lightning from the Depths is the first English collection to present the full range of Albanian verse. Albanian literature has had many lives. The early Christian traditions disappeared as Islam and the Ottoman Empire took over. Muslim literature, too, withered when the nation strove to become an independent European country. The beginnings of a modern tradition were quashed by the Stalinists. All along this rocky path, poets have turned the political strife, poverty, and isolation their nation has often experienced into culture, both celebrating and questioning the society in which they live. Lightning from the Depths opens readers’ eyes to a new political and cultural world populated artists who can spin despair into poetry.
From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes Hidden Depths. “Ann Cleeves is one of my favorite mystery writers.”—Louise Penny On a hot summer on the Northumberland coast, Julie Armstrong arrives home from a night out to find her son murdered. Luke has been strangled, laid out in a bath of water and covered with wild flowers. This stylized murder scene has Inspector Vera Stanhope and her team intrigued. But now, Vera must work quickly to find this killer who is making art out of death. As local residents are forced to share their private lives, sinister secrets are slowly unearthed. And all the while the killer remains in their midst, waiting for an opportunity to prepare another beautiful, watery grave...
Internationally acclaimed and bestselling author Henning Mankell will be published for the first time in Canada by Knopf Canada with Depths. October 1914: the destroyer Svea emerged from the Stockholm archipelago bearing south-southeast. On board was Lars Tobiasson-Svartman, a naval engineer charged with making depth soundings to find a navigable channel for the Swedish navy. As a child Tobiasson-Svartman was fascinated by measurement; nothing is as magical as exact knowledge. His instinct for his profession is reflected in the comfortable domesticity he enjoys with his wife – herself meticulous in every detail. Close to the waters where soundings are taken Tobiasson-Svartman alights on a barren skerry, presumed uninhabited, and is surprised to discover there a young woman, Sara Fredrika. Despite her almost feral appearance, something about her strikes him to the core. The mission is a success and the Svea returns to Gothenburg. Tobiasson-Svartman, however, remains haunted by this chance encounter; his equilibrium has been disturbed, and he is now compelled to find any pretence to return to the remote islet. In Depths Mankell confirms his status as a writer deserving acclaim beyond the crime genre. By delving deep into the male psyche, he has produced a novel as tense and compelling in every way as the Wallander series, but also powerful, moving and ultimately tragic.
Russia is among the world’s leading oil producers, sitting atop the planet’s eighth largest reserves. Like other oil-producing nations, it has been profoundly transformed by the oil industry. In The Depths of Russia, Douglas Rogers offers a nuanced and multifaceted analysis of oil’s place in Soviet and Russian life, based on ethnographic fieldwork and archival research in the Perm region of the Urals. Moving beyond models of oil calibrated to capitalist centers and postcolonial "petrostates," Rogers traces the distinctive contours of the socialist—and then postsocialist—oil complex, showing how oil has figured in the making and remaking of space and time, state and corporation, exchange and money, and past and present. He pays special attention to the material properties and transformations of oil (from depth in subsoil deposits to toxicity in refining) and to the ways oil has echoed through a range of cultural registers. The Depths of Russia challenges the common focus on high politics and Kremlin intrigue by considering the role of oil in barter exchanges and surrogate currencies, industry-sponsored social and cultural development initiatives, and the city of Perm’s campaign to become a European Capital of Culture. Rogers also situates Soviet and post-Soviet oil in global contexts, showing that many of the forms of state and corporate power that emerged in Russia after socialism are not outliers but very much part of a global family of state-corporate alliances gathered at the intersection of corporate social responsibility, cultural sponsorship, and the energy and extractive industries.