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When Consuelo Vanderbilt's grandfather died, he was the richest man in America. Her father soon started to spend the family fortune, enthusiastically supported by Consuelo's mother, Alva, who was determined to take the family to the top of New York society—forcing a heartbroken Consuelo into a marriage she did not want with the underfunded Duke of Marlborough. But the story of Consuelo and Alva is more than a tale of enterprising social ambition, Gilded Age glamour, and the emptiness of wealth. It is a fascinating account of two extraordinary women who struggled to break free from the world into which they were born—a world of materialistic concerns and shallow elitism in which females were voiceless and powerless—and of their lifelong dedication to noble and dangerous causes and the battle for women's rights.
A fabulously wealthy New York beauty marries a cold-hearted British aristocrat at the behest of her Machiavellian mother - then leaves him to become a prominent Suffragette.
Reimagines the life of American heiress Consuelo Vanderbilt as the reluctant and bullied bride of the Duke of Marlborough before she finds the inner strength to fight for women's equality.
The New York Times and USA Today bestseller The riveting novel of iron-willed Alva Vanderbilt and her illustrious family as they rule Gilded-Age New York, written by Therese Anne Fowler, a New York Times bestselling author of Z: A Novel of Zelda Fitzgerald. Alva Smith, her southern family destitute after the Civil War, married into one of America’s great Gilded Age dynasties: the newly wealthy but socially shunned Vanderbilts. Ignored by New York’s old-money circles and determined to win respect, she designed and built nine mansions, hosted grand balls, and arranged for her daughter to marry a duke. But Alva also defied convention for women of her time, asserting power within her marriage and becoming a leader in the women's suffrage movement. With a nod to Jane Austen and Edith Wharton, in A Well-Behaved Woman Therese Anne Fowler paints a glittering world of enormous wealth contrasted against desperate poverty, of social ambition and social scorn, of friendship and betrayal, and an unforgettable story of a remarkable woman. Meet Alva Smith Vanderbilt Belmont, living proof that history is made by those who know the rules—and how to break them.
Consuelo Vanderbilt was young, beautiful and the heir to a vast family fortune. She was also deeply in love with an American suitor when her mother chose instead for her to fulfil her social ambitions and marry an English Duke. Leaving her life in America, she came to England as the Duchess of Marlborough in 1895 and took up residence in her new home - Blenheim Palace. The 9th Duchess gives unique first-hand insight into life at the very pinnacle of English society in the Edwardian era. An unsnobbish, but often amused observer of the intricate hierarchy both upstairs and downstairs at Blenheim Palace, she is also a revealing witness to the glittering balls, huge weekend parties and major state occasions she attended or hosted. Here are her encounters with every important figure of the day - from Queen Victoria, Edward V11 and Queen Alexandra to Tsar Nicholas, Prince Metternich and the young Winston Churchill. Causing a scandal by separating from the Duke after 11 years, Consuelo began her new life as philanthropist, public speaker and campaigner for women's suffrage. Her literary soirees would include H G Wells, JM Barrie and George Bernard Shaw. In 1921 she remarried aviator Jacques Balsan moving with him to a chateau in the South of France. This intimate, richly enjoyable memoir is a wonderfully revealing portrait of a golden age.
Vanderbilt: the very name signifies wealth. The family patriarch, "the Commodore," built up a fortune that made him the world's richest man by 1877. Yet, less than fifty years after the Commodore's death, one of his direct descendants died penniless, and no Vanderbilt was counted among the world's richest people. Fortune's Children tells the dramatic story of all the amazingly colorful spenders who dissipated such a vast inheritance.
Lucius Beebe said that "The nearest thing to a royal family that has ever appeared on the American scene was the Vanderbilts ... their vendettas, their armies of servitors, partisans and sycophants, their love affairs, scandals, and shortcomings, all were the stuff of an imperial routine." Stasz reveals new facts and insights into the fascinating lives of three generations of Vanderbilt women who dominated New York society from the middle of the eighteenth century through the twentieth. Of special interest are the discovery of unpublished letters and a pseudonymous lesbian novel that shed light on the complex character of the most currently famous Vanderbilt woman, Gloria Vanderbilt.
“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .
“Marvelous and entertaining.” —Julian Fellowes, creator of Downton Abbey Discover the true stories behind the women who inspired DowntonAbbey and HBO’s The Gilded Age, the heiresses—including a Vanderbilt (railroads), a LaRoche (pharmaceuticals), and a Rogers (oil)—who staked their ground in England, swapping dollars for titles and marrying peers of the British realm. Filled with vivid personalities, grand houses, dashing earls, and a wealth of period details and quotes on the finer points of Victorian and Edwardian etiquette, To Marry an English Lord is social history at its liveliest and most accessible. Sex, snobbery, humor, social triumphs (and gaffes), are all recalled in marvelous detail, complete with parties, clothes, scandals, affairs, and 100-year-old gossip that’s still scorching.
In the tradition of Sean Wilsey's Oh The Glory of It All and Augusten Burrough's Running With Scissors, the great-great-great granddaughter of Cornelius Vanderbilt gives readers a grand tour of the world of wealth and WASPish peculiarity, in her irreverent and darkly humorous memoir. For generations the Burdens were one of the wealthiest families in New York, thanks to the inherited fortune of Cornelius "The Commodore" Vanderbilt. By 1955, the year of Wendy's birth, the Burden's had become a clan of overfunded, quirky and brainy, steadfastly chauvinistic, and ultimately doomed bluebloods on the verge of financial and moral decline-and were rarely seen not holding a drink. In Dead End Gene Pool, Wendy invites readers to meet her tragically flawed family, including an uncle with a fondness for Hitler, a grandfather who believes you can never have enough household staff, and a remarkably flatulent grandmother. At the heart of the story is Wendy's glamorous and aloof mother who, after her husband's suicide, travels the world in search of the perfect sea and ski tan, leaving her three children in the care of a chain- smoking Scottish nanny, Fifth Avenue grandparents, and an assorted cast of long-suffering household servants (who Wendy and her brothers love to terrorize). Rife with humor, heartbreak, family intrigue, and booze, Dead End Gene Pool offers a glimpse into the fascinating world of old money and gives truth to an old maxim: The rich are different.