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"Although the two intertwined at first, the contributions of these "settlement women" to the development of the administrative state have been largely lost as the new field of public administration evolved from the research bureaus and diverged from social work. Camilla Stivers now shows how public administration came to be dominated not just by science and business but also by masculinity, calling into question much that is taken for granted about the profession and creating an alternative vision of public service.".
A pioneering study of the relations between gender and technology.
With its focus particularly on men, The Gender Line offers an insightful overview of the construction of gender and the damaging effects of its stereotypes. Levit analyzes the ways in which law legitimizes the social segregation of the sexes through legal decisions regarding custody, employment, education, sexual harassment, and criminal law. In so doing, she illustrates the ways in which men's and women's oppressions are intertwined and how law molds the very definition of masculinity.
Female novelists have always invested as much narrative energy in constructing their male characters—heroes and villains—as in envisioning their female protagonists, but this fact has received very little scholarly attention to date. In Women Constructing Men, scholars from Australia, Canada, Germany, Great Britain and the United States begin to sketch the outline of a new literary history of women writing men in the English-speaking world from the eighteenth century until today. By rediscovering forgotten texts, rereading novels by high canonical female authors, refocusing the interest in well-known novels, and analyzing contemporary narrative constructions of masculinity, the contributing scholars demonstrate that female authors create male characters every bit as complex as their male counterparts. Using a variety of theoretical models and coming to an equal variety of conclusions, the essays collected in Women Constructing Men skilfully demonstrate that the topic of female-authored masculinities not only allows scholars to re-read and re-discover almost every novel ever written by a woman writer, but also triggers reflections on a host of theoretical questions of gender and genre. In re-examining these male characters across literary history,these articles extend the feminist question of "Who has the authority to create a female character?" to "Who has the authority to create any character?".
A cross-cultural study of gender roles and relationships, this book presents a synthesis of a wide range of ethnographic and historical data concerning the roles of women and men in wide range of different kinds of societies--with a focus on both material conditions and ideological valuations that affect and reflect cultural models of gender. First looks at the impact of material conditions on gender roles: Foragers; Farmers; Agricultural States; Industrial Economy: The United States; and Women and Global Economic Development. Then explores ideological constraints on gender constructs: Gender and the Body; Gender and Religion; Gender and Language. For anyone interested in gender roles from an anthropological, sociological, and psychological perspective.
Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal groom from the story of Cupid and Psyche in Apuleius' The Golden Ass (originally a tale about the stunning momentum of genuine female desire), liberates it from its baroque educational moral (a girl's virtue and prudence will help her to overcome her sexual fears), and turns it into a boyhood story: inside the ugly rascal there is a good, but relatively boring prince - at least in comparison to the monsters of film history. In the seventy years since it was made, La Belle et la Bete has inspired numerous interpretations and has been employed by theorists of all genres and interests.
Comfortable, flattering pants can be challenging to make - but they're wonderful to wear. In this book, David Coffin provides his inventive, sure-fire methods for getting it right. With his characteristic precision and straight talk - and with the help of photographs, drawings, and exclusive access to a series of online video sequences - Coffin teaches the reader how to get great results, whether making a showcase garment or just whipping out an everyday pair. For more information and book-related extras, visit http://makingtrouserswithdpc.blogspot.com/, David Coffin's blog all about making trousers and specifically designed for the readers of this book.
My students love this book. It is well written, communicates points clearly, and is informative.