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Berlin is poised to emerge as one of the world's most exciting centers of contemporary art. As artists from different countries flock to the new capital of re-unified Germany, its major museums are undergoing a massive renovation while grant programmes and inexpensive studio space are giving new talents the chance to create and display their art. Published in conjunction with a major exhibition at the Phoenix Museum of Art, this catalogue is the first comprehensive survey of the artistic renaissance of post-wall Berlin. Many of the works - which include paintings, sculpture, photography, film, installation sound and performance art - were completed in this century. In addition to colour illustrations of each of the works, this volume includes essays on the Berlin art scene, the city's recent architecture, and what the future may hold for this exciting nexus of creativity.
Appraising the redevelopment of Berlin since the late nineteenth century, Elizabeth A. Strom details how the contests between politicians, bureaucrats, architects, and developers have become especially prominent since reunification. Whether addressing the historical struggle to shape the city into the important world capital that it is today, charting the (re)creation of Berlin as a national government center, or exploring the city's massive economic restructuring, Building the New Berlin illustrates the intimate relationship between architecture and politics in an ongoing dialogue about whom the city should serve. Strom suggests that Berlin is a unique case study of city building in the twentieth century due to Berlin's turbulent battles over the central city, the seat of national and local governance. Nonetheless, these tensions provide fertile ground for the study of the central questions of urban political economy. Strom has fashioned an accessible, well-written and perceptive study that not only is a valuable addition to urban development literature, but also provides a foundational understanding of the debate and controversy in the planning of Berlin's city center in the 1990s.
An innovative exploration of German memory, national identity, and modernity embodied in the public spaces of the new capital.
"Highlighting an interdisciplinary 'geo-ethnographic' and nonlinear temporal approach to place making and memory in postunification Germany, [this text] introduces readers to people confronting loss and past injustices amid the construction sites and ghosts of the contemporary city"--Page 4 of cover.
This book explores the politics of place marketing and the process of ‘urban reinvention’ in Berlin between 1989 and 2011. In the context of the dramatic socio-economic restructuring processes, changes in urban governance and physical transformation of the city following the Fall of the Wall, the ‘new’ Berlin was not only being built physically, but staged for visitors and Berliners and marketed to the world through events and image campaigns which featured the iconic architecture of large-scale urban redevelopment sites. Public-private partnerships were set up specifically to market the ‘new Berlin’ to potential investors, tourists, Germans and the Berliners themselves. The book analyzes the images of the city and the narrative of urban change, which were produced over two decades. In the 1990s three key sites were turned into icons of the ‘new Berlin’: the new Postdamer Platz, the new government quarter, and the redeveloped historical core of the Friedrichstadt. Eventually, the entire inner city was ‘staged’ through a series of events which turned construction sites into tourist attractions. New sites and spaces gradually became part of the 2000s place marketing imagery and narrative, as urban leaders sought to promote the ‘creative city’. By combining urban political economy and cultural approaches from the disciplines of urban politics, geography, sociology and planning, the book contributes to a better understanding of the interplay between the symbolic ‘politics of representation’ through place marketing and the politics of urban development and place making in contemporary urban governance.
How photography and a modernizing Berlin informed an urban image—and one another—in the late nineteenth and early twentieth centuries Since the fall of the Berlin Wall, the city that once visually epitomized a divided Europe has thrived in the international spotlight as an image of reunified statehood and urbanity. Yet research on Berlin’s past has focused on the interwar years of the Weimar Republic or the Cold War era, with much less attention to the crucial Imperial years between 1871 and 1918. Constructing Imperial Berlin is the first book to critically assess, contextualize, and frame urban and architectural photographs of that era. Berlin, as it was pronounced Germany’s capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city’s understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city’s rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution. Providing a rare analysis of this significant formative era, Miriam Paeslack shows a city far more complex than the common clichés as a historical and aspiring place suggest. Imperial Berlin emerges as a modern metropolis, only half-heartedly inhibited by urban preservationist concerns and rather more akin to North American cities in their bold industrialization and competing urban expansions than to European counterparts.
Since Unification and the end of the Cold War, Berlin has witnessed a series of uncommonly intense social, political, and cultural transformations. While positioning itself as a creative center populated by young and cosmopolitan global citizens, the “New Berlin” is at the same time a rich site of historical memory, defined inescapably by its past even as it articulates German and European hopes for the future. Cultural Topographies of the New Berlin presents a fascinating cross-section of life in Germany’s largest city, revealing the complex ways in which globalization, ethnicity, economics, memory, and national identity inflect how its urban spaces are inhabited and depicted.