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The Sisters, Servants of the Immaculate Heart of Mary By Sister Michel Keenan, IHM The Sisters, Servants of the Immaculate Heart of Mary is arranged by the terms of office of three major superiors of the Congregation of the Sisters, Servants of the Immaculate Heart of Mary, Scranton, Pennsylvania, from 1974-1994. This work follows the prior volume by Sister Michel, published in 2005, covering 1919-1974. As previously, the work attempts to capture the impact of the times and events in the world at large, particularly Vatican II, on the decisions for ministry and religious life in this Congregation of women religious. Serious change in religious life was not easy. Readers may learn of the challenges to administrators and to individual Sisters during these periods.
The often forgotten role of Catholic sisters is told in experiences deeply rooted in self-realization and feminist methodology. In this collection of thirteen essays the contributors illuminate the little known world of a very creative and committed community of women—their aspirations, their values, their mission. An often neglected part of feminist research, this type of sisterly collaboration affirms the seminal paradigms in women's work and writing. These essays deal with many of the same issues of power, economic autonomy, friendship, spirituality, socialization, and professional commitment encountered in other feminist endeavors. Building Sisterhood gives the reader insight into the rigorous training involved in becoming a nun, including the complex relationships between the Monroe community, other IHM sites, and within the intricate church hierarchy. Feminist historian Margaret Susan Thompson places the essays within a historical context and provides detailed background for those unfamiliar with the life, duty, and experience of Catholic sisters. This book will make a unique contribution to feminist scholarship, religious studies, and women's history
Between 1972 and 1974, the Mighty Macs of Immaculata College—a small Catholic women's school outside Philadelphia—made history by winning the first three women's national college basketball championships ever played. A true Cinderella team, this unlikely fifteenth-seeded squad triumphed against enormous odds and four powerhouse state teams to secure the championship title and capture the imaginations of fans and sportswriters across the country. But while they were making a significant contribution to legitimizing women's sports in America, the Mighty Macs were also challenging the traditional roles and obligations that circumscribed their Catholic schoolgirl lives. In this vivid account of Immaculata basketball, Julie Byrne goes beyond the fame to explore these young women's unusual lives, their rare opportunities and pleasures, their religious culture, and the broader ideas of womanhood they inspired and helped redefine.
Curiosity about nuns and their distinctive clothing is almost as old as Catholicism itself. The habit intrigues the religious and the nonreligious alike, from medieval maidens to contemporary schoolboys, to feminists and other social critics. The first book to explore the symbolism of this attire, The Habit presents a visual gallery of the diverse forms of religious clothing and explains the principles and traditions that inspired them. More than just an eye-opening study of the symbolic significance of starched wimples, dark dresses, and flowing veils, The Habit is an incisive, engaging portrait of the roles nuns have and do play in the Catholic Church and in ministering to the needs of society. From the clothing seen in an eleventh-century monastery to the garb worn by nuns on picket lines during the 1960s, habits have always been designed to convey a specific image or ideal. The habits of the Benedictines and the Dominicans, for example, were specifically created to distinguish women who consecrated their lives to God; other habits reflected the sisters’ desire to blend in among the people they served. The brown Carmelite habit was rarely seen outside the monastery wall, while the Flying Nun turned the white winged cornette of the Daughters of Charity into a universally recognized icon. And when many religious abandoned habits in the 1960s and ’70s, it stirred a debate that continues today. Drawing on archival research and personal interviews with nuns all over the United States, Elizabeth Kuhns examines some of the gender and identity issues behind the controversy and brings to light the paradoxes the habit represents. For some, it epitomizes oppression and obsolescence; for others, it embodies the ultimate beauty and dignity of the vocation. Complete with extraordinary photographs, including images of the nineteenth century nuns’ silk bonnets to the simple gray dresses of the Sisters of Social Service, this evocative narrative explores the timeless symbolism of the habit and traces its evolution as a visual reflection of the changes in society.
Undergraduate and graduate programs are topics of individual issues yearly 1946-