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Constituent and Pattern in Poetry is a collection of essays on literature and language. It is built on the assumption that works of literature have existence in the real world and that they may be analyzed in a fashion that is not totally subjective. Using models derived from structural linguistics, Archibald A. Hill presents a number of theoretical contributions to the study of poetry, as well as new ways of looking at specific poems. The book as a whole provides an overview of the tools and ideas Hill has developed for analyzing works of literature, and it is the first time the essays have been gathered together in one volume. The book is divided into three sections: Definition of Literature and Study of Its Patterns, Types of Meaning and Imagery, and Principles for Interpreting Meaning. Each section opens with a theoretical essay, followed by three essays that work analytically with specific poets and poems using the methods defined in the first. In his examination of such poets as Hopkins, Browning, Milton, Blake, Keats, and Dickinson, Hill uses such proposals as the law of least lexical contribution and maximal contextual contribution; the hypothesis that, when possible meanings occur together in a cluster, they support each other; and the idea that it is sometimes possible to recover underlying language sequences from which the author has departed for identifiable reasons. By applying these suppositions to the study of particular poems, Hill shows how the reader may arrive at statements about the relative artistic merit of works of literature.
Describes the use of poetic form and meter in poetry and looks at examples of the poetry of William Shakespeare to illustrate why patterns are important to poetry.
Miller Williams’ Patterns of Poetry is an encyclopedia of the forms used by poets throughout the history of English, from blank verse to hymnal measure, from englyn penfyr to the double dactyl, from the clerihew to the sonnet. Each form is introduced with a brief discussion of its origin, which is followed by a graphic presentation of its scansion, metrics, and rhyme scheme. Sample poems show how each form actually works. Williams begins Patterns of Poetry with an introduction entitled “Form and the Age,” in which he traces the history of form in the arts and the ways in which any form relates to the political, social, and religious temper of the period in which it becomes dominant. He then prefaces the main text with useful notes on rhyme, prosodic symbols, the major feet, metrics, and nonce forms. Also included in the book are a glossary; a bibliography; a listing of additional poems in the various patterns (poems not included in the text but of great use to teachers); an essay on the line as the prosodic unit; and an index.
"Poetry, defined as language divided into lines, is found in most known human cultures. This masterful survey of poetry and its constituent components demonstrates the functions performed by metre, rhyme, alliteration and parallelism, arguing that each line of a poem fits as a whole unit into the limited capacity of human working memory. Using examples from around the world, Fabb surveys the wide varieties of poetry and the ways they are performed, including those in songs and signed literatures. Focusing on language, form and memory, he argues, helps us understand why poetry is a particularly valued way of using language. A fresh exploration of poetry, the book will be welcomed by students and researchers of literature, linguistics and psychology, as well as anyone interested in poetry"--
This book traces the evolution of traditional English verse structures from their Old and Middle origins to the Modern English period.
This book is a formal and functional study of the three distinct meters of Old Norse eddic poetry, fornyrðislag, málaháttr, and ljóðaháttr. It provides a systematic account of these archaic meters, both synchronic and diachronic, and from a comparative Germanic perspective; particularly concerned with Norse innovations in metrical practice, Suzuki explores how and why the three meters were shaped in West Scandinavia through divergent reorganization of the Common Germanic metrical system. The book constitutes the first comprehensive work on the meters of Old Norse eddic poetry in a single coherent framework; with thorough data presentation, detailed philological analysis, and sophisticated linguistic explanation, the book will be of enormous interest to Old Germanic philologists/linguists, medievalists, as well as metrists of all persuasions. A strong methodological advantage of this work is the extensive use of inferential statistical techniques for giving empirical support to specific analyses and claims being adduced. Another strength is a cognitive dimension, a (re)construction of a prototype-based model of the metrical system and its overall characterization as an integral part of the poetic knowledge that governed eddic poets' verse-making technique in general.
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
In The Shape of Hebrew Poetry, Matthew Ayars explores foregrounding and structural cohesion as the dual discourse function of linguistic parallelism in biblical Hebrew poetry through a robust application of Russian Formalist Roman Jakobson's conceptulisation of linguistic parallelism to the Egpytian Hallel (Psalm 113–118). Other hebraists and biblical Hebrew poetry specialists have long noted the importance of Jakobson's theory of parallelism for poetic texts of the Hebrew Bible, however, Ayars is the first to offer an application of Jakobsonian-based analysis to a poetic corpus of the Hebrew Bible.