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Throughout history, every power that has aspired to dominate the Balkans, a crucial crossroads between Europe, Asia, and Africa, has sought to control Macedonia. But although Macedonia has figured prominently in history, its name was largely absent from the historical stage, representing only a disputed territory of indeterminate boundaries, until the nineteenth century. Successive invaders— Roman, Gothic, Hun, Slav, Ottoman— passed through or subjugated the area and incorporated it into their respective dynastic or territorial empires. This detailed volume surveys the history of Macedonia from 600 BC to the present day, with an emphasis on the past two centuries. It reveals how the "Macedonian question" has long dominated Balkan politics and how, for nearly two centuries, it was the central issue dividing Balkan peoples, as neighboring nations struggled for possession of Macedonia and denied any distinct Macedonian identity— territorial, political, ethnic, or national. The author concludes that Balkan acceptance of a Macedonian identity, nation, and state has become a necessity for stability in the Balkans and in a united Europe.
The vibrant and complex life of the eastern Mediterranean during a time of reinvention and renewal is the subject of the exhibition Transition to Christianity and this accompanying catalogue, which explore a period of extraordinary creativity and reveal new and largely unknown aspects of the Greek world of Late Antiquity. The exhibition is jointly organized by the Onassis Foundation (USA) and the Hellenic Ministry of Culture - Byzantine and Christian Museum, with the academic support of an advisory committee from the Program in Hellenic Studies at Princeton University.
National Museums is the first book to explore the national museum as a cultural institution in a range of contrasting national contexts. Composed of new studies of countries that rarely make a showing in the English-language studies of museums, this book reveals how these national museums have been used to create a sense of national self, place the nation in the arts, deal with the consequences of political change, remake difficult pasts, and confront those issues of nationalism, ethnicity and multiculturalism which have come to the fore in national politics in recent decades. National Museums combines research from both leading and new researchers in the fields of history, museum studies, cultural studies, sociology, history of art, media studies, science and technology studies, and anthropology. It is an interrogation of the origins, purpose, organisation, politics, narratives and philosophies of national museums.
In 1979, Edward P. Alexander's Museums in Motion was hailed as a much-needed addition to the museum literature. In combining the history of museums since the eighteenth century with a detailed examination of the function of museums and museum workers in modern society, it served as an essential resource for those seeking to enter to the museum profession and for established professionals looking for an expanded understanding of their own discipline. Now, Mary Alexander has produced a newly revised edition of the classic text, bringing it the twenty-first century with coverage of emerging trends, resources, and challenges. New material also includes a discussion of the children's museum as a distinct type of institution and an exploration of the role computers play in both outreach and traditional in-person visits.
This volume brings together early career scholars working on funerary customs in Greece from the Early Iron Age to the Roman period. Papers present various thematic and interdisciplinary analysis in which funerary contexts provide insights on individuals, social groups and communities.
What begins as a meditation on "the museum" by one of the world's leading art historians becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex argument remarkably accessible and powerfully clear. Concentrating on a period from the beginning of the nineteenth century to the beginning of the twentieth, Donald Preziosi presents case studies of major institutions that, he argues, have defined--and are still defining--the possible limits of museological and art historical theory and practice. These include Sir John Soane's Museum in London, preserved in its 1837 state; the Crystal Palace Exhibition of 1851; and four museums founded by Europeans in Egypt in the late nineteenth century, which divided up that country's history into "ethnically marked" aesthetic hierarchies and genealogies that accorded with Europe's construction of itself as the present of the world's past, and the "brain of the earth's body." Through this epistemological and institutional archaeology, Preziosi unearths the outlines of the more radical Enlightenment project that academic art history, professional museology, and art criticism have rendered marginal or invisible. Finally, he sketches a new theory about art, artifice, and visual signification in the cracks and around the margins of the "secular theologisms" of the globalized imperial capital called modernity. Addressed equally to the theoretical and philosophical foundations of art history,museology, history, and anthropology, this book goes to the heart of recent debates about race, ethnicity, nationality, colonialism, and multiculturalisms--and to the very foundations of modernity and modern modes of knowledge production.
Greeks and Macedonians are presently engaged in an often heated dispute involving competing claims to a single identity. Each group asserts that they, and they alone, have the right to identify themselves as Macedonians. The Greek government denies the existence of a Macedonian nation and insists that all Macedonians are Greeks, while Macedonians vehemently assert their existence as a unique people. Here Loring Danforth examines the Macedonian conflict in light of contemporary theoretical work on ethnic nationalism, the construction of national identities and cultures, the invention of tradition, and the role of the state in the process of building a nation. The conflict is set in the broader context of Balkan history and in the more narrow context of the recent disintegration of Yugoslavia. Danforth focuses on the transnational dimension of the "global cultural war" taking place between Greeks and Macedonians both in the Balkans and in the diaspora. He analyzes two issues in particular: the struggle for human rights of the Macedonian minority in northern Greece and the campaign for international recognition of the newly independent Republic of Macedonia. The book concludes with a detailed analysis of the construction of identity at an individual level among immigrants from northern Greece who have settled in Australia, where multiculturalism is an official policy. People from the same villages, members of the same families, living in the northern suburbs of Melbourne have adopted different national identities.