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Each year many of the millions of people who visit the United States Capitol are surprised and delighted to discover that the building is not only the home of the Congress but also a museum and gallery of fine art. Among the most remarkable works in the Capitol are the paintings of Constantino Brumidi, who devoted much of the last twenty-five years of his life to decorating the building. Indeed, his contributions to the Capitol are unsurpassed by those of any other artist. This is the first scholarly, in-depth publication on Brumidi. The book is an outgrowth of the mural conservation program. Much of the beauty of Brumidi's work was hidden under grime and overpaint, and some murals were threatened by cracking plaster.
Detailed history of renowned Italian-born artist Constantino Brumidi's masterful work "making beautiful" the walls and ceilings of the United States Capitol over a span of 25 years starting in 1854. Every page delights with gorgeous, full-color photographs and images of Brumidi's art, from photographs of the frescoes and decoration, to sketches, paintings and images of the artist, particularly the Brumidi Corridors and his "monumental fresco" in the Capitol Rotunda, called The Apotheosis of Washington. Fascinating anecdotes are included throughout of the artist and the inspirations he received for various elements, his relationship with engineer Montgomery C. Meigs, and the conservation efforts to preserve his work accurately for posterity.
"Constantino Brumidi, Michelangelo of the United States Capitol" by Myrtle Cheney Murdock. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals--an attempt to raise a particular version of the nation's founding to the level of myth. American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century. The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history--at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
With some 150 stunning full-color images, this visual celebration of an American landmark features an illustrated glossary of architectural terms and a section of brief biographies of the people associated with the U.S. Capitol building.