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Consolation Miracle is a book of visceral, image-driven poems that search for the miraculous in the seemingly ordinary. This collection fashions art out of artless objects as a consolation, or perhaps compensation, for their smallness. Yawns and pears, cockroaches and crows resonate against historically conflated backdrops, while our own hands seem suddenly strange as they hide themselves in our pockets, balance a burning cigarette between two fingers, or grip the gun that shot Lincoln. Other poems address the destruction of empire, the end of old Hollywood, and the hyperbolic fizzling out of entire centuries. Here, consolation miracles are rarely the ones sought after, yet they radiate in their neglect. Davidson’s poems help us understand the inner life of cows, imagine the plight of a banished Kama Sutra illustrator, speculate about Cleopatra’s lingerie. With a title borrowed from Gabriel García Márquez, Consolation Miracle contains a magical realism for the twenty-first century.
Consolation Miracle is a book of visceral, image-driven poems that search for the miraculous in the seemingly ordinary. This collection fashions art out of artless objects as a consolation, or perhaps compensation, for their smallness. Yawns and pears, cockroaches and crows resonate against historically conflated backdrops, while our own hands seem suddenly strange as they hide themselves in our pockets, balance a burning cigarette between two fingers, or grip the gun that shot Lincoln. Other poems address the destruction of empire, the end of old Hollywood, and the hyperbolic fizzling out of entire centuries. Here, consolation miracles are rarely the ones sought after, yet they radiate in their neglect. Davidson’s poems help us understand the inner life of cows, imagine the plight of a banished Kama Sutra illustrator, speculate about Cleopatra’s lingerie. With a title borrowed from Gabriel García Márquez, Consolation Miracle contains a magical realism for the twenty-first century.
Helps mourners grow through their grief, shows consolers how to listen and speak with their hearts, and includes insights on the days of shiva, the year of kaddish, and the true purpose of Jewish mourning rituals. Reprint.
Baby Ariella was under water for ten minutes, and the first medical reports stated that she had severe brain damage and most likely would not live. Yet God works in miraculous ways, and with one family and a community’s avalanche of prayers and faith that reached God’s heart, God performed a great miracle. In Ariella’s Miracle, author Patrick J. Lenney captures the tremendous impact that this miracle has had on all involved. As you read the story of Ariella, a family, and a community of faith, you will witness God’s grace and the community’s persistent barrage of the heavens by prayer and prophetic words instrumental in Ariella’s healing. Through this miracle, you can learn about the transforming love of God and why you should ask God for help even if you are struggling with your faith. We can all be encouraged that God’s hand is still present in the world for us, and that he is still performing miracles on a daily basis. This healing can be there for you today, because God said that he is not done. Ariella’s Miracle can help you discover or rediscover the hope and inspiration you need when facing the darkest moments of life.
"Elegant and literate" -THE TIMES OF LONDON "The kind of book that both skeptics and believers would do well to read"- SKEPTICAL INQUIRER "An urbane, original, convincing rebuttal of paranormal and supernatural notions" -NEW SCIENTIST "A lively, entertaining book... Humphrey has set himself a larger task than simply explaining why people believe in parapsychology: the task of explaining why it is irrational to believe in it."-NATURE
Soluble Fish transports readers to a place of discovery, exploring issues of borders, familial and love relationships, and other aspects of being human. Mary Jo Firth Gillett layers her poems in rich metaphor as she searches for meaning in everyday life. Contemplating a range of topics from teaching poetry to watching her father filet a fish, Gillett’s humorous and playful collection celebrates language and life.
In her collection Incarnate Grace, poet Moira Linehan explores, questions, and ultimately celebrates her attempt to live in the temple of the present. After learning she has breast cancer, the poet struggles to live an examined life. Alienated and estranged from her own body, she turns her cancer into “these binoculars, / this new way of looking,” and uses it as a way of fixing herself firmly within the moment. As she travels Ireland and the Pacific Northwest, her busy mind moves from the knot in her breast to the knots in her knitting to the illuminated knots of The Book of Kells to the tossing, knotted surface of the sea; from the margins of her surgery—clean but not ideal—to the margins of illuminated manuscripts. She links the mundane to the mythic, intertwining connections between scripture and nature, storms and loss, winter and light, breast cancer and embroidery. As she returns to her home on a small pond in Massachusetts, she takes with her the fruits of her travels: the incarnate grace of the ordinary. Vivid and compelling, Incarnate Grace finds beauty in the worst of circumstances and redemption in the fabric of daily life.
"A candid exploration of sexual identity, female friendship, family dynamics, and queer experiences of love, this book is a collection of poems about obsession, addictions, and a life given over to making art"--
Zion, the latest collection of poems by TJ Jarrett, is the poignant study of the resonating effects of the civil rights movement on one family. Jarrett lovingly explores the minutiae of mortality and race across three generations of “Dark Girls” who have come together one summer to grieve and to remember as one of them passes to the farther shore—a place beyond retribution, where there is only forgiveness. The Mississippi of Jarrett’s collection is alive with fireflies and locusts and murders of crows; yet for some, it is a wasteland of unanswered prayers, burning evenings, and the shades of dead or disappeared loved ones. There, the dark nights of the soul weigh long and heavy, and “every heart has its solstice, and its ache is unrelenting.” Yet much as every solstice has an equinox, every time to kill has a time to forgive. Throughout the volume, the author imagines opportunities for compassion on multiple levels, from sweeping pardons to the most intimate of mercies. Jarrett’s faceless narrator confesses the past through conversation and exploration with notorious Mississippi governor Theodore Bilbo: two minds, two hearts, two races at last face to face. At once brutal and achingly tender, Jarrett’s volume itself is a vibrant and musical body, singing to all its parts.
The speaker in this collection seeks an understanding of the darkness of suicide and mortal illness in the light of Christian faith. Poet Leslie Williams captures this light in tender and piercing poems that traverse a grieving world where healing is always possible but never assured: “my God can do this, but my God / might not.” Through restless questioning, the speaker finds a balm for suffering in the divine beauty and mystery of the natural world. Seven prose poems woven into the collection deal with different aspects of a young girl’s life-threatening illness. Five additional poems wrestle with the grief of suicide and the emptiness afflicting those left behind. Other poems in the collection reflect on how to approach daily life while coping with heartbreak and express wonder about our responsibilities in a variety of roles: as parents, as neighbors, as an imagined anchoress, as children of God. The language remains beautiful and precise throughout, whether the speaker lies “in a gully cracked / with stars” or tells herself, “It’s a handmade raft I live on.” The speaker entreats, as in Psalm 27, “teach me how to live.” Dwelling attentively in the abundance and mystery of creation, the book aims to offer a comfort and peace that might “even the dark.”