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A study of the war-opposition in England during what has usually been presented as the great patriotic struggle against Revolutionary and Napoleonic France.
This is the first book to bring perspectives from the interdisciplinary field of Peace Studies to bear on the writing of the Romantic period. Particularly significant is that field's attention not only to the work of anti-war protest, but more purposefully to considerations of how peace can actively be fostered, established, and sustained. Bravely resisting discourses of military propaganda, writers such as Amelia Opie, Helen Maria Williams, William Wordsworth, William Cobbett, John Keats, and Jane Austen embarked on the challenging and urgent rhetorical work of imagining—and inspiring others to imagine—the possibility of peace. The writers formulate a peace imaginary in various registers. Sometimes this means identifying and eschewing traditional militaristic tropes in order to craft alternative images for a patriotism compatible with peace. Other times it means turning away from xenophobic discourse to write about relations with other nations in terms other than those of conflict. If historically informed literary criticism has illustrated the importance of writing about war during the Romantic period, this volume invites readers to redirect critical attention to move beyond discourses of war, and to recognize the era's complex and vibrant writing about and for peace.
A beautifully observed history of the British home front during the Napoleonic Wars by a celebrated historian We know the thrilling, terrible stories of the battles of the Napoleonic Wars—but what of those left behind? The people on a Norfolk farm, in a Yorkshire mill, a Welsh iron foundry, an Irish village, a London bank, a Scottish mountain? The aristocrats and paupers, old and young, butchers and bakers and candlestick makers—how did the war touch their lives? Jenny Uglow, the prizewinning author of The Lunar Men and Nature's Engraver, follows the gripping back-and-forth of the first global war but turns the news upside down, seeing how it reached the people. Illustrated by the satires of Gillray and Rowlandson and the paintings of Turner and Constable, and combining the familiar voices of Austen, Wordsworth, Scott, and Byron with others lost in the crowd, In These Times delves into the archives to tell the moving story of how people lived and loved and sang and wrote, struggling through hard times and opening new horizons that would change their country for a century.
In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.
The history of the Romantic period is often dominated by the cataclysmic political events that occurred within it The collection is divided into thematically linked sections, each of which is prefaced with brief notes on themes, issues and texts, and lists of books for further study. The dates of the period have been extended at the beginning to provide extracts from texts that frame the ensuing radical debate that arose around the French Revolution and concludes at the Reform Act of 1832, which can be seen as the culmination of the movement for political reform in the latter half of the Romantic period. The division of topic areas within the volumes into specific areas of interest will provide an easy route to negotiate the texts, whereas sections such as 'Women and politics' and 'Colonial politics' will highlight previously neglected areas.