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The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.
The National Park Service's official advice on preserving and restoring historic buildings.
The fourth in a series that documents architectural conservation in different parts of the world, Architectural Conservation in Australia, New Zealand and the Pacific Islands: National Experiences and Practice addresses cultural heritage protection in a region which comprises one third of the Earth’s surface. In response to local needs, Australia, New Zealand and the Pacific Islands have developed some of the most important and influential techniques, legislation, doctrine and theories in cultural heritage management in the world. The evolution of the heritage protection ethos and contemporary architectural conservation practices in Australia and Oceania are discussed on a national and regional basis using ample illustrations and examples. Accomplishments in architectural conservation are discussed in their national and international contexts, with an emphasis on original developments (solutions) and contributions made to the overall field. Enriched with essays contributed from fifty-nine specialists and thought leaders in the field, this book contains an extraordinary breadth and depth of research and synthesis on the why’s and how’s of cultural heritage conservation. Its holistic approach provides an essential resource and reference for students, academics, researchers, policy makers, practitioners and all who are interested in conserving the built environment.
The sixteen essays in this volume reflect a wide range of research concerning methods for metals conservation, particularly in respect to ancient and historic objects. The variety of issues discussed includes considerations in the cleaning of ancient bronze vessels; the processes involved in bronze casting, finishing, patination, and corrosion; studies of manufacturing techniques of gold objects in ancient African and medieval European metalworking; techniques of mercury gilding in the 18th century; an investigation of patina in the classification of bronze surfaces from land and lake environments; an examination of bronze objects from the Benin Kingdom, Nigeria; the history of restoration of the Marcus Aurelius monument in Rome; the corrosion of iron in architecture; and applications of radiographic tomography to the study of metal objects.
There are over half a million listed buildings in Britain, conservation areas can be found in every borough, and a large proportion of our housing stock pre-dates 1914. So, whether in extending a listed house, reordering a local church, or converting an historic warehouse, most architects will work with historic buildings at some point in their career – even if they are not a specialist conservation architect. An Introduction to Architectural Conservation introduces non-specialist architects to the principles behind legislation concerning historic buildings. It will help them understand the practicalities of this legislation, the aims and objectives of Conservation Offices, Statutory Amenity Societies and other guardians of our heritage. With these skills, readers can advise clients more accurately, make successful listed building applications, and ensure their interventions are sensitive, appropriate and effective. An Introduction to Architectural Conservation is also a practical guide to good working practice: taking readers through the process of preparing a listed building application, preparing a suitable tender package and administering the contract. .
Metals deals with the conservation of a group of materials that have been used in buildings for everything from structural components and fixings to weatherproofing, repairs, and decoration. It covers both the iron-based and the non-ferrous metals (such as copper, bronze and lead), in each case considering technological evolution, deterioration processes, and the practical application and long-term implications of the common conservation materials and methods.
This title comes with a new Introduction by Bethan Griffiths and Peter Milington. We are fortunate today that there is a far greater understanding and appreciation of our heritage, and how it should be cared for, than there was at the time J. Starkie Gardner's book was written. For the many people interested in and involved with the care and conservation of heritage ironwork "English Ironwork of the Seventeenth and Eighteenth Centuries" is an invaluable reference, not just for researching specific pieces but also for understanding the historic context of the ironwork of the period. It is also full of illustrations of once surviving examples in need of repair, and these photographs can give clues to their original form. Where ironwork has gone missing, the information can help to inform the design of replica work. There are few books on decorative historical ironwork and the small number there are highlight the fact that, overall, the subject of wrought ironwork has been insufficiently studied and is a rich field for cataloguing and research. Within the pages of Starkie Gardner's book are clues to the identification of further pieces of ironwork, particularly the many he did not cover, from which there is still much to learn. It is hoped that reissue of the book acts as an inspiration to those involved with the study, care and refurbishment of ironwork to continue the work he started in the recording and sharing of ironwork discoveries. However, the huge amount of surviving work of the nineteenth and twentieth centuries should not be forgotten as of this also too little is known; here again there is need for further cataloguing and research.
Covers ironwork from roughly 1840 to 1930. Thus, it includes cast iron, which prevailed during the nineteenth century and hand wrought iron, which triumphed from about 1900 to 1930.
For many people, Tyninghame on the beautiful East Lothian coast means beaches, sea birds and salt marshes. But this place on the southern boundary of the Firth of Forth was once an important monastic site, the burial place of St Baldred and later a bishop's palace that eventually became the seat of the earls of Haddington. In the early eighteenth century, its landscape was dramatically changed by a young woman, Lady Helen Hope and her husband, Thomas Hamilton, 6th Earl of Haddington. The church, the house, the gardens and surroundings have undergone many transformations since they lived here, but somehow their vision has remained intact and unspoiled. Judy Riley reveals a fascinating story, weaving together the different threads – archaeological, historical, religious and horticultural – which make up this special place in a corner of East Lothian.