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Conrad de Llorente, Inquisitor: A Soul Eternally Damned After centuries tormented by guilt, Conrad's work saving the innocent finally won him a measure of peace and at least some of the Redemption he craves Now, respected by his peers, he lives in Bangkok and carries on his work protecting those unjustly condemned and who have nowhere else to turn. It is here that he faces his greatest ever challenge, a young woman who survived a horrifying attack as a child and has now become a career criminal. Conrad faces a new and unprecedented challenge.Knowing that Angel was betrayed by her family and believing his Church was responsible for the path her life has taken, he feels obliged to try and save her soul. Yet, how does he go about saving somebody who does not want to be saved and redeeming a soul that spurns redemption? Driven by the principle of ""hating the sin but loving the sinner"" Conrad accepts this new challenge and is determined to save Angel's soul- if necessary at cost of his own.
Thirty-five-year-old Richie Lopez is at the end of his rope. His marriage is over, he’s barred from seeing his son, he is unfulfilled at a dead-end-job, and he is drinking to excess. But all of that is about to change when he meets Conrad Richards, a mysterious man that seems to have all the answers to the world’s most difficult questions—and a ghostly way of disappearing and appearing in other places at will. Although Richie suspects something very unusual, he admires his new friend so much that he keeps his thoughts to himself. Still, he cannot help but wonder if Conrad is just a brilliant old man or if he is an angel, how he seems to know him inside and out, and why he has chosen him to fulfill his lifelong dream of writing a book about life’s purpose. As Conrad mentors Richie, he shares his personal reflections and secrets to success. But will he live long enough for Richie to learn all there is, and will Richie ever discover whether Conrad is human or something more spiritual? In this heartwarming story, an older man appears in a troubled young man’s life to share his wisdom and ask him to fulfill his long-held dream of writing a book.
When Joseph Conrad’s novel Chance appeared in serial form in the New York Herald in 1912 and in book form in 1914 it established the author’s financial security for the first time. Following years of struggle to reach a wide audience for his fiction, Conrad benefitted from the American marketing of this novel for the women readers of romance. Aggressive advertising promoted the writer’s new focus on a female protagonist and Conrad’s division of the story’s location between land and sea. The novel proved popular and lucrative. Yet in spite of its economic success, Chance remains one of Conrad’s less well-known narratives. This fresh new collection of essays from both young and established scholars opens up a lively critical debate taking Chance beyond the status of best-selling romance. In a striking re-evaluation of the novel these writers examine Chance’s innovative narrative strategies, its up-to-the-minute commentary on female politics, contemporary ethics, as well as its antecedents in classical debate and the significance of Conrad’s last use of his seaman narrator Marlow.
Conrad of Piacenza was a nobleman, living in a medieval castle in Italy. One day, he went out hunting with his servants, and a fire broke out in the forest. What happened next would change his life forever. In St. Conrad and the Wildfire, children of all ages will discover the power of truth and forgiveness. Introduce children to St. Conrad through Maura Roan McKeegan’s moving retelling and Patty Borgman’s magnificent illustrations that bring the saint to life.
Józef Teodor Konrad Korzeniowski, who gradually transformed himself into the English writer, Joseph Conrad, was a mercurial personality. He left Poland for the sea, though he had no experience with salt water. He left the Polish language for French, and then for English. He attempted suicide at the age of twenty. He invested in various schemes and lost his inheritance. He married an English typist nearly sixteen years younger than himself with whom he had nothing in common. He worked as a writer though he made no money through all the years of his most important work and though he experienced terrible psychological breakdowns after completing each novel. He was warm with his friends, ingratiating with influential strangers, but also intensely irritable and easily offended. His work is as varied and changeable as his personality, from his first two, emotionally intense Malay novels, to the stolid and confident Nigger of the “Narcissus” and “Typhoon”; from the coldly ironic “Outpost of Progress” to the nightmarishly subjective Heart of Darkness; from the leisurely, panoramic visions of Nostromo to the tautly nervous, claustrophobic ironies in The Secret Agent. Despite the extraordinary thematic and tonal range of his work, critics have imposed a stable political perspective on his fiction—most often an organic conservatism, influenced by his Polish background. This is understandable; until recently, a critic’s role has been to impose order on an artist’s creations. The approach in this book is different. Drawing on the work of Michel Foucault and Jean-Francois Lyotard, especially on the latter’s critique of what he called “the grand narrative,” A Political Genealogy of Joseph Conrad shows how Conrad’s politics were always radically contingent on audience, contemporary events, and, especially, genre. While the political perspective in each of his stories and novels may be more-or-less coherent and consistent, there is no consistency throughout his work. A Political Genealogy of Joseph Conrad is the first book devoted exclusively to Conrad’s politics since the 1960s.
Hastily Written In Pencil And Serialized In Blackwood S Magazine In 1899 As The Heart Of Darkness , And Later Published In Book Form In 1902, As Heart Of Darkness, The Sibylline Charm Of The Novel Has Established It As One Of The Most Important Canonical Texts Of British Literature. Critics Have Seen The Book As An Angry Document On Absurd And Brutal Exploitation (Guerard), Probably The Greatest Short Novel In English (Karl), An Annunciation Of The Savage God (Cox), An Adventure Story, An Early Instance Of Modern Fiction, An Existential Novel, And An Early Specimen Of New Historicism. The Novel Turns On A Double Paradox (Hillis Miller), And Addresses Itself Simultaneously To Europe S Exploitation Of Africa, The Primeval Human Situation, An Archaic Aspect Of The Mind S Structure And A Condition Of Moral Baseness (Parry). But At The Same Time The Novel Has Elicited An Angry Reaction From Chinua Achebe Who Calls Conrad, A Bloody Racist. The Present Study, One In The Series Of Atlantic Critical Studies, Attempts To Make A Close Reading Of The Novel, And Examines Its Various Aspects With Lucidity And Profundity, Never Losing, However, The Touch With The Reality Of The Academic Needs Of The Students Of English Literature.
Melvin traces the emergence and development of the motif of angelic interpretation of visions from late prophetic literature (Ezekiel 40-48; Zechariah 1-6) into early apocalyptic literature (1 Enoch 17-36; 72-82; Daniel 7-8). Examining how the historical and socio-political context of exilic and post-exilic Judaism and the broader religious and cultural environment shaped Jewish angelology in general, Melvin concludes that the motif of the interpreting angel served a particular function. Building upon the work of Susan Niditch, Melvin concludes that the interpreting angel motif served a polemical function in repudiating divination as a means of predicting the future, while at the same time elevating the authority of the visionary revelation. The literary effect is to reimagine God as an imperial monarch who rules and communicates through intermediaries-a reimagination that profoundly influenced subsequent Jewish and Christian tradition.
Book II of the Heaven, Hell, & Humanity Trilogy As angels descend from the High Heavens and the demonic armies of Hell rise from the depths, Humanity balances on the precipice of extinction. The war of immortals has returned.
When it came time for her victory lap, Angel, who was bursting with energy and pride, bolted to the rail at a head spinning park trot. The more she trotted the faster she seemed to go. Angel¿s snorts and hoof beats sounded like music; Liz loved it. Then, the crowds seem to fade like morning mist, their cheering went with them. The moon became the sun; the camera flashes became its rays. Liz looked around, bewildered. They were in the field! She sat bareback on Angel; the bridle seemed to be the only ¿unwild¿ object around them.
The singer/songwriter displays his gift for creating witty, laid-back Southern stories in a collection of bizarre tales and thoughtful essays.