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An adventurous story of a frontier boy raised by Indians, The Light in the Forest is a beloved American classic. When John Cameron Butler was a child, he was captured in a raid on the Pennsylvania frontier and adopted by the great warrrior Cuyloga. Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them.
For use in schools and libraries only. Fifteen year old John Cameron Butler, kidnapped and raised by the Lenape Indians since childhood, is returned to his people under the terms of a treaty and is forced to cope with a strange and different world that is no longer his.
A "chronicle of a white girl captive of the Indians returned against her will to her white home . . . Her reception here, her rejection and that of her Indian son by her Caucasian father and sister . . . the conflicts of her Indian upbringing with the white way are related."
“They moved along in the bobbing, springy gait of a family that followed the woods as some families follow the sea.” In that first sentence Conrad Richter sets the mood of this magnificent epic of the American wilderness. Toward the close of the eighteenth century the land west of the Alleghenies and north of the Ohio river was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here the Lucketts, a wild, woodsfaring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. Richter has written, not a historical novel, of which there are so many, but a novel of authentic early American life, of which there are so few. It is the primitive story of Worth Luckett, the hunter, and of Jary, his woman; of Genny, Wyitt, Achsa, and Sulie, their woods-wild children; of the bound boy and the Solitary and Jake Tench; but principally of the oldest girl, Sayward Luckett, whos people as far back as she knew had always been hunters and gunsmiths to hunters, but who, through the quiet, growing, and yet tragic oppression of the trees, turns her back at last on her life as a hunter’s child and becomes a tiller of the soil. This novel of great lyrical beauty and high excitement tells the story of the transition of American pioneers from the ways of the wilderness to the ways of civilization. Here is the true American epic. Here is the raw adventure, swift and cruel in its episodes; but here too is the poetry of loneliness. Here is a portrait of frontier life as it really must have seemed to the pioneers. Here in short is a masterpiece by the man who gave us The Sea of Grass.
Roman om pionerer i Ohio dalen.
Of this second novel in Conrad Richter’s great trilogy, Louis Bromfield wrote: “The Fields continues the life of Sayward after her strange marriage to the ‘educated’ New Englander Portious, through the raising of their family of eight children. But it is much more than that; it is also the tale of the slow battle and eventual victory over the Trees and that relentless forest which even today marches in and takes over an Ohio field that has been left untilled for a year or two. Bit by bit, through hard work and in hardship, the forest is conquered and the villages emerge into the light surrounded by fields of great fertility. . . . “The story is told with a feeling of poetry and the picturesque turn of language which characterized the speech of the frontier and can still be heard in the Ohio country districts . . . Sayward, the heroine, is the portrait of a simple, eternal woman dominating in an instinctive way a husband who is far more educated and subtle than herself. The children are real children, each with his own personality. . . . “It [The Fields] has beauty, form, historical significance, and at the same time reality and the magic which accompanies illusion.”
Roman om pionerer i Ohio dalen
Conrad Richter: A Writer's Life is the story of an aspiring writer who failed and then, desperate for money, tried again and wrote himself out of penny-a-word pulp magazines and into a Pulitzer Prize and a National Book Award. Based upon unrestricted access to all of Richter's letters, journals, notebooks, and private papers, this biography offers an intimate account of Richter's personal struggle to achieve success in his own and in other people's terms. Johnson's biography will engage anyone interested in the art of biography and in a novelist's act of writing. Admirers of Richter's novels will also find much of interest in his life. So, too, will those who find value in the story of a man who, despite his sense of himself as an imperfect vessel for God's plan for human evolution, lived his life with as much grace, determination, and courage as he could.
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