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Mennonite Family History is a quarterly periodical covering Mennonite, Amish, and Brethren genealogy and family history. Check out the free sample articles on our website for a taste of what can be found inside each issue. The MFH has been published since January 1982. The magazine has an international advisory council, as well as writers. The editors are J. Lemar and Lois Ann Zook Mast.
Józef Teodor Konrad Korzeniowski, who gradually transformed himself into the English writer, Joseph Conrad, was a mercurial personality. He left Poland for the sea, though he had no experience with salt water. He left the Polish language for French, and then for English. He attempted suicide at the age of twenty. He invested in various schemes and lost his inheritance. He married an English typist nearly sixteen years younger than himself with whom he had nothing in common. He worked as a writer though he made no money through all the years of his most important work and though he experienced terrible psychological breakdowns after completing each novel. He was warm with his friends, ingratiating with influential strangers, but also intensely irritable and easily offended. His work is as varied and changeable as his personality, from his first two, emotionally intense Malay novels, to the stolid and confident Nigger of the “Narcissus” and “Typhoon”; from the coldly ironic “Outpost of Progress” to the nightmarishly subjective Heart of Darkness; from the leisurely, panoramic visions of Nostromo to the tautly nervous, claustrophobic ironies in The Secret Agent. Despite the extraordinary thematic and tonal range of his work, critics have imposed a stable political perspective on his fiction—most often an organic conservatism, influenced by his Polish background. This is understandable; until recently, a critic’s role has been to impose order on an artist’s creations. The approach in this book is different. Drawing on the work of Michel Foucault and Jean-Francois Lyotard, especially on the latter’s critique of what he called “the grand narrative,” A Political Genealogy of Joseph Conrad shows how Conrad’s politics were always radically contingent on audience, contemporary events, and, especially, genre. While the political perspective in each of his stories and novels may be more-or-less coherent and consistent, there is no consistency throughout his work. A Political Genealogy of Joseph Conrad is the first book devoted exclusively to Conrad’s politics since the 1960s.
James L. Meng is a retired labor relations arbitrator who was born in the mid-American steel town of Granite City, Illinois. His parents were born in Freeburg and Newton, Illinois and were active civic leaders in their community. In his formative years, James met several occasions that comprised a very interesting youth. After graduating from college, he joined the Missouri Air National Guard where he was awarded the Airman’s Medal for Valor. Afterwards he continued his education for a Master degree. He married his lovely wife, Beverly, and had two children and four grandchildren. While cleaning out his basement, he discovered several inherited boxes containing family pictures and documents. Although not a genealogist, which he says with a great deal of pride, he fortunately decided to share his information with others, both the born and unborn. This book is written to reflect the lives and personalities of real people – not just the genealogical statistics of born on date, married on date, had child one, two, three and died on this date. These were real people who realized and conquered a variety of life challenges in Germany and in their newly adopted home in America. As a nation of immigrants, we should not let their contributions be forgotten...
This book analyses the relationship between Conrad's work and three major subjects: the philosophy of history, nationalism (in Europe and Latin America), and Conrad's interest in French Romanticism and Napoleon Bonaparte. As well as discussing more well-known works, Niland re-evaluates the long-neglected late novels The Rover and Suspense.
Conrad's Secrets explores a range of knowledges which would have been familiar to Conrad and his original readers. Drawing on research into trade, policing, sexual and financial scandals, changing theories of trauma and contemporary war-crimes, the book provides contexts for Conrad's fictions and produces original readings of his work.
Conrad of Piacenza was a nobleman, living in a medieval castle in Italy. One day, he went out hunting with his servants, and a fire broke out in the forest. What happened next would change his life forever. In St. Conrad and the Wildfire, children of all ages will discover the power of truth and forgiveness. Introduce children to St. Conrad through Maura Roan McKeegan’s moving retelling and Patty Borgman’s magnificent illustrations that bring the saint to life.
The life of Charles E. Conrad and the history of Fort Benton, Montana Territory, are so intertwined that the story of one cannot be told independently of the other. At the time Conrad came to Fort Benton, the tiny settlement was in its infancy. Charles Conrad and his brother William soon developed the most extensive merchandising and supply transportation system in all the west. As river transportation died out with the coming of the railroad, Conrad moved from Fort Benton to Kalispell. It took him 34 years to build his fortune and his empire, yet in less than 20 years it was gone.
This award-winning, lavishly illustrated history displays the wide range of North Carolina's architectural heritage, from colonial times to the beginning of World War II. North Carolina Architecture addresses the state's grand public and private buildings that have become familiar landmarks, but it also focuses on the quieter beauty of more common structures: farmhouses, barns, urban dwellings, log houses, mills, factories, and churches. These buildings, like the people who created them and who have used them, are central to the character of North Carolina. Now in a convenient new format, this portable edition of North Carolina Architecture retains all of the text of the original edition as well as hundreds of halftones by master photographer Tim Buchman. Catherine Bishir's narrative analyzes construction and design techniques and locates the structures in their cultural, political, and historical contexts. This extraordinary history of North Carolina's built world presents a unique and valuable portrait of the state.