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This engrossing popular history makes many intriguing connections between precious metals like gold and silver as sources of economic wealth and the rise of empires, showing that the forces of globalization have been five centuries in the making.
What role did indigenous peoples play in the Spanish conquest of Mexico? Ross Hassig explores this question in Mexico and the Spanish Conquest by incorporating primary accounts from the Indians of Mexico and revisiting the events of the conquest against the backdrop of the Aztec empire, the culture and politics of Mesoamerica, and the military dynamics of both sides. He analyzes the weapons, tactics, and strategies employed by both the Indians and the Spaniards, and concludes that the conquest was less a Spanish victory than it was a victory of Indians over other Indians, which the Spaniards were able to exploit to their own advantage. In this second edition of his classic work, Hassig incorporates new research in the same concise manner that made the original edition so popular and provides further explanations of the actions and motivations of Cortés, Moteuczoma, and other key figures. He also explores their impact on larger events and examines in greater detail Spanish military tactics and strategies.
Traces the maritime expansion of England through descriptions of a multitude of sea voyages from 1480 through 1630. Analyzes exploration, trading enterprise ventures and piracy and reveals how the attempts to create British settlements overseas resulted in the founding of the first New World colonies.
U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.
From the founding of the Ming dynasty in 1368 to the start of the Opium Wars in 1841, China has engaged in only two large-scale conflicts with its principal neighbors, Korea, Vietnam, and Japan. These four territorial and centralized states have otherwise fostered peaceful and long-lasting relationships with one another, and as they have grown more powerful, the atmosphere around them has stabilized. Focusing on the role of the "tribute system" in maintaining stability in East Asia and fostering diplomatic and commercial exchange, Kang contrasts this history against the example of Europe and the East Asian states' skirmishes with nomadic peoples to the north and west. Scholars tend to view Europe's experience as universal, but Kang upends this tradition, emphasizing East Asia's formal hierarchy as an international system with its own history and character. His approach not only recasts common understandings of East Asian relations but also defines a model that applies to other hegemonies outside of the European order.
MADDEN/EMPIRES OF TRUST
Hugh Thomas' account of the collapse of Montezuma's great Aztec empire under the onslaughts of Cort's' conquistadors is one of the great historical works of our times. A thrilling and sweeping narrative, it also bristles with moral and political issues. After setting out from Spain - against explicit instructions - in 1519, some 500 conquistadors destroyed their ships and fought their way towards the capital of the greatest empire of the New World. When they finally reached Tenochtitlan, the huge city on lake Texcoco, they were given a courtly welcome by Montezuma, who believed them to be gods. Their later abduction of the emperor, their withdrawl and the final destruction of the city make the Conquest one of the most enthralling and tragic episodes in world history.
In 1519, a few hundred Europeans led by Hernan Cortes sailed from Cuba to the Mexican mainland, where they encountered representatives of the Aztec Empire. Their Iberian history, culture and religion, and their experience in the Greater Antilles made conquest and riches the aim of these adventurers. They regarded themselves as heroes in a romantic crusade of good against evil. Each member of the expedition sought to acquire precious metals and to become a lord of enslaved native labor. Their horses and steel swords, aided by native disunity and susceptibility to Old World diseases, ensured their success. This analysis of the conquest of Mexico stands in contrast to previous narratives that either reduce the conquest to a contest between Cortes and Montezuma, or describe a near miraculous victory of European ingenuity and Western values over Indian superstition and savagery. The author re-frames the clash of civilizations in New World prehistory that left inhabitants at a disadvantage.
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.