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The story of the final battle of the First Crusade The most extraordinary siege in medieval history began with the arrival of a Christian army at Jerusalem on the dawn of Tuesday, 6 June, 1099. Other sieges may have lasted longer, involved greater numbers of troops, and deployed more siege engines but nothing else in the entire medieval period compares to the extraordinary journey that the besiegers had made to get to their goal and the heady religious enthusiasm among the troops. This was the culmination of the First crusade, a military pilgrimage that had seen hundreds of thousands of men, women, and children leave their homes in Western Europe, march for three years over thousands of miles, and undergo tremendous hardship to reach their longed-for goal: Jerusalem. No other medieval army had made such a journey and no other army had such a peculiar makeup. There were hundreds of unattached poor women, gathered from the margins of Northern French towns by the charity of the charismatic preacher, Peter the hermit, and given a new direction in their lives through the expedition to Jerusalem. There were farmers who had sold their land and homes, put all their belongings in two-wheeled carts, and marched alongside their oxen. Bards came and earned their keep by composing songs about the events they were witnessing, from songs about the heroic charges of the nobles to bawdy satires on the lax behavior of some of the senior clergy. Naturally, knights and foot soldiers were at the heart of the fighting forces, but even here there was a strange fluidity to the army, with the status of a warrior rising or falling depending on his ability to keep his horse alive and his armor in good order. The Siege of Jerusalem offers a vivid and engaging account of the events of that siege; the key figures, the turning points, the spiritual beliefs of the participants, the deep political rivalries, and the massacre of the inhabitants, which left such a deep scar in the horrified imagination of those who learned about it, that it still evokes passionate feelings nearly a thousand years later.
This is a complete collection in modern English of the key texts describing Saladin’s conquest of Jerusalem in October 1187 and the Third Crusade, which was Christendom’s response to the catastrophe. The largest and most important text in the book is a translation of the fullest version of the Old French Continuation of William Tyre for the years 1184-97. This key medieval narrative poses problems for the historian in that it achieved its present form in the 1240s, though it clearly incorporates much earlier material. Professor Edbury's authoritative introduction, notes and maps help interpretation of this and other contemporary texts which are included in this volume, making it an invaluable resource for teachers and students of the crusades.
The First Crusade (1095–9) has often been characterised as a head-to-head confrontation between the forces of Christianity and Islam. For many, it is the campaign that created a lasting rupture between these two faiths. Nevertheless, is such a characterisation borne out by the sources? Engagingly written and supported by a wealth of evidence, Encountering Islam on the First Crusade offers a major reinterpretation of the crusaders' attitudes towards the Arabic and Turkic peoples they encountered on their journey to Jerusalem. Nicholas Morton considers how they interpreted the new peoples, civilizations and landscapes they encountered; sights for which their former lives in Western Christendom had provided little preparation. Morton offers a varied picture of cross cultural relations, depicting the Near East as an arena in which multiple protagonists were pitted against each other. Some were fighting for supremacy, others for their religion, and many simply for survival.
This book is the first to study the detailed political relationship between the Prophet Muhammad and Jerusalem in a number of Muslim sources. Usually, the study of this relationship in Muslim sources has always been limited to the oral traditions of the Prophet Muhammad on the virtues of Jerusalem, the Holy Land and al-Aqsa Mosque, in addition to Muhammad’s famous Night Journey. This book takes this issue in a new direction, revealing that the Prophet Muhammad was, in fact, the true planner of the Muslim conquest of Jerusalem that took place five years after his death. This conquest marked a major shift in the history of the Holy Land and changed the face of that region. This book opens the gate for understanding the way in which the Prophet Muhammad shaped the image of Jerusalem and built its status in the Muslim mind.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The Siege of Jerusalem (c. 1370-90 CE) is a difficult text. By twenty-first-century standards, it is gruesomely violent and offensive. It tells the story of the Roman destruction of the Second Temple in Jerusalem in 70 CE, an event viewed by its author (as by many in the Middle Ages) as divine retribution against Jews for the killing of Christ. It anachronistically turns first-century Roman emperors Titus and Vespasian into Christian converts who battle like medieval crusaders to avenge their savior and cleanse the Holy Land of enemies of the faith. It makes little sense without frank understanding of medieval Christian anti-Semitism. There is, nevertheless, some consensus that Siege is a finely crafted piece of poetry, and that its combination of horror, beauty, and learnedness makes it an effective work of art. As literary scholar A.C. Spearing has put it, “We may not like what the poet does, but it is done with skillful craftsmanship and sometimes with brilliant virtuosity.” The tale that the anonymous Siege poet tells, moreover, is an important and still reverberating part of the history of Western thinking about the East. It is, in Yehuda Amichai’s phrase, a “currency of the past” that continues to be negotiated. The first-century destruction of Jerusalem has been understood in both Christian and Jewish traditions as the beginning of the Jewish Diaspora; for medieval Christians it was also a model of successful Christian leadership and justified warfare, an allegory of political and personal spiritual battle. As part of the story of the historical rift between Christianity and Judaism—and of the inevitable victory of Christianity—the destroyed Second Temple was taken as symbolic of the fall of Judaism and the rise of the new Christian era in which anyone who rejected Christ would suffer. Written in alliterative verse in the late fourteenth century, The Siege of Jerusalem seems to have been popular in its day; at least nine fourteenth- and fifteen-century manuscripts containing the poem have come down to us. Yet this is the first volume to offer a full Modern English translation. In addition, appendices provide extensive samples of the alliterative original, a wide-ranging compendium of materials documenting anti-Semitism in the Middle Ages, comparative biblical passages, and much else.
FIVE HUNDRED YEARS AFTER HE SET SAIL, the dominant understanding of Christopher Columbus holds him responsible for almost everything that went wrong in the New World. Here, finally, is a book that will radically change our interpretation of the man and his mission. Scholar Carol Delaney claims that the true motivation for Columbus’s voyages is very different from what is commonly accepted. She argues that he was inspired to find a western route to the Orient not only to obtain vast sums of gold for the Spanish Crown but primarily to help fund a new crusade to take Jerusalem from the Muslims—a goal that sustained him until the day he died. Rather than an avaricious glory hunter, Delaney reveals Columbus as a man of deep passion, patience, and religious conviction. Delaney sets the stage by describing the tumultuous events that had beset Europe in the years leading up to Columbus’s birth—the failure of multiple crusades to keep Jerusalem in Christian hands; the devastation of the Black Plague; and the schisms in the Church. Then, just two years after his birth, the sacking of Constantinople by the Ottomans barred Christians from the trade route to the East and the pilgrimage route to Jerusalem. Columbus’s belief that he was destined to play a decisive role in the retaking of Jerusalem was the force that drove him to petition the Spanish monarchy to fund his journey, even in the face of ridicule about his idea of sailing west to reach the East. Columbus and the Quest for Jerusalem is based on extensive archival research, trips to Spain and Italy to visit important sites in Columbus’s life story, and a close reading of writings from his day. It recounts the drama of the four voyages, bringing the trials of ocean navigation vividly to life and showing Columbus for the master navigator that he was. Delaney offers not an apologist’s take, but a clear-eyed, thought-provoking, and timely reappraisal of the man and his legacy. She depicts him as a thoughtful interpreter of the native cultures that he and his men encountered, and unfolds the tragic story of how his initial attempts to establish good relations with the natives turned badly sour, culminating in his being brought back to Spain as a prisoner in chains. Putting Columbus back into the context of his times, rather than viewing him through the prism of present-day perspectives on colonial conquests, Delaney shows him to have been neither a greedy imperialist nor a quixotic adventurer, as he has lately been depicted, but a man driven by an abiding religious passion.
In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent.