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In The Grand Old Man of Baseball, Norman L. Macht chronicles Connie Mack’s tumultuous final two decades in baseball. After Mack had built one of baseball’s greatest teams, the 1929–31 Philadelphia Athletics, the Depression that followed the stock market crash fundamentally reshaped Mack’s legacy as his team struggled on the field and at the gate. Among the challenges Mack faced: a sharp drop in attendance that forced him to sell his star players; the rise of the farm system, which he was slow to adopt; the opposition of other owners to night games, which he favored; the postwar integration of baseball, which he initially opposed; a split between the team’s heirs (Mack’s sons Roy and Earle on one side, their half brother Connie Jr. on the other) that tore apart the family and forced Mack to choose—unwisely—between them; and, finally, the disastrous 1951–54 seasons in which Roy and Earle ran the club to the brink of bankruptcy. By now aged and mentally infirm, Mack watched in bewilderment as the business he had built fell apart. Broke and in debt, Roy and Earle feuded over the sale of the team. In a never-before-revealed series of maneuvers, Roy double-crossed his father and brother and the team was sold and moved to Kansas City in 1954. In Macht’s third volume of his trilogy on Mack, he describes the physical, mental, and financial decline of Mack’s final years, which unfortunately became a classic American tragedy.
A Founding Father of modern baseball, Cornelius Alexander McGillicuddy started out as a catcher and moved on to become the consummate manager and part owner of the Philadelphia Athletics from 1901 to 1950. Better known as Connie Mack, he cut a dashing figure clad in a business suit and straw skimmer. With an even-tempered manner, "Mr. Mack" was regarded as a unique combination of coach and father figure by his players—who included such all-time greats as Ty Cobb, Lefty Grove, and Chief Bender. This engaging autobiography, written with his characteristic warmth and enthusiasm, reads like a history of baseball during the first half of the twentieth century. Enhanced by seventy photos, Mack walks us through his amazing life—and the highlights of his legendary career. He holds the records for most wins and losses by a manager, he won nine American League pennants, brought the A's to eight World Series and won five of them. Plus, there has never been another man who has managed one sports team for fifty years. Achieving the ultimate recognition, the "Grand Old Man of Baseball" was elected to the National Hall of Fame in 1937, and was the first person chosen for the Irish American Baseball Hall of Fame in 2008.
In October 1954, the Philadelphia Athletics relocated to Kansas City, putting an end to more than a half-century of American League baseball in the City of Brotherly Love. However, of all the professional sports teams ever to play in the city, Connie Mack's Athletics remain the most successful-and frustrating. Their five World Series titles and nine pennants were balanced with seventeen last-place finishes. Mack's 3,776 victories as a manager were only exceeded by the 4,025 defeats he suffered-still a record for most losses by a single manager. In The Philadelphia Athletics, author William C. Kashatus tells the story of Connie Mack's talented and comedic team. Eighteen Philadelphia Athletics are enshrined in the National Baseball Hall of Fame, including players as famous as Ty Cobb, Mickey Cochrane, Eddie Collins, Jimmie Foxx, and Lefty Grove and as colorful as Rube Waddell, Chief Bender, and Al Simmons. From the early days of the American League, when the Athletics were ridiculed as the "White Elephants," through the glory years and their final decade in Philadelphia, The Philadelphia Athletics tells the poignant story of a manager and team who were among the greatest of all time.
One of the great bards of America's Grand Old Game gives a rousing account ofbaseball, from its pre-Republic roots to the present day.
Epstein takes readers on a funky ride through baseball and America in the swinging '70s in this wild pop-culture history of baseball's most colorful and controversial decade. Includes 8-page photo insert.
2022 SABR Baseball Research Award Before there was Joe DiMaggio, there was Tony Lazzeri. A decade before the "Yankee Clipper" began his legendary career in 1936, Lazzeri paved the way for the man who would become the patron saint of Italian American fans and players. He did so by forging his own Hall of Fame career as a key member of the Yankees' legendary Murderers' Row lineup between 1926 and 1937, in the process becoming the first major baseball star of Italian descent. An unwitting pioneer who played his entire career while afflicted with epilepsy, Lazzeri was the first player to hit sixty home runs in organized baseball, one of the first middle infielders in the big leagues to hit with power, and the first Italian player with enough star power to attract a whole new generation of fans to the ballpark. As a twenty-two-year-old rookie for the New York Yankees, Lazzeri played alongside such legends as Babe Ruth and Lou Gehrig. He immediately emerged as a star, finishing second to Ruth in RBIs and third in home runs in the American League. In his twelve years as the second baseman for Yankee teams that won five World Series, he was their third-most productive hitter, driving in more runs than all but five American Leaguers, and hitting more home runs than all but six. Yet for all that, today Lazzeri is a largely forgotten figure, his legacy diminished by the passage of time and tarnished by his bases-loaded strikeout to Grover Cleveland Alexander in Game Seven of the 1926 World Series, a strikeout immortalized on Alexander's Hall of Fame plaque. Tony Lazzeri reveals that quite to the contrary, he was one of the smartest, most talented, and most respected players of his time, the forgotten Yankee who helped the team win six American League pennants and five World Series titles.
Acclaimed sportswriter Allen Barra exposes the uncanny parallels--and lifelong friendship--between two of the greatest baseball players ever to take the field. Culturally, Mickey Mantle and Willie Mays were light-years apart. Yet they were nearly the same age and almost the same size, and they came to New York at the same time. They possessed virtually the same talents and played the same position. They were both products of generations of baseball-playing families, for whom the game was the only escape from a lifetime of brutal manual labor. Both were nearly crushed by the weight of the outsized expectations placed on them, first by their families and later by America. Both lived secret lives far different from those their fans knew. What their fans also didn't know was that the two men shared a close personal friendship--and that each was the only man who could truly understand the other's experience.
Noted baseball historian Norman L. Macht brings together a wide‑ranging collection of baseball voices from the Deadball Era through the 1970s, including nine Hall of Famers, who take the reader onto the field, into the dugouts and clubhouses, and inside the minds of both players and managers. These engaging, wide-ranging oral histories bring surprising revelations--both highlights and lowlights--about their careers, as they revisit their personal mental scrapbooks of the days when they played the game. Not all of baseball's best stories are told by its biggest stars, especially when the stories are about those stars. Many of the storytellers you'll meet in They Played the Game are unknown to today's fans: the Red Sox's Charlie Wagner talks about what it was like to be Ted Williams's roommate in Williams's rookie year; the Dodgers' John Roseboro recounts his strategy when catching for Don Drysdale and Sandy Koufax; former Yankee Mark Koenig recalls batting ahead of Babe Ruth in the lineup, and sometimes staying out too late with him; John Francis Daley talks about batting against Walter Johnson; Carmen Hill describes pitching against Babe Ruth in the 1927 World Series.