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An illustrated and annotated checklist of 220 doorways.
Winner of the Connecticut Book Award (2011) Winner of the Connecticut League of History Organizations Award of Merit (2012) Connecticut women have long been noted for their creation of colorful and distinctive needlework, including samplers and family registers, bed rugs and memorial pictures, crewel-embroidered bed hangings and garments, silk-embroidered pictures of classical or religious scenes, quilted petticoats and bedcovers, and whitework dresses and linens. This volume offers the first regional study, encompassing the full range of needle arts produced prior to 1840. Seventy entries showcase more than one hundred fascinating examples—many never before published—from the Connecticut Historical Society's extensive collection of this early American art form. Produced almost exclusively by women and girls, the needle arts provide an illuminating vantage point for exploring early American women's history and education, including family-based traditions predating the establishment of formal academies after the American Revolution. Extensive genealogical research reveals unseen family connections linking various types of needlework, similar to the multi-generational male workshops documented for other artisan trades, such as woodworking or metalsmithing. Photographs of stitches, reverse sides, sketches, design sources, and related works enhance our understanding and appreciation of this fragile art form and the talented women who created it. An exhibition of needlework in this book will be held at the Connecticut Historical Society in late fall, 2010. Funding for this project has been provided by the Coby Foundation, Ltd., and the National Endowment for the Arts.
New England's Connecticut River meanders 410 miles south from the Canadian border to Long Island Sound. After thousands of years of peaceful habitation by Indigenous people came 400 years of development around European settlements, farmsteads, shipping ports, and manufacturing mills. Farmers, boatbuilders, quarrymen, and industrialists benefitted from the river valley's fertile plains, geological resources, and waterpower. Ready access to markets at Boston, New York, the West Indies, and Europe fueled the growth of the valley's towns and major cities such as Hartford and Springfield. The valley has been home to consequential social reformers, authors, and intellectuals. Its bucolic settings attracted artists who came to the renowned colonies at Cornish and Lyme, steamboat tourists, and urban transplants with modern lifestyles. The most important houses they built--many of which are designated national historic landmarks and open to the public--and some newly discovered properties are highlighted here for their architectural significance and rich historical associations.
The people of colonial New England lived in a densely metaphoric landscape--a world where familiars invaded bodies without warning, witches passed with ease through locked doors, and houses blew down in gusts of angry, providential wind. Meaning, Robert St. George argues, was layered, often indirect, and inextricably intertwined with memory, apprehension, and imagination. By exploring the linkages between such cultural expressions as seventeenth-century farmsteads, witchcraft narratives, eighteenth-century crowd violence, and popular portraits of New England Federalists, St. George demonstrates that in early New England, things mattered as much as words in the shaping of metaphor. These forms of cultural representation--architecture and gravestones, metaphysical poetry and sermons, popular religion and labor politics--are connected through what St. George calls a 'poetics of implication.' Words, objects, and actions, referentially interdependent, demonstrate the continued resilience and power of seventeenth-century popular culture throughout the eighteenth century. Illuminating their interconnectedness, St. George calls into question the actual impact of the so-called Enlightenment, suggesting just how long a shadow the colonial climate of fear and inner instability cast over the warm glow of the early national period.
Congregationalist ministers Charles Chauncy and Jonathan Mayhew were among the most influential social and religious thinkers in Boston in the mid-eighteenth century. This 1987 study argues that Chauncy and Mayhew produced a complex but coherent body of ideas and that these ideas were organized closely and self-consciously around the principle of 'balance'. Writings on society and government are treated alongside theological works, rather than separate from them, and each man's corpus is placed against the background of English ideas as well as within the context of intellectual and social life in Boston. Investigation of the ideas of Chauncy and Mayhew in this way leads to the conclusion that although the two men believed that a cosmic principle of 'balance' organized social and religious life, they believed as well that full philosophical comprehension of this principle was beyond human capability. In order to express their understanding of cosmic order, Chauncy and Mayhew appropriated the metaphor of the 'great chain of being'.
Considered by many to be the state's oldest permanent English settlement, Wethersfield is referred to in the Connecticut Code of 1650 as "ye most Auncient Towne." The town was established on the Connecticut River in 1634 and boasts a well-documented Colonial history, as well as an enviable array of historic homes and public buildings that illustrate three centuries of community life. The vintage images in Wethersfield testify to the town's more recent transformation from a rural agricultural hamlet of 2,700 in 1900 to a densely settled suburb of over 26,000 inhabitants today. Growth stimulated by an early transit system, affordable suburban development, a thriving Hartford job market, and subsequent urban redevelopment pulled and pushed hundreds of new families into Wethersfield during a century of prosperity and progress.