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Winner of the Connecticut Book Award (2011) Winner of the Connecticut League of History Organizations Award of Merit (2012) Connecticut women have long been noted for their creation of colorful and distinctive needlework, including samplers and family registers, bed rugs and memorial pictures, crewel-embroidered bed hangings and garments, silk-embroidered pictures of classical or religious scenes, quilted petticoats and bedcovers, and whitework dresses and linens. This volume offers the first regional study, encompassing the full range of needle arts produced prior to 1840. Seventy entries showcase more than one hundred fascinating examples—many never before published—from the Connecticut Historical Society's extensive collection of this early American art form. Produced almost exclusively by women and girls, the needle arts provide an illuminating vantage point for exploring early American women's history and education, including family-based traditions predating the establishment of formal academies after the American Revolution. Extensive genealogical research reveals unseen family connections linking various types of needlework, similar to the multi-generational male workshops documented for other artisan trades, such as woodworking or metalsmithing. Photographs of stitches, reverse sides, sketches, design sources, and related works enhance our understanding and appreciation of this fragile art form and the talented women who created it. An exhibition of needlework in this book will be held at the Connecticut Historical Society in late fall, 2010. Funding for this project has been provided by the Coby Foundation, Ltd., and the National Endowment for the Arts.
Masterworks from the extraordinary needlework collections of the Connecticut Historical Society.
First book to explore schoolgirl needlework of the Connecticut River Valley
The Connecticut River Valley was an important center for the teaching and production of embroidered pictures by young women in private academies from the mid-eighteenth to the early nineteenth century. This book identifies the distinctive styles developed by teachers and students at schools throughout the valley, from Connecticut and Massachusetts to Vermont and New Hampshire. Needlework was a means of instilling the values of citizenship, faith, knowledge, and patriotism into girls who would become mothers in the early republic. This book describes and illustrates how these embroideries provide insight into the nature of women's schooling at this time. Over the course of their education, girls undertook progressively more complex and difficult needlework. Before the age of ten, they stitched elementary samplers on linen. As the culmination of their studies, they executed elaborate samplers, memorials, and silk pictures as evidence of the skills and accomplishments befitting a lady. Proudly displayed as enticements to potential suitors, these pieces affirmed a young woman's mastery of the polite arts, which encompassed knowledge of religious and literary themes as well as art and music. This publication has been made possible through the generous support of The Coby Foundation, Ltd., the Connecticut Humanities Council, the Connecticut Commission on Culture and Tourism, Furthermore: a program of the J. M. Kaplan Fund, and several private donors.
Mary C. Beaudry mines archaeological findings of sewing and needlework to discover what these small traces of female experience reveal about the societies and cultures in which they were used. Beaudry's geographical and chronological scope is broad: she examines sites in the United States and Great Britain, as well as Australia and Canada, and she ranges from the Middle Ages through the Industrial Revolution.The author describes the social and cultural significance of "findings": pins, needles, thimbles, scissors, and other sewing accessories and tools. Through the fascinating stories that grow out of these findings, Beaudry shows the extent to which such "small things" were deeply entrenched in the construction of gender, personal identity, and social class.
Stitch playful projects Dive into Laura’s delightful world of embroidery and learn how to create small, free-form embroidery pieces that are alive with color and texture. With instructions for 21 basic embroidery stitches and 6 projects, all in Laura’s signature colorful, whimsical style, you’ll transform a flat, plain surface into a joyful, design-packed art piece. Stitch on wool, felt, or silk, and enjoy the simple pleasure of slow stitching. Includes a gallery of display ideas, as well as additional ideas for using free-form stitching. • Begin with simple shapes and fill them with improvisational stitchery • Change up the provided designs, swapping out colors and trying new stitch combinations, to create your own unique work • From popular, best-selling author and teacher Laura Wasilowski
The first sustained study of the vibrant links between domestic craft and British colonialism In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artifacts made by women, including makers of color, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.
Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.
Bright and cheery cross stitch designs for beginners Cross another craft off your bucket list with this comprehensive guide to cross stitch! Learn everything you need to know to get started, then dive into 6 fun projects to practice your new skills. Popular cross stitch designer Sally Wilson will inspire you with creative motifs and handmade gifts you’ll want to display everywhere around the house. Get tips and tricks, learn to hoop your fabric like a pro, and explore a variety of finishing options. With recommendations for the best in thread, needles, notions, and helpful tools, you’ll quickly be on your way to cross stitch bliss! Relax and unwind with cross stitch—the perfect craft to express your creativity Learn the basic skills you’ll need to get started in this no-fuss instructional guide Great for gifts and home decor! Practice your new skills with 6 modern projects
Create a floral fantasy Gather, twist, and stitch an array of flowers from elegant ribbons and lace. Christen Brown, author of best-selling Ribbonwork Gardens, shares 132 flowers, leaves, and garden extras—each with complete instructions and colorful how-to photos. Readers will learn clever twists on vintage ribbonwork construction, plus hand-sewing basics and an overview of techniques. Fashion your own floral arrangements from interchangeable petals and leaves, two never-before-seen stem designs, and swappable centers. A gallery of bouquets will inspire you to craft realistic blooms, embellished with fruit, flourishes, and garden accessories. From single-stem posies to bountiful bouquets, this collection has something for everyone. 130+ exciting floral elements to sew from ribbon and lace Custom floral creations! Mix and match petals, centers, and greenery Embellish wearables, accessories, and home decor with hand-stitched details Step-by-step photos make everyone an expert Learn beginner-friendly construction tips from ribbonwork master Christen Brown