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The scandal of clerical abuse of minor age children continues to be widely reported in the media. The cost to the Catholic Church has been dear, both in the payment of billions of dollars and also in the criticism for the handing of the offenders by the Catholic Bishops. The same question arises over and over: Why didn't the Bishops stop these destructive acts? How could these Bishop let these crimes go on?
Now with a new afterword by Pope emeritus Benedict XVI! In a time when technology penetrates our lives in so many ways and materialism exerts such a powerful influence over us, Cardinal Robert Sarah presents a bold book about the strength of silence. The modern world generates so much noise, he says, that seeking moments of silence has become both harder and more necessary than ever before. Silence is the indispensable doorway to the divine, explains the cardinal in this profound conversation with Nicolas Diat. Within the hushed and hallowed walls of the La Grande Chartreux, the famous Carthusian monastery in the French Alps, Cardinal Sarah addresses the following questions: Can those who do not know silence ever attain truth, beauty, or love? Do not wisdom, artistic vision, and devotion spring from silence, where the voice of God is heard in the depths of the human heart? After the international success of God or Nothing, Cardinal Sarah seeks to restore to silence its place of honor and importance. "Silence is more important than any other human work," he says, "for it expresses God. The true revolution comes from silence; it leads us toward God and others so as to place ourselves humbly and generously at their service."
Introduces the techniques and strategies of practicing silence as a spiritual discipline. Covers a wide range of methods including sitting meditations such as psalm repetition and breath counting; visual meditations; mental prayer; and kinetic meditations such as cloister walking and the stations of the cross.
Here is the first ever book about the place of silence in today's church services. Little real attention is given to silence during corporate worship in most churches, though the Bible is replete with admonitions to be quiet or still or silent before the Lord. Many Christians practice quieting themselves before the Lord in their private devotions but silence seems to have gone missing from corporate worship. It is important to keep things moving along in a church service, so silence can be a tough call for pastors who are trying to lead their congregation into a place of hearing from the Lord. The temptation, freely acknowledged by the author, is to err on the side of maintaining good tempo. Awkward Silence, gently written by a senior pastor, is intended to help church congregations listen for God's "still small voice" (1Kings19:12) without interrupting but enhancing services in a most godly way. Included are "how to do it" suggestions from dozens of other pastors and worship leaders.
"The idea of putting Magisterial teaching in a beautiful display case while separating it from pastoral practice, which then could evolve along with circumstances, fashions, and passions, is a sort of heresy, a dangerous schizophrenic pathology. I therefore solemnly state that the Church in Africa is staunchly opposed to any rebellion against the teaching of Jesus and of the Magisterium. . . . The Church of Africa is committed in the name of the Lord Jesus to keeping unchanged the teaching of God and of the Church." — Robert Cardinal Sarah In this fascinating autobiographical interview, one of the most prominent and outspoken Catholic Cardinals gives witness to his Christian faith and comments on many current controversial issues. The mission of the Church, the joy of the gospel, the “heresy of activism”, and the definition of marriage are among the topics he discusses with wisdom and eloquence. Robert Cardinal Sarah grew up in Guinea, West Africa. Inspired by the missionary priests who made great sacrifices to bring the Faith to their remote village, his parents became Catholics. Robert discerned a call to the priesthood and entered the seminary at a young age, but due to the oppression of the Church by the government of Guinea, he continued his education outside of his homeland. He studied in France and nearby Senegal. Later he obtained a licentiate in theology at the Pontifical Gregorian University in Rome, followed by a licentiate in Sacred Scripture at the Studium Biblicum Franciscanum of Jerusalem. At the age of thirty-four he became the youngest Bishop in the Catholic Church when John Paul II appointed him the Archbishop of Conakry, Guinea, in 1979. His predecessor had been imprisoned by the Communist government for several years, and when Archbishop Sarah was targeted for assassination John Paul II called him to Rome to be Secretary of the Congregation for the Evangelization of Peoples. In 2010 Pope Benedict XVI named him Cardinal and appointed him Prefect of the Pontifical Council Cor Unum. Pope Francis made him Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments in 2014.
Silence is a complex matter. It can refer to awe before unutterable holiness, but it can also refer to the coercion where some voices are silenced in the interest of control by the dominant voices. It is the latter silence that Walter Brueggemann explores, urging us to speak up in situations of injustice. Interrupting Silence illustrates that the Bible is filled with stories where marginalized people break repressive silence and speak against it. Examining how maintaining silence allows the powerful to keep control, Brueggemann motivates readers to consider situations in their lives where they need to either interrupt silence or be part of the problem, convincing us that God is active and wanting us to act for justice.
How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Traces the development of Catholic worship from the apostolic Church to the present.