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Violence, drugs, teen pregnancies, suicides and other unlawful and negative activities warranted the writing of this book. It contains methods for defending ourselves against the world system as we fight for the future of our youth.
"As a start or an addition to your library, few books would make a better choice than The Christian Educator's Handbook series offered by Baker Books. Noted Christian education authorities such as Kenneth Gangel, James Wilhoit, Howard Hendricks, and Robert Choun have edited or written these books. Their scope ranges from adult to children's education and covers spiritual formation, teaching, and family life ministries."--Christian Education Counselor
The Vital Lie is the first book to examine the reality-illusion conflict in modern drama from Ibsen to present-day playwrights. The book questions why vital lies, lies necessary for life itself, are such an obsessive concern for playwrights of the last hundred years. Using the work of fifteen playwrights, Abbott seeks to discover if modern playwrights treat illusions as helpful or necessary to life, or as signals of sicknesses from which human beings need to be cured. What happens to characters when they are forced to face the truth about themselves and their worlds without the protection of their illusions? The author develops a three-part historical analysis of the use of the reality-illusion theme, from its origins as a metaphysical search to its current elaborations as a theatrical game.
This book tackles the difficult task of defending relativism in the age of science. It succeeds where others have failed by combining the rigor of analytic philosophy with the first-hand insights of anthropological experience. Typically, an anthropologist’s work on relativism offers rich examples of cultural diversity, but lacks philosophical rigor, while a philosopher’s work on relativism offers rigorous argumentation, but lacks rich anthropological examples. Facing Relativism, written by a North American philosopher who lived in the Ecuadorian rainforest, does both. Relativism at a global scale is a view that our claims about the world, both theoretical and practical, are evaluable only relative to a context shaped by factors such as culture, history, language, and environment – or, “a way of life.” It can be at once intuitive and disturbing. While we might expect a way of life to exert some influence on our claims, relativism seems to move to the overly strong conclusion that all of our claims about what is true or good must merely be expressions of cultural bias. It easily opens itself to a host of charges, including paradox and self-contradiction. Facing Relativism argues that such problems arise largely from a failure to situate the view within the context that has, throughout its long history, been its inspiration: the experience – whether through literature, the imagination, or direct anthropological contact – of deeply engaging with a very different way of life. By starting with a careful analysis of the experience of deep engagement, this book shows that relativism is neither as incoherent nor as alarming as we tend to think. In fact, it might just offer the tools we need to face these times of global crisis and change. Alyssa Luboff has produced an exceptional defense of a cultural relativism that recognizes how the epistemic and the ethical intertwine in a way of life. Drawing from her deep engagement over many years with the Chachi and traditional Afro-Ecuadorian people, she provides vivid and compelling examples of how one can come to understand another way of life as well-reasoned, coherent, and integrated, as challenging to one’s own commitments at the same time that one challenges it. Luboff combines her deep engagement with command of the relevant philosophical and anthropological literature. She presents the major arguments against relativism in a sympathetic and generous way, and carefully responds with a sophisticated relativism that acknowledges how the world resists and responds to different conceptual shapings of it. This book is beautifully written and will engage both the academic specialist and the intelligent general reader. – David Wong, Duke University By the time her brilliant faceoff is over, philosophical relativism will never again be seen as a straw man. – Richard A. Shweder, University of Chicago This book will interest readers who seek an astute account of how the pursuit of “truth” – whether relative or absolute – enters into practices of power. Luboff ’s treatment is impressive. – Michael Krausz, Bryn Mawr College and Linacre College, Oxford University
This book is an overall memoir about the life of Dr. Richard Kimball. It mainly covers his ten years in Africa from 1961 to 2011 but also includes the time in his life from 1939 to the present. Dr. Kimball has traveled all over the world to 103 countries and has worked in many of them.
Among the messages that fly in the face of the usual feel-good sentiments of self-help books, Yost offers readers real challenges to their belief systems: • People “download” much of what their parents have programmed them with, consciously or unconsciously, over generations. Much of it is no longer useful, and is in fact destructive for relationships in today’s world. • Forgiveness is too often used as a cure-all that will make pain go away. It won’t. • Confronting and working through emotional pain is the path to healing and happiness. • Outdated religious mores can actually prevent victims from healing. About the Book Facing the Truth of Your Life will help the reader reframe their view of themselves and their place in life, creating the space to explore and question what they think they know: in short, to face their real truth. With short life stories, exercises and chapters covering spirituality, being a victim, how to parent healthy children, the many faces of shame and how it complicates all of our relationships, Facing the Truth of Your Life challenges the reader to address many of the things we do to prevent our feelings and keep from knowing ourselves. Facing the Truth of Your Life is about walking through your pain. It is about understanding how you became you, how to discard what you were taught about yourself, and how to find out who you really are.
How do Spanish writers of the 19th and 20th century define and represent madness, a basic and controversial aspect of world culture, and how do the different conceptions of madness intersect with love, religion, politics, and other literary themes in Spanish society? This multi-author book analyzes the theme of madness in formative masterpieces of Spanish literature of the 19th and 20th century through the use of relevant critical and theoretical approaches. In this context, authors studied in this book include Juan Valera, Leopoldo Alas Clarín, Emilia Pardo Bazán, Caterina Albert, Benito Pérez Galdós, Miguel de Unamuno, and Juan Goytisolo, among others.
The system of "seven states of consciousness" articulated by Maharishi Mahesh Yogi forms the basis of this unusual critique of modern literature. In seven chapters, "Invitation to the Dance," "Absurdity," "Transcendence," "Enlightenment," "Celebration," "Unity," and "The Enlightened Artist," Douglas Mackey here examines fourteen well-known writers and their equally well-known works.
In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of this all-encompassing movement - ranging from Winslow Homer to the rise of the Ash Can school, from Whitman to Henry James to Theodore Dreiser. He begins with a look at the antebellum years, when idealistic themes were considered the only fit subject for art (Hawthorne wrote that "the grosser life is a dream, and the spiritual life is a reality"). Whitman's assault on these otherworldly standards coincided with sweeping changes in American society: the bloody Civil War, the aggressive advance of a modern scientific spirit, the emergence of photography and penny newspapers, the expansion of cities, capitalism, and the middle class - all worked to shake the foundations of genteel idealism and sentimental romanticism. The public developed an ever-expanding appetite for concrete facts and for art that accurately depicted them. As Shi proceeds through the nineteenth century, he traces the realist impulse in each major area of arts and letters, combining an astute analysis of the movement's essential themes with incisive portraits of its leading practitioners. Here we see Oliver Wendell Holmes, Jr., shaken to stern realism by the horrors of the Civil War; the influence of Walt Whitman on painter Thomas Eakins and architect Louis Sullivan, a leader of the Chicago school; the local-color verisimilitude of Louisa May Alcott and Sarah Orne Jewett; and the impact of urban squalor on intrepid young writers such as Stephen Crane. In the process of surveying nineteenth-century cultural history, Shi provides fascinating insights into thespecific concerns of the realist movement - in particular, the nation's growing obsession with gender roles. Realism, he observes, was in part an effort to revive masculine virtues in the face of effeminate sentimentality and decorous gentility. By the end of the nineteenth century, realism had displaced idealism as the dominant approach in thought and the arts. During the next two decades, however, a new modernist sensibility challenged the fact-devouring emphasis of realism: "Is it not time", one critic asked, "that we renounce the heresy that it is the function of art to record a fact?" Shi examines why so many Americans answered yes to this question, under influences ranging from psychoanalysis to the First World War. Nuanced, detailed, and comprehensive, Facing Facts provides the definitive account of the realist phenomenon, revealing its essential causes, explaining why it played so great a role in American cultural history, and suggesting why it retains its perennial fascination.
The enduring popularity of Polynesia in western literature, art, and film attests to the pleasures that Pacific islands have, over the centuries, afforded the consuming gaze of the west—connoting solitude, release from cares, and, more recently, self-renewal away from urbanized modern life. Facing the Pacific is the first study to offer a detailed look at the United States’ intense engagement with the myth of the South Seas just after the First World War, when, at home, a popular vogue for all things Polynesian seemed to echo the expansion of U.S. imperialist activities abroad. Jeffrey Geiger looks at a variety of texts that helped to invent a vision of Polynesia for U.S. audiences, focusing on a group of writers and filmmakers whose mutual fascination with the South Pacific drew them together—and would eventually drive some of them apart. Key figures discussed in this volume are Frederick O’Brien, author of the bestseller White Shadows in the South Seas; filmmaker Robert Flaherty and his wife, Frances Hubbard Flaherty, who collaborated on Moana; director W. S. Van Dyke, who worked with Robert Flaherty on MGM’s adaptation of White Shadows; and Expressionist director F. W. Murnau, whose last film, Tabu, was co-directed with Flaherty.