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The only possible thing that could make Morgan¿s world even more difficult happened. The Japanese fleet off the coast of California was wiped out. An even that Morgan and friends and family only knew about because of the radio broadcasts from the Radio Free Redoubt. So far removed from them it barely warranted notice. That is until the Chinese retaliated by launching a nuclear counter-strike against Mac Dill Air Force base. This, did warrant their attention and had the potential to profoundly impact their lives. As bad as the fear of nuclear fallout was, it wasn¿t the only threat still haunting northern Lake county. With proof the Russians had pathfinder units on the ground, at a minimum, in the state and discovery of Cuban forces cooperating with them, something had to be done. After encountering armored units and realizing they were ill equipped to deal with the threat, the old man called for help. The call was answered, but would require a near impossible trip by truck to Eglin Air Force base. America was certainly on the ropes, but she wasn¿t down yet. All Morgan wants to do is protect his family and friends. To restore a normal sense of life. To see to it Mel and his girls are safe and protected. He doesn¿t want to get involved in these military actions. He¿s more focused on trying to restore power to town. But his desires are, to use a military term, overtaken by circumstances, and, once again, Morgan and his friends are compelled to get involved. And this time, it will cost them.
Book 2 of The Survivalist Series No electricity. No running water. No food. No end in sight. If life as you knew it changed in an instant, would you be prepared? In A. American's first novel, Going Home, readers were introduced to Morgan Carter, the resourceful, tough-as-nails survivalist who embarks on a treacherous 250-mile journey across Florida following the collapse of the nation's power grid. Now reunited with his loving wife and daughters in this follow-up to Going Home, Morgan knows that their happiness is fleeting, as the worst is yet to come. Though for years Morgan has been diligently preparing for emergency situations, many of his neighbors are completely unready for life in this strange new world--and they're starting to get restless. With the help of his closest companions, Morgan fights to keeps his home secure--only to discover shocking information about the state of the nation in the process. Fans of James Wesley Rawles, William R. Forstchen's One Second After, and The End by G. Michael Hopf will revel in A. American's apocalyptic tale.
Drawing on advice from the world’s leading experts on conflict and communication—from relationship scientists to hostage negotiators to diplomats—Ian Leslie, a columnist for the New Statesman, shows us how to transform the heat of conflict, disagreement and argument into the light of insight, creativity and connection, in a book with vital lessons for the home, workplace, and public arena. For most people, conflict triggers a fight or flight response. Disagreeing productively is a hard skill for which neither evolution or society has equipped us. It’s a skill we urgently need to acquire; otherwise, our increasingly vociferous disagreements are destined to tear us apart. Productive disagreement is a way of thinking, perhaps the best one we have. It makes us smarter and more creative, and it can even bring us closer together. It’s critical to the success of any shared enterprise, from a marriage, to a business, to a democracy. Isn’t it time we gave more thought to how to do it well? In an increasingly polarized world, our only chance for coming together and moving forward is to learn from those who have mastered the art and science of disagreement. In this book, we’ll learn from experts who are highly skilled at getting the most out of highly charged encounters: interrogators, cops, divorce mediators, therapists, diplomats, psychologists. These professionals know how to get something valuable – information, insight, ideas—from the toughest, most antagonistic conversations. They are brilliant communicators: masters at shaping the conversation beneath the conversation. They know how to turn the heat of conflict into the light of creativity, connection, and insight. In this much-need book, Ian Leslie explores what happens to us when we argue, why disagreement makes us stressed, and why we get angry. He explains why we urgently need to transform the way we think about conflict and how having better disagreements can make us more successful. By drawing together the lessons he learns from different experts, he proposes a series of clear principles that we can all use to make our most difficult dialogues more productive—and our increasingly acrimonious world a better place.
Book 1 of The Survivalist Series If society collapsed, could you survive? When Morgan Carter’s car breaks down 250 miles from his home, he figures his weekend plans are ruined. But things are about to get much, much worse: the country’s power grid has collapsed. There is no electricity, no running water, no Internet, and no way to know when normalcy will be restored—if it ever will be. An avid survivalist, Morgan takes to the road with his prepper pack on his back. During the grueling trek from Tallahassee to his home in Lake County, chaos threatens his every step but Morgan is hell-bent on getting home to his wife and daughters—and he’ll do whatever it takes to make that happen. Fans of James Wesley Rawles, William R. Forstchen's One Second After, and The End by G. Michael Hopf will revel in A. American's apocalyptic tale.
"Just when Morgan thinks things are assuming some kind of normal another surprise lands in his lap. He's made Sheriff. Harkening back to a time when law enforcement was a local face in the community Morgan is forced to step up and be that face, much to his chagrin. With the help of Thad, Danny and the rest of the crew he accepts the challenge and tries to make a positive impact. But he's in for yet another surprise. New foes will arise and old ones will return to conspire to destroy his efforts."--Back cover.
Morgan has managed to get through a lot. Having made it back to his family and dealt with the issues of unscrupulous neighbors, he then had to deal with the presence of the federal government and their nefarious activities. But with the help of his close knit group he prevailed. Life is settling into a familiar routine. And with the help of the US Army they are starting to rebuild their community. But just when Morgan thinks things are assuming some kind of normal another surprise lands in his lap. He's made Sheriff. Harkening back to a time when law enforcement was a local face in the community Morgan is forced to step up and be that face, much to his chagrin. With the help of Thad, Danny and the rest of the crew he accepts the challenge and tries to make a positive impact. But he's in for yet another surprise. New foes will arise and old ones will return to conspire to destroy his efforts. Morgan's group will suffer loss, injury and constant assault. His new position has made him a target, as well as those he loves. The peace and tranquility that the group has fought so hard for will continue to elude them. The fight, as Morgan soon learns, is just beginning.
Nation-states have long used representational architecture to create symbolic identities for public consumption both at home and abroad. Government buildings, major ensembles and urban plans have a visibility that lends them authority, while their repeated portrayals in the media cement their image as icons of a shared national character. Existing in tandem with this official self, however, is a second, often divergent identity, represented by the vast realm of domestic space defined largely by those who occupy it as well as those with a vested interest in its cultural meaning. Using both historical inquiry and visual, spatial and film analysis, this book explores the interaction of these two identities, and its effect on political control, class status, and gender roles. Conflicted Identities examines the politicization of both public and domestic space, especially in societies undergoing rapid cultural transformation through political, social or economic expansion or restructuring, when cultural identity is being rapidly "modernized", shifted, or realigned to conform to new demands. Using specific examples from a variety of national contexts, the book examines how vernacular housing, legislation, marketing, and media influence a large, but often underexposed domestic culture that runs parallel to a more publicly represented one. As a case in point, the book examines West Germany from the end of World War II to the early 1970s to probe more deeply into the mechanisms of such cultural dichotomy. On a national level, post-war West Germany demonstratively rejected Nazi-era values by rebuilding cities based on interwar modernist tenets, while choosing a decidedly modern and transparent architecture for high-visibility national projects. In the domestic realm, government, media and everyday citizens countered this turn to state-sponsored modernism by embracing traditional architectural aesthetics and housing that encouraged patriarchal family structures. Written for readers interested in cultural theory, history, and the politics of space as well as those engaged with architecture and the built environment, Conflicted Identities provides an engaging new perspective on power and identity as they relate to architectural settings.
At what point can a Christian teacher no longer be part of a public education system that requires them to participate in teaching destructive ideologies and advancing immoral agendas on young children? John Stamper reached that tipping point as a teacher in the Chicago Public School System and made the decision to quit his job and pull back the curtain on what’s happening in public schools today. You’ve seen the stories on the news – our national education system has an agenda, being implemented under the guise of fairness, equality, and racial justice to children. However, this book will open your eyes to: The indoctrination process through mandatory teacher training that implements these radical ideologies in schools without parental knowledge The danger and division created by critical race theory and gender theory being promoted in public schools How Marxist, socialist, and communist ideologies are dominating public schools, and how you move forward with homeschooling your children For generations, teachers have been excellent role models, investing their time and energy into fundamental lessons. However, today a growing number think they, the school board, and their school system know more than parents about what should be taught to students. You need to know what is going on in your child’s school and be prepared for the conflict of values that you may have to face. You have options.
How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be. Turning the lens on journalists from The New York Times, The Washington Post, The Wall Street Journal, and other prominent publications, Isaac Blacksin shows why news coverage of contemporary conflict, widely presumed to function as a critique of excessive violence, instead serves to sanction official rationales for war. Blacksin argues that journalism's humanitarian frame—now hegemonic in conflict coverage—serves to depoliticize and remoralize war, transforming war from an effect of policy on populations to a matter of violence against the innocent. Exploring the tension between experience and expression in conditions of violence, and tracking how journalists respond to dominant expectations of reality, Conflicted tells the story of war, reporters, and the consequences of their convergence. As new wars, and new reportage, continue to shape our understanding of armed conflict, this book makes visible both the power and the particularity of war reportage.