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This is the continuation of Confidential Correspondence on Cross Dressing 1911-1915 and takes the collection of letters from Fun and Bits of Fun up to October 1920, when, following a prosecution, the paper died.
Covering the years 1911 to 1915, this volume contains letters from New Photo Fun, New Fun, Illustrated Bits and Fun, all on the subject of cross-dressing.
"A must-read for anyone interested in the history of drag performance."--​Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
This work presents a picture of Maurice Pollack's career as an actor against a background of children's theatricals in Birmingham at the turn of the century. This has been set in the context of his father's birth in Upper Silesia and emigration to Birmingham, of his mother's previous life in Austria and in the light of what it was possible to discover about Maurice's later life. Trained as a boy to be a female impersonator, Maurice married a pregnant girl at the age of 19 and enlisted in 1916 in The Bedfordshire Yeomanry, dying of wounds in the later stages of the Palestine campaign.