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The unpredictable and high-mindedness lover Vincent D'amour has it all men wanted: expensive clothes, Jets, women, access to Brooklyn's Hot seat establishments, and stable rich life. His seductive and charming personality, it becomes so powerful that he decides to open a secret enterprise for men.
Lights! Camera! Ultimatum! When movie studio publicity V.P. Alexis Manning's fiancé -- Jewish bartender/actor David a.k.a. Deke -- goes home with her for a holly jolly Christmas in Vermont with her family, there's a chill in the air and it ain't just the weather. Overwhelmed by the Christianity of it all, David confesses that he can't marry Alexis unless she converts to Judaism. Alexis might not know exactly what she wants to do with her life...but she knows she doesn't want to spend it pretending to be something she's not. Alexis believes in only one religion -- movies. So with her well-scripted romance on the cutting-room floor, she begins replaying favorite film scenes in her head and breaking down her own life into dramatic clips, searching for the right ending. If only she were Julia, or Demi, or Meryl, things would be different. Get me rewrite! Is Kirk, the hot new director of her latest project, meant to be Alexis's leading man? Or are she and David headed for a dramatic act-three reunion? And what of Andrew Sullivan -- the proverbial One That Got Away? Between film festival dramas, uncontrollable actors, egotistical directors, a heartbroken sister, an ailing, peculiar cat named Little (and her accompanying astronomical vet bills), and fantasies about simpler times back in New England, it's all Alexis can do to keep production on schedule. But surely there's a happily ever after for her -- and hopefully for Little, too -- before credits roll.
SAG working actor and comedy author Denny Dormody takes you along. Along to: Movie sets. TV shoots. Auditions. A-list insightful conversations to die for. Conversations with: Icons past: Jeff Corey, Lew Wasserman, Gregory Peck and Icons present; Directors David Fincher, Clint Eastwood and Kevin Costner. Actors like George Clooney, Al Pacino, John Goodman, Hugh Jackman, Rosamund Pike and many more. Youll be behind the movie scenes on: Jersey Boys, Danny Collins, Hail, Caesar and TV shows like 2 Broke Girls, FXs O.J Simpson Trial, Scandal and many more. This is Dormodys 4th book and perhaps his most candid look at unlocking LA LA Lands hard-to-open doors. His call-to-action anecdotal stories are: Hilarious. Touching. Poignant. Outrageous. Inspiring. Its all about staying in the game. All about going the distance. All about surviving Hollywood.
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Fashion on Television provides a comprehensive critical examination of the intersection between fashion, television and celebrity culture. The book brings together theoretical approaches to the symbolic force of television and fashion-forward programming on a global scale. Examining case studies such as Sex and the City, Gossip Girl, Ugly Betty and Mad Men, the book examines how TV has made style icons out of leading actresses and fashion-conscious consumers out of audiences. Using a varied methodology, including textual and contextual analysis, this study explores the cultural uses of onscreen fashion at the level of industry, text and intertext. Fashion on Television is essential reading for those seeking to understand the cultural function of costume in a television context. Written accessibly with a multi-disciplinary approach, it will appeal to students and scholars from film and media, fashion and cultural studies, to sociology and women's studies.
Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends serves as an essential primary reference for students of the topic as well as an accessible resource for general readers. The alphabetized entries in the volume cover the key topics of this provocative and complex genre—films, filmmakers, star performers, concepts, and historical and burgeoning trends—alongside frequently overlooked and crucially ignored items of interest in Latino cinema. This comprehensive treatment bridges gaps between traditional approaches to U.S.-Latino and Latin American cinemas, placing subjects of Chicana and Chicano, Puerto Rican, Cuban and diasporic Cuban, and Mexican origin in perspective with related Central and South American and Caribbean elements. Many of the entries offer compact definitions, critical discussions, overviews, and analyses of star artists, media productions, and historical moments, while several foundational entries explicate concepts, making this single volume encyclopedia a critical guide as well.
The art of window dressing is explored in this book illustrated with 200 full-color photos.
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to "The Sopranos," complete the anthology.
Sex Work in Popular Culture delves into provocative movies, TV shows, and documentaries about sex work produced in the last fifteen years – a period of debate and change around the meaning of sex work in North American society. From Oscar-winning films to viral YouTube videos, and from indie documentaries to hit series – many of which are made by women – the book reveals how sex work is being recognized as real work and an issue of human rights. Lauren Kirshner shares how popular culture has responded by producing the dynamic new figure of a sex worker who challenges tropes and promotes understanding of the key issues shaping sex work. The book draws on labour and feminist theory, film history, current news, and popular culture, all within the context of neoliberal capitalism and the rise of transactional intimate labour. Kirshner takes us from erotic dance clubs to porn sets, illuminating the professional lives of erotic dancers, massage parlour workers, webcam models, call girls, sex surrogates, and porn performers. Probing how progressive popular culture challenges stereotypes, Sex Work in Popular Culture tells the story of sex work as labour and how the screen can show us the world’s oldest profession in a new light.
A film, video, and DVD guide for the true lover of the cinema, this volume focuses on independent and international films as well as the best of the mainstream. 450 photos throughout.