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Supermodel Lou Kipinski seems to have it all. But beauty is only skin deep—and sometimes Lou's porcelain complexion can get a bit hairy. The only thing worse than a furry fashion faux-pas? Fangs in her million-dollar smile. That's what happened six months ago, when Lou had her first outbreak. But now that she's at the height of her career she absolutely must find a cure...So what's a single werewolf gotta do? Then a sexy detective comes knocking on her door. Two women who bear an eerie resemblance to Lou have been killed—something with teeth and claws tore them apart. Is it a coincidence that the grisly murders have taken place during the same time as Lou's own outbreaks? With a killer at her heels and another outbreak just a concealer-wand's distance away, Lou is soon in a race to discover truths about her own murky past. And before it's all over she may be forced to show the world that her bark is nothing compared to her bite...
In recent years, shapeshifting characters in literature, film and television have been on the rise. This has followed the increased use of such characters as metaphors, with novelists and critics identifying specific meanings and topics behind them. This book aims to unravel the shapeshifting trope. Rather than pursue a case-based study, the works are grouped around specific themes--adolescence, gender, sexuality, race, disability, addiction, and spirituality--that are explored through the metaphor of shapeshifting. Because of the transformative possibilities of this metaphor and its flexibility, the shapeshifter has the potential to change how we see our world. With coverage of iconic fantasy texts and a focus on current works, the book engages with the shapeshifting figure in popular culture from the United States, Canada, the United Kingdom, and Australia. Instructors considering this book for use in a course may request an examination copy here.
Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Neil Gaiman, Brian Keene, Elizabeth Massie, Glen Hirshberg, Peter Atkins and Tanith Lee. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction. PRAISE FOR THE SERIES 'Well-crafted celebration of a continuously inventive genre' SFX Magazine 'The must-have annual anthology for horror fans.' Time Out 'An essential volume for horror readers.' Locus 'In an age where genre fiction is often just reheated pastiche, the Best New Horror series continues to break from the herd, consistently raising the bar of quality and ingenuity.' Rue Morgue 'Brilliantly edited and most instructively introduced by legendary anthologist Stephen Jones.' Realms of Fantasy 'One of horror's best.' Publishers Weekly
Until Death Do Us Part" by Sherrilyn Kenyon Over five hundred years ago, Esperetta's soul was bound to her husband's by dark magic, and when Velkan became a Dark-Hunter, to her horror, she became immortal as well. Now, they must come together to fight an old enemy...and the passion that threatens to consume them once more. "Ride the Night Wind" by L.A. Banks Dark dreams haunt Jose Ciponte, dreams of a woman so beautiful he aches for her-and a deadly enemy who stalks them in the night. And now those dreams have become a reality... "The Gift" by Susan Squires All Major Davis Ware wants to do is propose to the beautiful Emma Fairchild. Instead, he is called back into battle, and a desperate fate. And Emma will venture into hell itself to save him. "The Forgotten One" by Ronda Thompson Lady Anne Baldwin longs to break free from her proper bonds. When she meets the mysterious Merrick, whose eyes glow like a wolf's, she may have found more than she bargained for.
Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.
After spending most my life single (for witches it’s practically an occupational hazard) I finally found someone to love. OK, so then he got killed, but he’s recuperating nicely. And I should be home, nursing him—maybe just a little bit naughtily—back to health. But no. The Prime Minister asked if I could look after this rock star buddy of his, Zane. Creepy Goth guys in cloaks keep showing up at his concerts and zapping his mojo. Hmm, smells like teen warlock to me. Anyway, I owe the PM, and Zane is fun, too—I mean, what girl wouldn’t want to hang with the hottest man in music? Look, everyone has vices. Right now, I’d like to indulge in one of mine and blow some people up so I can get back to my sweetie in Texas. But if these caped dudes don’t show themselves before another paparazzi shot of Zane and me hits the tabloids, I may not have a boyfriend to go home to. “From demon-hunting and club-hopping to boyfriend-minding and shoe-shopping, this book has it all.”—Romancedivas.com “A delightful ride from the first page to the last . . . the action is immediate and lightning fast.”—Romance Reviews Today
Don't Let Stage Fright Sabotage Your Next Big Performance, Presentation or Competition You'll never achieve your full potential as a performer, public speaker, or athlete until you find your way beyond stage fright. The stakes are that high. Goodbye Butterflies' breakthrough DIY stage fright solution offers genuine hope to musicians, actors, dancers, and other performers, as well as public speakers, athletes, and even casual sufferers who become anxious in front of others. Developed by veteran educator, professional musician, and noted stage fright authority Dr. David Lee Fish, Goodbye Butterflies leads you step by easy step towards freedom from your nervousness using the same exclusive READ method he developed for his popular online course (goodbyebutterflies.com). Let Dr. Fish show you how to: calm your nerves unleash your talent enjoy the spotlight While helping you find the way beyond your stage fright, Goodbye Butterflies reveals why it's almost impossible to tackle your anxiety head-on. You'll also learn why getting nervous isn't your fault and doesn't mean you're somehow broken. In addition, you'll uncover the deep danger lurking beneath your nervousness. As an important extra, the approach at the heart of Goodbye Butterflies will help you achieve a state of flow to achieve peak performance when you perform, speak, or compete. No other method offers that. A large bonus section includes instructions on how public speakers and athletes can also benefit from Goodbye Butterflies and profiles famous stage fright sufferers, including Alan Rickman, Helen Mirren, Adele, Katy Perry, and Lorde. Praise for Goodbye Butterflies Having spent the last 30+ years in the entertainment industry as a director, producer, writer, actor, sportscaster and voice-over artist, I'm all too familiar with the nemesis known as stage fright. Working through Dr. Fish's Goodbye Butterflies has helped me better understand this unwelcome guest, who often shows up unannounced. It can be managed and put in its place with the proper perspective, which helps release the artistic flow that is necessary to share the performance that rings true to the audience - be it one person or millions. Mel Fair (Halloween, Super 8, Scandal, Justified, Weeds) Goodbye Butterflies is an essential weapon in the arsenal of any serious performer and anyone else whose career depends on persuading, entertaining, or motivating others. And that's EVERYONE! Dr. Fish is revolutionizing entertainment & public speaking. What Dale Carnegie is to "winning friends & influencing people," he is to performance. DO THIS!!!" Pat O'Connor (artist manager & CEO - POC Media, Inc.)
"Your bed is cold," spoke a voice in the room that had her eyes go wide in fear. Nervously, she turned around, gulping softly to see a shadow on her bed as if someone laid down there. The man who had been lying down sat up emerging out from the shadows where he had been waiting for her. "What are you doing here?" she asked when his feet touched the ground and he pushed himself up to start walking towards her. His handsome features looked darker than usual because of the lack of light in the room. "I came to meet you," he tilted his head, "Where did you go?" "I went out for a walk," came the quick reply that had him smile, a smile that scared her the most. She took a step back when he came close to her. It didn't stop him from cornering her, and her back hit the wall behind her. He raised his hand towards her face, and she closed her eyes, scared. She shuddered when his fingers trail down from her temple and her jaw and neck. Her blonde hair was left open. "In the middle of the night?" she didn't answer him knowing he could decipher her lies through her words. He stepped closer that had her turn her face away from him and his words vibrated on the skin of her neck, "Did you go to meet him, my sweet girl?"
Saucy, rude and vulgar—the 31 Carry On films remain an important part of the history of British cinematic and low brow comedy. In this book, Gerrard discusses the Carry On roots in the music halls of the Victorians and the saucy seaside postcards of Donald McGill. Made in post-war Britain, these films reflect a remarkable period of social change as the British Empire faded and a nation learned to laugh at itself. Nothing was sacred to the Carry On team. James Bond and Cleopatra were mercilessly lampooned, Miss World competitions and toilet factories came in for a cinematic pasting, while Sid James’ laugh, Barbara Windsor’s wiggle, Kenneth Williams’ flared nostrils and Charles Hawtrey’s “Oh, hello!” became synonymous with laughter, merriment and fun. Gerrard’s work examines the Carry On films as part of a wider canvas linking both their heritage and tradition to the contextual world they mirrored. The Carry On Films is an essential read for Carry On fans the country through.“div>Ding dong! Carry On!/div