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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Thugs or Phansigars of India: Comprising a History of the Rise and Progress of That Extraordinary Fraternity of Assassin's From this repository of undigested materials, the compiler of the volume now offered to the public, has endeavoured to form a clear and suc cinct account of the Thugs, their peculiar super stitions, their methods of proceeding in robbing and murdering travellers, and the operations of the British government in India for the extirpation of this singular and unparalled system of assassination and plunder. To this he has added an Appendix, containing the vocabulary of their language, the disclosures made to Captain Sleeman by Thug informers, and a specimen of the trials of some of the criminals; which serves to exhibit the careful and impartial system pursued by the British autho rities in bringing these atrocious criminals to jusiicc. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Never in recorded history has there been a group of murderers as deadly as the Thugs. For nearly two centuries, groups of these lethal criminals haunted the roads of India, slaughtering travellers whom they met along the way with such efficiency that over the years tens of thousands of men, women and children simply vanished without trace. Mike Dash, one of our best popular historians, has devoted years to combing archives in both India and Britain to discover how the Thugs lived and worked. Painstakingly researched and grippingly written, Thug tells, for the first time the full story of the Thugs' rise and fall from the cult's beginnings in the late seventeenth century to its eventual demise at the hands of British East India Company officer William Sleeman in 1840.
Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.
Nineteenth-century Britain was a world in play. The Victorians invented the weekend and built hundreds of parks and playgrounds. In the wake of Darwin, they re-imagined nature as a contest for survival. The playful child became a symbol of the future. A world in play means two things: a world in flux and a world trapped, like Alice in Wonderland, in a ludic microcosm of itself. The book explores the extent to which play (competition, leisure, mischief, luck, festivity, imagination) pervades nineteenth-century literature and culture and forms the foundations of the modern self. Play made the Victorian world cohere and betrayed the illusoriness of that coherence. This is the paradox of modernity. Kaiser gives an account of how certain Victorian misfits—working-class melodramatists of the 1830s, the reclusive Emily Brontë, free spirits Robert Louis Stevenson and John Muir, mischievous Oscar Wilde—struggled to make sense of this new world. In so doing, they discovered the art of modern life.
An award-winning novel following two Black adolescents as they come of age in two vastly different neighborhoods of the same Southern California city. Winner of the 2012 James D. Houston Award, Keenan Norris’s first novel is a beautiful, gritty, coming-of-age tale about two young African Americans in the San Bernardino Valley—a story of exceptional power, lyricism, and depth. Erycha and Touissant live only a few miles apart in the city of Highland, but their worlds are starkly separated by the lines of class, violence, and history. In alternating chapters that touch and intertwine only briefly, Brother and the Dancer follows their adolescence and young adulthood on two sides of the city, the luminous San Bernardino range casting its hot shade over their separate tales in an unflinching vision of Black life in Southern California. Praise for Brother and the Dancer “Read Keenan Norris, an important new American writer. His Brother and the Dancer delivers everything we want from a first novel: a story we’ve never read before, a world we’ve never quite known, a vision we’re unfamiliar with. And yet it gives us the prose of a mature artist, and an understanding of the human heart that would seem nearly impossible in a writer so young. A fine and daring book.” —Andrew Winer, author of The Marriage Artist “American Letters has a bright, stirring and brilliant new voice.” —Micheline Aharonian Marcom, author of The Mirror in the Well “Keenan Norris is simply one of the most talented young writers around. Brother and the Dancer is his brilliantly realized debut. The story of Touissant and Erycha, their families, their homes, is somehow tender and unflinching, filled with insight and hard-earned wisdom—all of it written with a memorable richness.” —Victor LaValle, author of The Devil in Silver