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Le livre d'artiste "Collection for the poor" est inspiré du livre d'Eugène Schwartz "Confessions of a poor collector". Il peut être vu comme une réponse à la demande de devenir un collectionneur d'art contemporain malgré un quasi-zéro du compte bancaire. Il rassemble 21 artistes entreprenant le travail d'exploration des stratégies économiques et de distribution en dehors du marché de l'art. Le livre qui en résulte est une oeuvre d'art en soi à un prix très raisonnable qui est en même temps un manuel qui aide à trouver des oeuvres d'art abordables qui conviennent à la fois aux capacités financières et au bon goût.
The meteoric rise of the largest unregulated financial market in the world-for contemporary art-is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers-Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth-along with dozens of other dealers-from Irving Blum to Gavin Brown-who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.
Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.
DigiCat Publishing presents to you this special edition of "The Confessions of a Collector" by William Carew Hazlitt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Everything you always wanted to know about the art market but were afraid to ask. A pioneering collector explains how to use passion and intuition to acquire key pieces or build a collection--even on a limited budget.
A critically acclaimed #1 New York Times best-seller with more than one million copies in print! Now a major motion picture. Gritty with pain, betrayal, and brutality, this incredible true story also shines with an unexpected, life-changing love. Meet Denver, raised under plantation-style slavery in Louisiana until he escaped the “Man” in the 1960’s by hopping a train. Untrusting, uneducated, and violent, he spends 18 years on the streets of Dallas and Fort Worth. Meet Ron Hall, a self-made millionaire in the world of high-priced deals—an international arts dealer who moves between upscale New York galleries and celebrities. It seems unlikely that these two men would meet under normal circumstances, but when Deborah Hall, Ron's wife, meets Denver, she sees him through God's eyes of compassion. When Deborah is diagnosed with cancer, she charges Ron with the mission of helping Denver. From this request, an extraordinary friendship forms between Denver and Ron, changing them both forever. A tale told in two unique voices, Same Kind of Different as Me weaves two completely different life experiences into one common journey. There is pain and laughter, doubt and tears, and in the end a triumphal story that readers will never forget. Continue this story of friendship in What Difference Do It Make?: Stories of Hope and Healing, available now. Same Kind of Different as Me also is available in Spanish.
A smart and hilarious memoir of privilege and excess told by the son of a powerful, seductive member of the New York elite. Ben Sonnenberg grew up in the great house on Gramercy Park in New York City that his father, the inventor of modern public relations and the owner of a fine collection of art, built to celebrate his rise from the poverty of the Jewish Lower East Side to a life of riches and power. His son could have what he wanted, except perhaps what he wanted most: to get away. Lost Property, a book of memoirs and confessions, is a tale of youthful riot and rebellion. Sonnenberg recounts his aesthetic, sexual, and political education, and a sometimes absurd flight into “anarchy and sabotage,” in which he reports to both the CIA and East German intelligence during the Cold War and, cultivating a dandy’s nonchalance, pursues a life of sexual adventure in 1960s London and New York. The cast of characters includes Orson Welles, Glenn Gould, and Sylvia Plath; among the subjects are marriage, children, infidelity, debt, divorce, literature, and multiple sclerosis. The end is surprisingly happy.