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"In this book, Marc Anthony Viola assists government and military professionals transitioning into the civilian world, using techniques from the U.S. intelligence community, It is intelligence "tradecraft - applied to the post-military career transition process. While Viola includes advice on resume writing and interviewing, the book goes beyond "how to find a job" to the challenge of conceptualizing a new vocation by exploring the personal journey of a former intelligence professional transitioning to the civilian sector. Viola uses his experiences and observations from his own military intelligence career in ways that are of interest and benefit to anyone thinking of changing careers."--BOOK JACKET.
The excitement then continues as Bare takes us through the highs and lows of his life and career, always with humor."--BOOK JACKET.
In conjunction with this summer's most talked about concert, Madonna's highly anticipated "Sticky and Sweet" Tour, powerHouse Books will release Madonna Confessions, the official book of quintessential images taken by über-manager Guy Oseary during the course of over 50 performances around the world during the Material Girl's sold out 2006 Confessions Tour. With over 250 never-before-seen images, the book showcases various provocative themes from that show including an iconographic equestrian opening to an urban Bedouin segment and on to glam punk and disco fever. The photographs celebrate what the New York Times called "the sheer spectacularity of her physical form" along with show stopping highlights and groundbreaking staging. Oseary, who is also Madonna's manager and has worked with her for the past twenty years, traveled with the artist and was given unprecedented access to each performance. As a result, the photographs in Madonna Confessions capture the essence, sheer energy, and excitement that came alive onstage every night. The photographs were each lovingly handpicked by Oseary and Madonna and are interspersed with quotes from Madonna. Long considered one of the most exciting live performers of our era, Madonna Confessions is a visual delight that highlights the multi-Grammy winner and Rock and Roll Hall of Fame inductee's astounding career. "powerHouse is delighted to collaborate with one of the world's greatest live performers; Guy Oseary's exclusive access to each night's Confessions show allowed him the opportunity to capture unparalleled iconic moments in live performance photography. The intimacy and the sweep of the work put you front row center of an incredible experience." -Daniel Power, CEO of powerHouse Books.
America's #1 maverick C.E.O.--and self-proclaimed S.O.B.--tells the story of his rise from AP reporter to becoming head of Gannett newspapers and creating USA Today, the nation's second largest daily. "Brazen . . . with nuggets of business wisdom . . . a primer for a corporate Machiavelli-in-the-making".--Newsweek.
“Confessions of a Puppetmaster is a fast, funny, wild ride through some wild times. Plus, Charlie compares me to Harrison Ford, so I’m all in!” —Bill Maher Renowned producer, director, and “B movie” showman Charles Band takes readers on a wild romp through Hollywood’s decidedly un-Oscar-worthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king "This book is a blast. It made me want to stay up all night and watch terrible movies." —Peter Sagal "One of the most entertaining film bios ever." —Larry Karaszewski "Reads like a Tarantino film written by Hunter S. Thompson." —Booklist Zombies, aliens, a little skin, lots of gore—and even more laughs—the cinematic universe of Charles Band is legendary. From the toilet-invading creatures of Ghoulies to the time-travelling bounty hunter in Trancers to the pandemic-crashed Corona Zombies, Band has spent four decades giving B-movie lovers exactly what they love. In Confessions of a Puppetmaster, this congenial master of Grindhouse cinema tells his own story, uncut. Born into a family of artists, Band spent much of his childhood in Rome where his father worked in the film industry. Early visits to movie sets sealed young Charlie’s fate. By his twenties he had plunged into moviemaking himself and found his calling in exploitation movies—quick, low-budget efforts that exploit the zeitgeist and feed people’s desire for clever, low-brow entertainment. His films crossed genres, from vampire flicks to sci fi to erotic musical adaptations of fairy tales. As he came into his own as a director, he was the first to give starring roles to household names like Demi Moore, Helen Hunt, and Bill Maher. Off set, Band’s life has been equally epic. Returning to his beloved Italy, he bought both Dino De Laurentiis’s movie studio and a medieval castle. After Romania’s oppressive communist regime fell, he circumvented the U.S. State Department to shoot films in Dracula’s homeland. He made—and then lost—a moviemaking fortune. A visionary, Band was also at the vanguard of the transition to home video and streaming, making and distributing direct-to-video movies long before the major studios caught on. In this revealing tell-all, Band details the dizzying heights and catastrophic depths of his four decades in showbiz. A candid and engaging glimpse at Hollywood’s wild side, Confessions of a Puppetmaster is as entertaining as the movies that made this consummate schlockmeister famous.
Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
Susan Sarandon's memorable performances have made her an American icon. Passionate and outspoken, she's often controversial. Why did Sarandon choose acting as a career? What is her acting philosophy? How does she select roles? What motivates her to promote social and political causes? Why do some people object to this? How do critics rate her work and her movies? Betty Jo Tucker answers these questions and more in an analysis of Sarandon's achievements from a film critic's perspective. Tucker's book also includes an annotated filmography of Sarandon's movies and selected reviews of her key films.
This book chronicles the author's love affair with film from the 1930s through the beginning of the new millennium. In addition to revealing personal movie-related experiences, film critic Betty Jo Tucker describes encounters with veteran actors.