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"The hysterical confessions of two drunken DJs who performed over 600 jobs in the New York/ New Jersey area between 1982 and 2009. Exploits include Brides behaving badly, drunken police and fireman, catering halls struck by lightning, family members fighting and breaking things. Halloween parties that caught fire, horse drawn carriages drawn by horses with diarrhea, stripping bridesmaids, angry Maitre Ds, sinking boats, dancing relatives who had heart attacks, people singing who definitely could not sing, and electrical and personal failures of all descriptions. Not for the socially squeamish, this book is an object lesson for anyone who tried to make a party happen with the best intentions and was rewarded with a never-ending series of disasters."
Brother and sister, Sean and Rebecca Cove, two teenagers who enjoy swimming and both have a strange love for the water are not your ordinary teenagers. However, they do not know how extraordinary they are. Sean and Rebecca are about to embark on a journey that will take them deep under the Atlantic Ocean to a world that theyd never thought existed. Along their journey, they both discover that the new world they have found is the legendary, mythical city of Atlantis and that they are Atlanteans themselves. Sean and Rebecca will face dangers that no man has faced and obstacles that will put them to the test of their abilities. Little do they know, they will meet their long lost Atlantean father and will be torn between a war of the Atlanteans, Humans and their own Atlantean uncle, Timpist, which whom was banned from Atlantis and has now returned to declare war for the throne!
What if somebody finally wrote to his high school alumni bulletin and told...the truth! Home Land is a brilliant work from novelist Sam Lipsyte, whom Jeffrey Eugenides calls "original, devious, and very funny" and of whose first novel Chuck Palahniuk wrote, "I laughed out loud--and I never laugh out loud." The Eastern Valley High School Alumni newsletter, Catamount Notes, is bursting with tales of success: former students include a bankable politician and a famous baseball star, not to mention a major-label recording artist. Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89--a.k.a Teabag--who did not pan out. Home Land is his confession in all its bitter, lovelorn glory. Winner of the Believer Book Award New York Times Notable Book of the Year
White Lotus meets Shaun of the Dead in this absurdist take on the wellness retreat. Our narrator and his accidental companion, K. Sohail, find themselves on an island wellness retreat impersonating the Dhaliwals, who have probably been killed in a helicopter crash. After being welcomed by Jerome the robot, the intrepid imposters eagerly partake of the all-you-stomach buffet, the motivational speechifyings of self-help guru Brad Beard, and Professor Sayer's uncomfortably erotic couples counselling. But things quickly take an ominous turn when an excursion to a nearby deserted village reveals a guillotine and a haunted chapel. And then one of the retreaters is murdered and the real Dhaliwals show up. Accusations, counter-accusations, and counter-counter-accusations are made, until the whole retreat is caught up in a bizarre trial. In All You Can Kill, Pasha Malla, with his inimitable absurdist style, collides horror and humour into an utterly unforgettable satire. "Smart, hilarious, original, All You Can Kill is a feverish, one-of-a-kind, unhinged journey into the absurd shams of modern life. No one writes satire, or anything else, like Pasha Malla." – Iain Reid, author of We Spread "Malla is a fabulously gifted writer." – Publishers Weekly "I don’t really know how Malla gets away with what he does … but it is astounding to watch him do it." – The Rumpus
Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.
"Barthes's most popular and unusual performance as a writer is "A Lover's Discourse," a writing out of the discourse of love. This language primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in "A Lover's Discourse" by making love, in its most absurd and sentimental forms, an object of interest." Jonathan Culler
Anaya draws on the Spanish-American folklore with which he grew up in this unique depiction of a Hispanic childhood in the Southwest.
New York's top doorman, Thomas Onorato, raises the ropes and gives readers a sneak peak into some of the world's most exclusive parties. "If you are not on the guest list or if I don't know you or if I don't like you, you are NOT GETTING INTO THIS PARTY!" The doorman. The gatekeeper of the night. These silent observers see it all and yet say nothing. Until now. In Confessions from the Velvet Ropes, New York's top club doorman, Thomas Onorato, lifts the ropes and lets ordinary readers into this exciting world. The book is an entertaining and hilarious collection of tales from the worlds of nightlife, fashion shows and celebrity parties. Highlights include: The night Madonna DJed at an intimate downtown club, Courtney Love's surprise concert that ended in her arrest, the crazed stalker who attacked Pulp's Jarvis Cocker, the aerial attack on Adrien Brody's birthday party, Diddy's surprise appearance at an electro-punk event and more. Onorato was always on hand and brings his insider info and nightlife wisdom to readers of Confessions from the Velvet Ropes. Combining elements of juicy gossip columns, rock star fan memoirs and nightlife social studies, Confessions from the Velvet Ropes is a tell-all with style, including humorous side-bars and tips on how readers might make it past the velvet ropes.
This volume covers the range of reactions that both patients and clients have to the circumstance of a child entering the therapist’s family. Through research, the authors show these reactions can be extremely powerful, and when fully explored can be used to advance the therapy and the development of the patient. Rich clinical illustrations are provided throughout the text. In addition, the reader is offered many therapeutic strategies for working with patient-therapist reactions as they unfold. Many practical issues arise in conjunction with this life transition. Examples include announcing a pregnancy or an imminent adoption, planning parental leave and covering the patient’s needs during the hiatus. In this second edition, therapists who are members of LGBT families and single parent families are described in terms of their special needs, challenges and resources. This updated edition also contains a new chapter on special problems that can arise during pregnancy.