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Manoshua Johnson is the most treacherous person the music industry as ever seen. He will let nothing stop him in his pursuit of fame and fortune. He enjoys beautiful women, action packed drama and a luxurious lifestyle but it wasn't always this way. His story is part romance novel, part murder mystery, part psychological thriller. This is his dramatic rise to power!
In this award-winning book, now in paperback, Schroth discusses fifty works - from books of the Old Testament to contemporary works - that challenge the social conscience and raise moral and religious issues in a provocative way.
DigiCat Publishing presents to you this special edition of "Dead Man's Hat" by Hulbert Footner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This account returns the focus to the victim, her life, and her family.--Midwest Book ReviewMike Varnado�s ability to tell a great story is topped only by his work as a first-class detective.--Chris Buchanan, documentary film producer for PBS and associate producer of Angel on Death Row Victims of Dead Man Walking is the true story of the rape and murder of Faith Hathaway by Robert Lee Willie and Joe Vaccaro. Detective Mike Varnado provides a vivid eyewitness account of the investigation into her murder.Varnado was only twenty-five when he discovered Faith Hathaway�s body. Finding her killers and bringing them to justice has been one of the most important endeavors of his life.But for Varnado, Faith�s family, and the citizens of their quiet Louisiana community, the nightmare did not end with the capture and conviction of the murderers. While on Angola�s death row, Robert Lee Willie was counseled by Sr.Helen Prejean, who wrote about him in her best-selling book, Dead Man Walking .He also served as the primary model for the character played by Sean Penn in the Academy Award-winning film version of Dead Man Walking . As Willie and his story achieved worldwide notoriety, Faith Hathaway, her short life, and herbrutal death were almost forgotten by everyone but those closest to her. Victims of Dead Man Walking reminds readers of an aspect of the death-penalty debate that is too often forgotten--the innocent victim of crime, the victim'sfamily, and the police officers, lawyers, judges, and ordinary citizens called upon to perform difficult but necessary roles in the pursuit of justice. About the Authors Mike Varnado has been a detective in Washington Parish, Louisiana, for more than twenty years. At the time of Faith Hathaway�s murder, he was chief investigator for the district attorney�s office. He has twice been honoredwith Louisiana�s Victims and Citizens Against Crime Outstanding Law Enforcement Award. He lives in Franklinton, Louisiana.D. P. Smith is a lawyer and freelance writer based in Nashville, Tennessee.
It was Friday the thirteenth, not destined to be a good day in the eyes of many overly superstitious fishermen on the dock. It was a gloomy day. The sky was scattered with dark clouds and a misty fog hung over the ocean. Doom and gloom again, said Captain John Carl Thomason unenthusiastically, as he watched his crew unload the catch onto the dock. The price is in the toilet again. What happened to the way things used to be around here? Probably gone along with his mind, muttered a short balding man who looked worthless in every respect. Shut your trap, Remi, snapped John Carl. Yes Cap, said Remi. He sounded like he had memorized the responses he gave to his captains commands. John Carl Thomason looked as though he would be very good looking if it were not for the fact that he always looked as though he was having the worst day of his life. Is that a banana youre eating, Remi? asked John Carl casually. Yes Cap, said Remi automatically. Well, guess what, mate? said John Carl, his voice colder now. What? asked Remi, not catching his captains cold tone. Bananas are bad luck, thats what, yelled John Carl. He grabbed the banana out of Remis hand and shoved it in his face. DO YOU- REALIZE -WHAT -TODAY IS? he yelled, pronouncing each word with deadly emphasis. No sir, spluttered Remi, who looked quite the idiot with banana all over his face. ITS FRIDAY THE THIRTEENTH, YOU WORTHLESS IDIOT, roared John Carl. We have enough bad luck without you making things worse with your stinking slimy banana. The Captain threw the banana peel on the dock and stormed away, swearing loudly. Remi stumbled towards the truck, carrying a large box. He stepped on the banana peel and fell flat on his face. Hey, Remi, called a young man named Sono, how long does it take from when you step on the peel to when you hit the dock? One banano-second! There was a roar of laughter from the other crewmembers on the dock. Nice one, Sono, said another young man called Browen. Sono and Browen were brothers, ages nineteen and eighteen. They looked very much alike and had very similar personalities. They seemed to be able to read each others thoughts, and were, therefore, exceptional liars. They could always talk their way out of anything, even with their captain, who was not easily fooled. Remi was not a challenge for them. They had taken the job working on the boats because neither of them was very academically inclined. They were, however, very good at making jokes, pulling pranks, and having as much fun as possible while on the job. They stopped at nothing to insult anyone who displayed a lack of intelligence or physical prowess. Remi Nelson was a short, chubby, balding man, who had never really been able to make anything of his life, or at least it never seemed like he had. He was thirty-five, but looked forty-five, at best. Sono and Browen thought he was at least fifty. Everyone always made fun of Remi, but he still seemed to feel important and useful. This only seemed to make things worse for him, although he never seemed to understand that. Just imagine being stupid enough to eat a banana in front of Cap on Friday the thirteenth, said Sono loudly. Imagine being stupid enough to slip on the peel and fall flat on your face, said Browen. Imagine doing this job till youre fifty, said Sono. Im thirty-five, snapped Remi, who had stood up and was wiping banana off his face. Really? said Sono mockingly. I had no idea guys went bald and got beer bellies that soon. You might want to tell Cap to get a move on, he must be at least thirty or thirty-five. I dont see him looking like that. Looks arent everything, you know, muttered Remi. Clearly, or you wouldnt even be alive, sneered Sono. Get to work, snapped John Carl coming up behind them. Yes Cap, said Remi immediately Sorry sir, said Browen emphasizing the last
Two dead men. Two mysterious lists. And a Scottish wine expert with a nose for trouble. A week before the fabulous Flight of Fancy Charity Auction in Sonoma, California, someone kills a counterfeiter concocting fakes of very expensive wine. Wine expert Sarah McKee is called in to help identify the victim—if she can. Whoever killed him took his wallet, car, and computer—as well as his face. What they didn’t take was a list in the dead man’s pocket—a mystifying series of numbers, circles and checkmarks. Then a second man is killed, and the same list is found. Prints on the murder weapon point to Sarah’s friend, Zach Sullivan, who is struggling to put his world back together after his father gambled away the family winery. Zach is the only one with a motive for killing both men. Determined to clear Zach’s name, Sarah teams up with a sexy, by-the-book sheriff to investigate the murders. But as they get closer to the truth, Sarah discovers the counterfeit ring will stop at nothing to protect their lucrative operation. Can Sarah figure out what the lists mean, catch the real killer at the auction, and save her friend?
Eliza Quinn first meets Ford when he tracks his rival Corbett to her homestead. Ford recruits Eliza to his fight, and they defeat Corbett’s attack, but her homestead is lost in the process. But when they travel to the frontier’s closest town, Dead Man’s Corner, they face Corbett’s brother Ben, a ruthless man with powerful friends. He plans to exact his vengeance against Ford, and destroy anybody or anything who stands in his path. Despite the danger to herself, Eliza can’t turn her back on Ford, and is caught up in the fight to the bitter end. Will she win the fight for her future ... and their love?
You’ve heard Doc Holliday’s history, but do you know his story? Dead Man’s Hand brings John Henry Holliday to Tombstone, Arizona, the richest silver boomtown in the country, where he’s caught up in a secretive plot to stop a gang of cattle rustlers and stage robbers before they start a threatened war with Mexico. When suspicions rise and tempers ignite, the plot turns into a war between cowboys and lawmen, and he becomes a player in the most famous street fight in the Wild West. The aftermath brings retribution and a reckoning that sends John Henry and his friend Wyatt Earp fleeing for their lives, but a hoped-for sanctuary in Colorado is broken by legal battles that attract national newspaper coverage and hired guns hoping for a moment of fame against the infamous Doc Holliday. He can never return to the life he once knew, and as the mountain altitude and illness take their toll, he is forced to turn to the one person he thought he’d never see again. And with luck, he’ll have one last chance to prove himself as the Southern gentleman he was raised to be. Dead Man’s Hand is the final book in the award-winning Saga of Doc Holliday, an epic American tale of heroes and villains, dreams lost and found, families broken and reconciled, of sin and recompense and the redeeming power of love.
#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.