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A collection of 17 essays by Grady McWhiney on a wide variety of topics relating to Confederate leadership and war-making. The role of culture in the coming of the war is explored, as are the differences between Southern crackers and cavaliers. Battlefield leadership is also discussed.
Confederate Generals in the Western Theater ultimately comprise several volumes that promise a host of provocative new insights into not only the South's ill-fated campaigns in the West but also the eventual outcome of the larger conflict. --Book Jacket.
SOUTHERN CULTURE CONTAINED ELEMENTS THAT PROVED DYSFUNCTIONAL TO WINNING A PRE-MODERN WAR FOR SECESSION. SOUTHERN CAVALIERS WERE OFTEN MORE CONCERNED WITH THEIR OWN AMBITIONS AND SEARCH FOR HONOR AND POPULARITY. ROBERT E. LEE LOST THE BATTLE OF GETTYSBURG BECAUSE JEB STUART WAS MORE CONCERNED WITH HIS HONOR THAN WITH FOLLOWING ORDERS. OTHER GENERALS REFUSED TO COOPERATE AND REFUSED TO PREVENT THE UNION CAPTURE OF NEW ORLEANS AND VICKSBURG.
@font-face { font-family: "Times New Roman";}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; line-height: 200%; font-size: 12pt; font-family: Times; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } The American Civil War was won and lost on its western battlefields, but accounts of triumphant Union generals such as Grant and Sherman leave half of the story untold. In the third volume of Confederate Generals in the Western Theater, editors Lawrence Hewitt and Arthur Bergeron bring together ten more never-before-published essays filled with new, penetrating insights into the key question of why the Rebel high command in the West could not match the performance of Robert E. Lee in the East. Showcasing the work of such gifted historians as Wiley Sword, Timothy B. Smith, Rory T. Cornish, and M. Jane Johansson, this book is a compelling addition to an ongoing, collective portrait of generals who occasionally displayed brilliance but were more often handicapped by both geography and their own shortcomings. While the vast, varied terrain of the Western Theater slowed communications and troop transfers and led to the creation of too many military departments that hampered cooperation among commands, even more damaging were the personal qualities of many of the generals. All too frequently, incompetence, egotism, and insubordination were the rule rather than the exception. Some of these men were undone by alcoholism and womanizing, others by politics and nepotism. A few outlived their usefulness; others were killed before they could demonstrate their potential. Together, they destroyed what chance the Confederacy had of winning its independence. Whether adding fresh fuel to the debate over the respective roles of Albert Sidney Johnston and P. G. T. Beauregard at Shiloh or bringing to light such lesser known figures as Joseph Finegan and Hiram Bronson Granbury, this volume, like the ones preceding it, is an exemplary contribution to Civil War scholarship. Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for “outstanding achievements in preserving the heritage of the American Civil War,” he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi. The late Arthur W. Bergeron Jr. was a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books were Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.
Operating in the vast and varied trans-Appalachian west, the Army of Tennessee was crucially important to the military fate of the Confederacy. But under the principal leadership of generals such as Braxton Bragg, Joseph E. Johnston, and John Bell Hood, it won few major battles, and many regard its inability to halt steady Union advances into the Confederate heartland as a matter of failed leadership. Here, esteemed military historian Larry J. Daniel offers a far richer interpretation. Surpassing previous work that has focused on questions of command structure and the force's fate on the fields of battle, Daniel provides the clearest view to date of the army's inner workings, from top-level command and unit cohesion to the varied experiences of common soldiers and their connections to the home front. Drawing from his mastery of the relevant sources, Daniel's book is a thought-provoking reassessment of an army's fate, with important implications for Civil War history and military history writ large.
Examines the contributions of the veteran Texas Rangers to the Civil War as "horse soldiers," and highlights their confrontations, in which they were often outnumbered but frequently managed to turn the tide of battle.
Includes more than 20 Illustrations of the author’s unit and commanders. “George Dallas Mosgrove was born in Louisville, Kentucky, in 1844, and enlisted in the Fourth Kentucky Cavalry Regiment as a private on September 10, 1862. Through service as a clerk and orderly in both regimental and brigade headquarters, he became familiar with the environment of officers and command. His eyewitness account illuminates the western theater of the Civil War in Kentucky, east Tennessee, and southwest Virginia. Mosgrove admits to a romanticism influenced by Sir Walter Scott in his description of the superiority of the officers and "some of the boys" in his regiment. At the same time, his narrative includes unadorned passages that depict with stark honesty the sordidness of war and man’s inhumanity. Mosgrove provides firsthand information about military actions at Blue Springs, Saltville, and elsewhere, and relates details of his participation in John Hunt Morgan’s Last Kentucky Raid and the skirmish where Morgan was killed. Mosgrove’s highly entertaining account is a perceptive and informative retelling of the truth as he saw it.”-Print Ed.
A century and a half after the conclusion of the Civil War, the legacy of the Confederate States of America continues to influence national politics in profound ways. Drawing on magazines such as Southern Partisan and publications from the secessionist organization League of the South, as well as DixieNet and additional newsletters and websites, Neo-Confederacy probes the veneer of this movement to reveal goals far more extensive than a mere celebration of ancestry. Incorporating groundbreaking essays on the Neo-Confederacy movement, this eye-opening work encompasses such topics as literature and music; the ethnic and cultural claims of white, Anglo-Celtic southerners; gender and sexuality; the origins and development of the movement and its tenets; and ultimately its nationalization into a far-reaching factor in reactionary conservative politics. The first book-length study of this powerful sociological phenomenon, Neo-Confederacy raises crucial questions about the mainstreaming of an ideology that, founded on notions of white supremacy, has made curiously strong inroads throughout the realms of sexist, homophobic, anti-immigrant, and often "orthodox" Christian populations that would otherwise have no affiliation with the regionality or heritage traditionally associated with Confederate history.
Three days of savage and bloody fighting between Confederate and Union troops at Stones River in Middle Tennessee ended with nearly 25,000 casualties but no clear victor. The staggering number of killed or wounded equaled the losses suffered in the well-known Battle of Shiloh. Using previously neglected sources, Larry J. Daniel rescues this important campaign from obscurity. The Battle of Stones River, fought between December 31, 1862, and January 2, 1863, was a tactical draw but proved to be a strategic northern victory. According to Daniel, Union defeats in late 1862—both at Chickasaw Bayou in Mississippi and at Fredericksburg, Virginia—transformed the clash in Tennessee into a much-needed morale booster for the North. Daniel's study of the battle's two antagonists, William S. Rosecrans for the Union Army of the Cumberland and Braxton Bragg for the Confederate Army of Tennessee, presents contrasts in leadership and a series of missteps. Union soldiers liked Rosecrans's personable nature, whereas Bragg acquired a reputation as antisocial and suspicious. Rosecrans had won his previous battle at Corinth, and Bragg had failed at the recent Kentucky Campaign. But despite Rosecrans's apparent advantage, both commanders made serious mistakes. With only a few hundred yards separating the lines, Rosecrans allowed Confederates to surprise and route his right ring. Eventually, Union pressure forced Bragg to launch a division-size attack, a disastrous move. Neither side could claim victory on the battlefield. In the aftermath of the bloody conflict, Union commanders and northern newspapers portrayed the stalemate as a victory, bolstering confidence in the Lincoln administration and dimming the prospects for the "peace wing" of the northern Democratic Party. In the South, the deadlock led to continued bickering in the Confederate western high command and scorn for Braxton Bragg.
This book identifies and interprets the longstanding ideological and aesthetic dialogue between the literary imaginations of Anglo-Ireland and the Anglo-American South. It offers a rich comparative examination of nineteenth- and twentieth-century Irish and American Southern plantation literatures and their respective representations of race and nation, gender and sexuality, region and landscape, and the gothic imagination. Pairing major writers from both traditions, including Maria Edgeworth, William Faulkner, Oscar Wilde, Katherine Anne Porter and Elizabeth Bowen, the book shows how this transatlantic dialogue coalesced around questions of power, supremacy, and gentility: writers in Anglo-Irish and Anglo-Southern literary traditions recognized and spoke to each other through the discourse of aristocracy. As the book demonstrates, from the early nineteenth-century onwards, Irish and Anglo-Southern writers conducted a sustained exploration into constructions of aristocracy through the figure of the dissipated, deviant gentleman (or lady): the dandy. By augmenting literary analysis with a variety of historical, biographical, archival and visual materials, including nineteenth-century trade cards, original letters, and twentieth-century photographic portraits, the book offers readers a wide-ranging, interdisciplinary illumination of transatlantic modernism.