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The second volume in the definitive history of Henry III’s rule, covering the revolutionary events between 1258 and the king’s death in 1272 After coming to the throne aged just nine, Henry III spent much of his reign peaceably. Conciliatory and deeply religious, he created a magnificent court, rebuilt Westminster Abbey, and invested in soft power. Then, in 1258, the king faced a great revolution. Led by Simon de Montfort, the uprising stripped him of his authority and brought decades of personal rule to a catastrophic end. In the brutal civil war that followed, the political community was torn apart in a way unseen again until Cromwell. Renowned historian David Carpenter brings to life the dramatic events in the last phase of Henry III’s momentous reign. Carpenter provides a fresh account of the king’s strenuous efforts to recover power and sheds new light on the characters of the rebel de Montfort, Queen Eleanor, and Lord Edward—the future Edward I. A groundbreaking biography, Henry III illuminates as never before the political twists and turns of the day, showing how politics and religion were intimately connected.
An introduction to the Rules and Customaries of the main religious Orders in Medieval Europe: Benedictine, Cistercian, Carthusian, Augustinian, Premonstratensian, Templar, Hospitaller, Teutonic, Dominican, Franciscan, and Carmelite.
The Old English manuscript whose charred and burnt remains are now MS BL Cotton Otho B. xi was written at Winchester during the reign of Æthelred, partly in the middle of the tenth century and partly about the middle of the first half of the eleventh. In its pristine state it contained Anglo-Saxon texts of some importance, including a collection of laws. Unfortunately, the manuscript fell victim to the Cottonian fire of 1731 and was largely destroyed. Before the fire, however, in 1562, Otho B. xi was transcribed practically in its entirety by the antiquarian Laurence Nowell, whose work formed the basis for the printed edition of the Anglo-Saxon Laws contained in William Lambarde's Archaionomia of 1568. The present edition offers a brief discussion of the laws of the Anglo-Saxons as they survive in manuscripts and printed editions and then concentrates on the work of Nowell and Lambarde. Two Laurence Nowells and at least three Nowell transcripts of Cotton Otho B. xi are known to modern scholarship and require consideration before proceeding to an edition of what can be reconstructed of MS BL Cotton Otho B. xi. The texts of the law codes known as II Athelstan, V Athelstan, Iudex, and Alfred and Ine found originally in MS BL Cotton Otho B.xi are printed from the Nowell transcript contained in MS BL Additional 43703, while on facing pages the corresponding passages from Lambarde's Archaionomia are reproduced. Variants from the other Nowell transcripts of the same texts are noted, manuscript relations are discussed in an appendix, and a select bibliography is offered. The importance of the present edition is that it makes it easier to compare the Otho B. xi text and Lambarde's printed version than is possible with Felix Liebermann's Die Gesetze der Angelsachsen. Comparison of the Nowell and Lambarde texts with one another shows that there can be little doubt that Lambarde for his Archaionomia used Otho B. xi or a transcript of it made by Nowell Comparison of the Nowell and Lambarde texts with the other extant manuscript and printed versions casts some further light on the relations between the surviving law codes of the Anglo-Saxons.
This is an edition of the sixteenth-century Latin grammar which became, by Henry VIII's acclamation, the first authorized text for the teaching of Latin in grammar schools in England. It deeply influenced the study of Latin and the understanding of grammar. This edition includes chapters on its origins, composition, and subsequent history.
"Greenfield and Robinson state in their preface that they have sought to include every book, monograph, article, note, and review published on Old English literature since the invention of printing. They have come as close to doing so as two descendants of Adam possibly can, undeterred by the trouble at Babel. (By my count, thirty different languages are represented in the bibliography, sixteen of them frequently.) Rarely has any bibliography in any other discipline equalled the thoroughness and accuracy of this one. It is a contribution for which Greenfield and Robinson will long receive from their colleagues that measure of gratitude reserved for Old English scholarship's most bounteous treasure-givers."--Carl T. Berkhout"What astonishes is how well [Greenfield and Robinson] have succeeded in what they set out to do, how uniformly excellent their volume is in all its profusion of information and detail. . . . The Bibliography will bring scholars that peculiar joy in complex intellectual work done well that only they know; it will be immensely useful, virtually indispensable--if not a vade mecum because of its size . . . then at least an enchiridion with which they will fight their battles on behalf of Beowulf and Brunanburb and the Blickling Homilies."--The Old English Newsletter"[A] volume long needed, [the Bibliography] will now become an indispensable reference work for every student of Old English literature from the beginner to the acknowledged authority."--British Book News
Medieval writers who 'translated' Latin texts into Germanic vernaculars not only transmitted their originals, but, driven by individualistic impulses and cultural conventions, also transformed them. This process of domesticating texts was fundamentally creative and might more accurately be described as 'reconstruction'. The essays in Germanic Texts and Latin Models: Medieval Reconstructions explore the ways in which Latin texts and traditions were reconstructed in Old English, Old Icelandic and Old High German and cover a range of genres: legal texts, genealogies, histories, and poetry. They examine how medieval Germanic authors negotiated the need to transmit their models while at the same time fulfilling their own political, artistic and didactic objectives in the creation of vernacular texts. These new studies demonstrate the variety of ways in which medieval Germanic texts were indebted to their Latin exemplars, while reflecting their new culturally specific circumstances in the complex nexus of Latin learning and Germanic lore.
The Deeds of the abbots of St Albans records the history of one of the most important abbeys in England, closely linked to the royal family and home to a school of distinguished chroniclers, including Matthew Paris and Thomas Walsingham. It offers many insights into the life of the monastery, its buildings and its role as a maker of books, and covers the period from the Conquest to the mid-fifteenth century. The Deeds of the abbots of St Albans is the longest continuous chronicle of a medieval monastery in England, following its fortunes from its first foundation in the wake of the first Viking raids to its status as a proud and prosperous pillar of the church establishment more than six centuries later. More than merely a common, conventual annal, the Deeds drew contributions from the most accomplished chroniclers of the St Albans school including Matthew Paris, Thomas Walsingham and perhaps William Rishanger. It is a history of one of the most important abbeys, under royal patronage and always at the apex of the church hierarchy; it also offers a glimpse of life inside the monastic community from the Conquest to within a century of the Dissolution. There are detailed descriptions of the building, and rebuilding, of the abbey church, and recounts the abbey's commitment to the making of books, from thefirst flowering of the scriptorium in the twelfth century - when a famous psalter was made for the anchorite Christina of Markyate - to its Indian summer in the years before 1400 under Thomas Walsingham himself. There are rare snapshots of the daily routine of the monks, their liturgical observances, their interactions with their staff, tenants, townspeople and guests. And it captures the colour and character of the celebrated figures seen at the abbey, from King John to Edward the Black Prince.