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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
This historic reference edition of Sergei Rachmaninoff's Piano Concerto No. 4, in G Minor, Op. 40 is the complete and final revised form, as last played by the composer in 1942. It is composed of three movements: Allegro vivace (Alla breve), Largo and Allegro vivace. Also included is an outstanding CD recording, from the Naxos label, by internationally renowned artist, Idil Biret, with the Polish National Radio Symphony Orchestra, Antoni Wit conducting. Biret has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.
Piano accompaniment for Suzuki Cello School, Volume 1. Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
The Piano Concerto in E-flat Major, WoO 4, is Beethoven¿s earliest concerto and probably his first work to use any sort of an orchestra. Probably composed in 1785, the work is a substantial one, with three fully-developed movements spread fairly evenly over its thirty-five minute length. A manuscript copy of the solo piano part (no full score has been found) contains all tutti sections as well as instrumental cues indicating an orchestra of two flutes, two horns, and strings. In 1943 a workable version for piano and orchestra assembled by Swiss musicologist Willi Hess was published, but it was a product of its time, and some liberties were taken (for instance, the endings of the second and third movements were changed). The present edition retains Beethoven¿s scoring and also features parts for bassoons, which would normally have played along on the bass line. The original endings of the Larghetto and Rondo have been restored, original dynamics are closely adhered to, thematic material is introduced at logical places, and interplay between the soloist and various instruments is featured at a number of locations. Beethoven tightened up this concerto by crossing out measures in all three movements, and these have been included in appendices.