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This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
What is The Zone? The Zone is intangible. It is that ideal - that place - that state of mind - where performing is easy, your actions are effortless, and your results exceed all expectations. Actors, musicians, public speakers, dancers, models, sports-people, entertainers, and singers - we're all performers. We all receive training, practise for countless hours, enter the performance environment, and sooner or later, for better or for worse, we get affected by the performance situation. We experience performance arousal - a phenomenon which can either get us into The Zone or cause devastating performance anxiety. So what really is performance arousal? How can you better understand it? How can you control your performance arousal instead of letting it control you? With Performing in The Zone, you too can discover the secrets of performance arousal and unleash your true performing potential! You too can perform in The Zone!
Kirill Kondrashin: His Life in Music presents a full biography of the artist, from his humble background and early conducting experience at age 17, through his 20 years in Leningrad and at the Bolshoi Theatre; from his breaking with the Bolshoi and the expanded symphonic career that followed, through his defection in 1978 and his unexpected death of a heart attack in 1981. Twenty photos are included, as well as a full discography, bibliography, and index.
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.