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This collection of interviews with nine of the world's greatest living musicians shines light on the jazz piano trio, one of the genre's most enduring formats. Interviewed musicians include Jeff Hamilton, Richard Davis, Joanne Brackeen, Jeff Ballard, Fred Hersch, Chuck Israels, Peter Erskine, Eric Reed, and Rufus Reid. There is also a lengthy analysis section comparing the diverse responses given by these intriguing individuals.
Examines the piano trio format through personal interviews, with corresponding analysis, of nine respected jazz musicians: Rufus Reid, Chuck Israels, Eric Reed, Fred Hersch, Jeff Ballard, Jeff Hamilton, Joanne Brackeen, Richard Davis, and Peter Erskine.
Robert Vandall combines elements of jazz and blues in these highly popular works for one piano, six hands. Titles are "Blue Threesome" and "In the Groove."
From Bud Powell in the early 1950s to Michael Wollny in 2013, via Ahmad Jamal, Duke Ellington, Brad Mehldau, and The Bad Plus, these are all outstanding jazz piano trio recordings, a perfect selection for someone discovering jazz for the first time or the collector looking for something fresh. Nine professional musicians discuss one of the most popular formats, the jazz piano trio. Interviewed musicians include: -Fred Hersch -Peter Erskine -Rufus Reid -Chuck Israels -Jeff Ballard -Eric Reed -Joanne Brackeen -Richard Davis -Jeff Hamilton * Legendary trio musicians answer these probing questions: -What's the difference between piano trios and rhythm sections? -Which piano trios influenced you most? -Why do you like playing in trios? -What makes a piano trio unique? -How do you hire another trio member? -What goes into playing a set of trio music? -What changes because of repertoire? -How much trio music is pre-arranged -Do you rehearse and, if so, how?
“The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street. Schiff writes with a sense of humor and an enthusiasm for Ellington's music that comes out on every page.”—George Manahan, Music Director, American Composers Orchestra “David Schiff points us forward, observing that ‘Ellington’s music asks us to see with our ears and hear with our eyes.’ Writing as a composer and scholar, he has a gift for making complex ideas strikingly clear. His insights move across a huge terrain of twentieth-century culture, as he builds bridges in his musical and cultural analysis where many have not seen a connection. Yet each musical work, each artist, is given his or her equal due. In this sense, he has met the spiritual and cultural challenge of Ellington’s life work.”—Marty Ehrlich, Composer/Instrumentalist, Associate Professor of Improvisation and Contemporary Music, Hampshire College
From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.