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Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Unlock the power of your imagination and elevate your photography to new heights with "Conceptual Photography: Turn Ideas into Art." This comprehensive guide is your trusted companion in the fascinating world of conceptual photography, offering invaluable insights and practical techniques to help you transform abstract ideas into captivating visual narratives. What You Will Discover in This Book: Inspiration and Ideation: Learn to generate and refine powerful concepts for your photography by drawing from personal experiences, literature, philosophy, and social issues. Planning and Pre-Production: Learn the essentials of pre-visualizing your shots and selecting the right locations, props, models, and lighting to enhance your concept. Execution Techniques: Master the technical aspects of capturing your vision, from camera settings and directing models to advanced lighting and composition techniques. Post-Production Mastery: Explore advanced editing methods to enhance your images, including color grading, retouching, and composite photography. Storytelling Through Imagery: Understand the principles of visual storytelling, creating compelling narratives, and engaging your audience on a deeper level. Showcasing Your Work: Get practical advice on building a professional portfolio, preparing for exhibitions, and leveraging online platforms to share your art with the world. Continuous Growth and Innovation: Embrace experimentation and innovation in your practice, pushing the boundaries of your creativity and staying ahead in the ever-evolving field of conceptual photography. "Conceptual Photography: Turn Ideas into Art" is more than a technical manual; it's an invitation to explore the depths of your creativity and express your unique vision through the art of photography. Whether you're a seasoned photographer looking to expand your artistic horizons or a passionate beginner eager to make a mark, this book provides the guidance and inspiration you need to succeed. Embark on a transformative journey and discover the limitless possibilities of conceptual photography. Let your ideas take flight and turn them into breathtaking works of art that captivate, provoke, and inspire.
Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”
When you look at an image, what do you see and feel? What do you want your audience to see and feel when they view your work? For over thirty years, Dr. Richard Zakia helped thousands of photographers hone in on their creative vision through the inspirational, informative text and images included in his classic book, Perception and Imaging. More than a step-by-step photography instruction manual, Perception and Imaging explores the fundamental act of photography – seeing – through a uniquely comprehensive combination of technique, history, visual perception, philosophy and psychology. No matter your level of technical skill, you can learn to think more clearly about what you wish to convey in your images. Fully revised to account for the unique influences and consequences of the digital revolution and online photosharing, John Suler newly addresses digital impermanence, sensory and cognitive overload, and the selfie, and their effects on perception. Additional coverage also includes microexpressions, Rorschach inkblots and subliminal reactions, transference, and synectics.
Géza Perneczky is a protagonist of Hungarian conceptual art and part of the Hungarian Neo-Avant-Garde. In 1970 the artist, art historian, art critic and author emigrated to Cologne, where he lives and works until today. Edited by Patrick Urwyler, this publication is the first comprehensive presentation of Géza Perneczky's conceptual photography, the artist realized between 1970-75 as a dissident in Germany. The experiences of this period and Perneczky's self-conception as an artist and art historian characterize these early works. In his introductory essay the art historian Dávid Fehér aptly describes Perneczky as a "critic of art" and "artist of critique," his conceptual practice correspondingly as "The Art of Reflection". Géza Perneczky's works can be found in collections such as The Metropolitan ­Museum of Art (New York), The Museum of Modern Art (New York), San Francisco Museum of Modern Art, Centre Pompidou (Paris) and Ludwig Museum (Budapest).
Providing a thorough and comprehensive introduction to the study of photography, this second edition of Photography: The Key Concepts has been expanded and updated to cover more fully contemporary changes to photography. Photography is a part of everyday life; from news and advertisements, to data collection and surveillance, to the shaping of personal and social identity, we are constantly surrounded by the photographic image. Outlining an overview of photographic genres, David Bate explores how these varied practices can be coded and interpreted using key theoretical models. Building upon the genres included in the first edition – documentary, portraiture, landscape, still life, art and global photography – this second edition includes two new chapters on snapshots and the act of looking. The revised and expanded chapters are supported by over three times as many photographs as in the first edition, examining contemporary practices in more detail and equipping students with the analytical skills they need, both in their academic studies and in their own practical work.An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photographic practice, visual culture, art, media and cultural studies.
In an age over-saturated with photographic imagery, Design Principles for Photography demonstrates how design awareness can add a new level of depth to your images. By adapting and experimenting with the tried and tested techniques used by graphic designers every day, you can add dynamism and impact to your imagery, whatever the style or genre - something that today's editors, curators and publishers are all crying out for.The second edition includes examples of unsuccessful compositions, annotated images highlighting key techniques and an expanded glossary. There’s also a new section on movements in photography and their reflection in composition, including modernism, expressionism, and surrealism and interviews with international practitioners discussing how they’ve included design principles in their work. Featured topics: Basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; justaposition; incongruity; mood and emotion.
Basics Creative Photography 01: Design Principles introduces photographers to a more considered approach that can add dynamism and impact to imagery, whatever the style or genre - something that today's editors, curators and publishers are all crying out for. In an age over-saturated with photographic imagery, this book demonstrates how design awareness can add a new level of depth to your images. Featured topics: Basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; justaposition; incongruity; mood and emotion Featured artists: Aleksandr Rodchenko; Angus Fraser; Angus McBean; Ansen Seale; Constantine Manos; Ernst Haas; Henri Cartier-Bresson; Libby Double-King; Martine Franck; Naoya Hatakeyama; Olivia Parker; Pascal Renoux; Steve Hart