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In Comrades and Enemies Zachary Lockman explores the mutually formative interactions between the Arab and Jewish working classes, labor movements, and worker-oriented political parties in Palestine just before and during the period of British colonial rule. Unlike most of the historical and sociological literature on Palestine in this period, Comrades and Enemies avoids treating the Arab and Jewish communities as if they developed independently of each other. Instead of focusing on politics, diplomacy, or military history, Lockman draws on detailed archival research in both Arabic and Hebrew, and on interviews with activists, to delve into the country's social, economic, and cultural history, showing how Arab and Jewish societies in Palestine helped to shape each other in significant ways. Comrades and Enemies presents a narrative of Arab-Jewish relations in Palestine that extends and complicates the conventional story of primordial identities, total separation, and unremitting conflict while going beyond both Zionist and Palestinian nationalist mythologies and paradigms of interpretation.
This second edition considers how the 'global war on terror' has changed the way the West views the Islamic world.
This is the story of Shateela camp and its people, the Palestinian refugees in Lebanon, one of the most vulnerable communities in a country torn apart by perpetual political anarchy and cruel violence. Drawing on oral history, it presents a compelling portrait of their experience of war-attack and aggression, bombings, abductions, executions and massacres-how they organized their own defence and survival, and how they related to one another during their successive crises.
General John A. Wickham, commander of the famous 101st Airborne Division in the 1970s and subsequently Army Chief of Staff, once visited Antietam battlefield. Gazing at Bloody Lane where, in 1862, several Union assaults were brutally repulsed before they finally broke through, he marveled, "You couldn't get American soldiers today to make an attack like that." Why did those men risk certain death, over and over again, through countless bloody battles and four long, awful years ? Why did the conventional wisdom -- that soldiers become increasingly cynical and disillusioned as war progresses -- not hold true in the Civil War? It is to this question--why did they fight--that James McPherson, America's preeminent Civil War historian, now turns his attention. He shows that, contrary to what many scholars believe, the soldiers of the Civil War remained powerfully convinced of the ideals for which they fought throughout the conflict. Motivated by duty and honor, and often by religious faith, these men wrote frequently of their firm belief in the cause for which they fought: the principles of liberty, freedom, justice, and patriotism. Soldiers on both sides harkened back to the Founding Fathers, and the ideals of the American Revolution. They fought to defend their country, either the Union--"the best Government ever made"--or the Confederate states, where their very homes and families were under siege. And they fought to defend their honor and manhood. "I should not lik to go home with the name of a couhard," one Massachusetts private wrote, and another private from Ohio said, "My wife would sooner hear of my death than my disgrace." Even after three years of bloody battles, more than half of the Union soldiers reenlisted voluntarily. "While duty calls me here and my country demands my services I should be willing to make the sacrifice," one man wrote to his protesting parents. And another soldier said simply, "I still love my country." McPherson draws on more than 25,000 letters and nearly 250 private diaries from men on both sides. Civil War soldiers were among the most literate soldiers in history, and most of them wrote home frequently, as it was the only way for them to keep in touch with homes that many of them had left for the first time in their lives. Significantly, their letters were also uncensored by military authorities, and are uniquely frank in their criticism and detailed in their reports of marches and battles, relations between officers and men, political debates, and morale. For Cause and Comrades lets these soldiers tell their own stories in their own words to create an account that is both deeply moving and far truer than most books on war. Battle Cry of Freedom, McPherson's Pulitzer Prize-winning account of the Civil War, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." For Cause and Comrades deserves similar accolades, as McPherson's masterful prose and the soldiers' own words combine to create both an important book on an often-overlooked aspect of our bloody Civil War, and a powerfully moving account of the men who fought it.
When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
Finally, an up-close look at our battlefield oponents of the Korean War, formidable enemies indeed.
Fifty years ago, reviewers across America hailed "Now We Are Enemies" as a masterpiece. It still remains the most complete account of the clash that changed the course of America history¿the battle of Bunker Hill. It was the first book about the battle in almost 100 years¿and it marked the emergence of an author who has become widely acknowledged as the best historian of the American Revolution writing today. American History Press is proud to be offering this special fiftieth anniversary edition of this classic work. The book¿s readability was¿and still is¿vividly clear from the opening pages. The drama¿s appeal swiftly expands from suspense to profoundly human dimensions. We meet privates, sergeants, lieutenants, colonels and generals from both armies who frequently tell their stories in their own words. There are pages rich in courage¿and laden with heartbreak. ¿For God¿s sake spare that man!¿ shouts Colonel Israel Putnam as his men take deadly aim at a British officer. ¿I love him as a brother!¿ The British commander, General William Howe, stares numbly at his shattered bleeding ranks and experiences ¿a moment I never felt before.¿ There is only one word for such history: unforgettable.
In the fall of 1865, the United States Army executed Confederate guerrilla Champ Ferguson for his role in murdering fifty-three loyal citizens of Kentucky and Tennessee during the Civil War. Long remembered as the most unforgiving and inglorious warrior of the Confederacy, Ferguson has often been dismissed by historians as a cold-blooded killer. In Confederate Outlaw: Champ Ferguson and the Civil War in Appalachia, biographer Brian D. McKnight demonstrates how such a simple judgment ignores the complexity of this legendary character. In his analysis, McKnight maintains that Ferguson fought the war on personal terms and with an Old Testament mentality regarding the righteousness of his cause. He believed that friends were friends and enemies were enemies—no middle ground existed. As a result, he killed prewar comrades as well as longtime adversaries without regret, all the while knowing that he might one day face his own brother, who served as a Union scout. Ferguson’s continued popularity demonstrates that his bloody legend did not die on the gallows. Widespread rumors endured of his last-minute escape from justice, and over time, the borderland terrorist emerged as a folk hero for many southerners. Numerous authors resurrected and romanticized his story for popular audiences, and even Hollywood used Ferguson’s life to create the composite role played by Clint Eastwood in The Outlaw Josey Wales. McKnight’s study deftly separates the myths from reality and weaves a thoughtful, captivating, and accurate portrait of the Confederacy’s most celebrated guerrilla. An impeccably researched biography, Confederate Outlaw offers an abundance of insight into Ferguson’s wartime motivations, actions, and tactics, and also describes borderland loyalties, guerrilla operations, and military retribution. McKnight concludes that Ferguson, and other irregular warriors operating during the Civil War, saw the conflict as far more of a personal battle than a political one.
This is the definitive account of a secular party that forged links between Arabs and Jews.
"Illuminating. . . . The entire field of modern Middle Eastern Studies still has remarkably little closely researched social history of this sort. Beinin's study adds to the work recently published by revisionist Israeli historians, debunking the dominant view of the origin and early history of the Palestine conflict and extending the revision into the 1950s and early 1960s. His explanation of the different political paths that were taken, turned back from, and lost sight of is an important—indeed vital—contribution to contemporary scholarly and political understanding."—Timothy Mitchell, New York University