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In this, Hannah More’s only novel and an early nineteenth-century best-seller, More gives voice to a wealthy twenty-three-year-old bachelor, who styles himself “Coelebs” (unmarried), but seeks a wife. After the death of his father, Coelebs journeys from the north of England to London, where he encounters a fashionable array of eager mothers and daughters before he visits the Hampshire home of his father’s friend, Mr. Stanley. Lucilla Stanley, Mr. Stanley’s daughter, is both an intellectual and a domestic woman, and Coelebs’ ideal partner. In this intelligent novel about the meeting of two minds, More shows the ways in which a couple becomes truly “matched” as opposed to merely “joined.” Along with a critical introduction, this Broadview edition includes a wide selection of historical documents, from reviews, imitations, and sequels of Coelebs in Search of a Wife to related contemporary writings on conduct, courtship, and women’s education.
In the first book-length study of the well-respected and popular British writer Elizabeth Hamilton, Claire Grogan addresses a significant gap in scholarship that enlarges and complicates critical understanding of the Romantic woman writer. From 1797 to 1818, Hamilton published in a wide range of genres, including novels, satires, historical and educational treatises, and historical biography. Because she wrote from a politically centrist position during a revolutionary age, Grogan suggests, Hamilton has been neglected in favor of authors who fit within the Jacobin/anti-Jacobin framework used to situate women writers of the period. Grogan draws attention to the inadequacies of the Jacobin/anti-Jacobin binary for understanding writers like Hamilton, arguing that Hamilton and other women writers engaged with and debated the issues of the day in more veiled ways. For example, while Hamilton did not argue for sexual emancipation à la Mary Wollstonecraft and Mary Hays, she asserted her rights in other ways. Hamilton's most radical advance, Grogan shows, was in her deployment of genre, whether she was mixing genres, creating new generic medleys, or assuming competence in a hitherto male-dominated genre. With Hamilton serving as her case study, Grogan persuasively argues for new strategies to uncover the means by which women writers participated in the revolutionary debate.
Written in 1954 and published in 1981, this fascinating study remains authoritative as an account of a body of opinion about women’s nature and role that was in vogue in America during the first half-century after independence. Combining intellectual and social history, this work was one of numerous attempts being made at the time to add depth to American social history dealing with women and women’s experiences before feminism. The author explores British sources of American thought as well, presenting an early comparative history, and offers a focus on religion to show how processes of change to ideas about women occurred.