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Verse and Transmutation: A Corpus of Middle English Alchemical Poetry identifies and investigates a corpus of twenty-one anonymous Middle English recipes for the philosophers’ stone through critical editions and studies on their histories in early modern manuscripts, literature and libraries.
Of interest to interdisciplinary historians as well as those in various other fields, this book presents the first publication of 14 poems ranging from 12 to 3,000 lines. The poems are printed in the chronological order of their composition, from Elizabethan to Augustan times, but nine of them are verse translations of works from earlier periods in the development of alchemy. Each has a textual and historical introduction and explanatory note by the Editor. Renaissance alchemy is acknowledged as an important element in the histories of early modern science and medicine. This book emphasises these poems’ expression of and shaping influence on religious, social and political values and institutions of their time too and is a useful reference work with much to offer for cultural studies and literary studies as well as science and history.
Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!
In Renaissance England and Scotland, verse libel was no mere sub-division of verse satire but a fully-developed, widely-read poetic genre in its own right. This fact has been hidden from literary historians by the nature of the genre itself: defamation was rigorously prosecuted by state and local authorities throughout the period. Thus most (but not all) libelling, in verse or prose, was confined to manuscript circulation. This comprehensive survey of the genre identifies all sixteenth-century verse libel texts, printed and transcribed. It makes fifty-two of the least familiar of these poems accessible for further study by providing critical texts with glosses and explanatory notes. In reconstructing the contexts of these poems, we identify a number of the libellers, their targets, the circumstances of attack, and the workings of the scribal networks that disseminated many of them over wide areas, often for decades. The book's concentration on poems restricted to manuscript circulation throws substantial new light on the nature of Renaissance scribal culture. As poetic technicians, its practitioners were among the age's most experimental and creative. They produced some of the most popular, widely read works of their age and beyond, while their output established the foundation upon which the seventeenth-century tradition of verse libel developed organically.
This descriptive catalogue of the western manuscripts dating to 1800 housed in the libraries of the University of Pennsylvania was begun in 1960 and was printed in six issues of The Library Chronicle. Actual use of the catalogue led to the revision of some of the entries, additions, and corrections which are incorporated in the present volume. One hundred and seventeen manuscripts are described here for the first time. The manuscripts are described in the order in which they were placed on the shelves, a common but not a logical arrangement. The compilers, therefore, have prepared an extensive index listing title entries; names of authors, scribes, and owners; persons referred to in the text; names of places and countries, as well as other entries deemed useful. The catalogue includes the manuscripts of the Rare Book Collection, Henry C. Lea Library, Edgar F. Smith Collection, and the Veterinary Library. Greatly facilitating access to the resources of the University Libraries, the catalogue also provides an intriguing description of bibliographical riches.
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